Encore and more (arr. for 2 flutes and piano)
Expected to ship in 1-2 weeks.
- Composers: Luise Adolpha Le Beau (1850-1927), Wolfgang Amadeus Mozart (1756-1791), Johann Sebastian Bach (1685-1750), Johann Strauss (1804-1849), Engelbert Humperdinck (1854-1921), Jules Mouquet (1867-1946), Franz Lachner (1803-1890), Robert Delanoff (1942-), Philippe Gaubert (1879-1941), Franz Schubert (1797-1828), Christoph Willibald Gluck (1714-1787), Felix Mendelssohn (1809-1847)
- Editors: Elisabeth Weinzierl, Edmund Wächter
- Format: Set of Parts
- Instrumentation (this edition): Piano, Flute I, Flute II
- Originally for: Piano, Violin, Voice, Basso continuo, Flute, Oboe, Soprano, Violin I, Violin II, Orchestra, Alto, Flute I, Flute II, Harp, SSAA Choir, Opera
- ISMN:
- Size: 8.9 x 12.0 inches
Description
Throughout music history, the repertoire of music for two flutes has been vast. in this volume, editors Elisabeth Weinzierl and Edmund Wächter have compiled original compositions and arrangements from three centuries for two flutes and piano, which they themselves like to play as encores or on other occasions, but which can also be played in lessons and at school concerts. The selection ranges from Johann Sebastian Bach to Mendelssohn to the contemporary Robert Delanoff.
Contents:
- Johann Sebastian Bach (1685–1750): Kanonisches Trio / Canonic Trio BWV 1040
- Christoph Willibald Gluck (1714–1787): Reigen seliger Geister / Scène des Champs-Élysées
- Franz Schubert (1797–1828): Moment musical, Op. 94, No. 3, D 780/3, arr. Wilhelm Popp (1828–1902)
- Franz Lachner (1803–1890): An den Mai, Op. 106, No. 9
- Felix (1809–1847): Gruß, Op. 63, No. 3
- Abschiedslied der Zugvögel, Op. 63, No. 2
- Hochzeitsmarsch / Wedding March (aus / from: Ein Sommernachtstraum / A Midsummer Night's Dream, Op. 61), arr. Ernesto Köhler (1849–1907)
- Johann Strauß (Vater) (1804–1849): Radetzky-Marsch (arr. Ernesto Köhler)
- Philippe Gaubert (1879–1941): Divertissement grec
- Jules Mouquet (1867–1946): Divertissement grec, Op. 23: Phrygienne
- Engelbert Humperdinck (1854–1921): Abendsegen / Evening Blessing (aus / from: Hänsel and Gretel)
- Luise Adolpha Le Beau (1850–1927): Canon, Op. 38
- Robert Delanoff (*1942): Zeit für Raki / Time for Raki (aus / from: Noble Tafelmusik / Noble Dinner Music)
- Zu den Werken
- About the compositions
Works:
- Bach: Canonic Trio, BWV 1040
- Reigen seliger Geister / Scène des Champs-Élysées from Gluck: Orphée et Eurydice (French Version), Wq. 41
- Duet "Prenderò quel brunettino" from Mozart: Così fan tutte, K. 588
- No. 3 from Schubert: 6 Moments musicaux, D 780, Op. 94
- F. Lachner: 6 Duets after L. Koch, Op. 106
- Mendelssohn: Gruss, MWV J 8, Op. 63
- Mendelssohn: Abschied der Zugvögel, MWV J 9, Op. 63
- Wedding March from Mendelssohn: A Midsummer Night's Dream (Incidental Music), MWV M 13, Op. 61
- J. Strauss: Radetzky-Marsch, Op. 228
- Gaubert: Divertissement Grec
- Mouquet: Phrygienne, No. 3 from Divertissement grec, Op. 23
- Abendsegen from Humperdinck: Hänsel and Gretel
- Le Beau: Canon, Op. 38
- Time for Raki from Delanoff: Noble Dinner Music
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
