Flute Solos from The Paris Conservatory
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- Composers: Jean-Louis Tulou (1786-1865), Alphonse Duvernoy (1842-1907), René de Boisdeffre (1838-1906), Émile Pessard (1843-1917), Charles Lefebvre (1843-1917), Adolphe Hennebains (1862-1914), Théodore Dubois (1837-1924), Alphonse Catherine, Xavier Leroux (1863-1919), Georges Guiraud (1868-1928), Joseph-Henri Altès (1826-1895)
- Editor: Martha Rearick
- Instrumentation (this edition): Piano, Flute
- Originally for: Piano, Violin, Flute
- ISBN:
- Size: 9.1 x 12.2 inches
Description
Seventeen short solos for flute and piano by eleven composers associated with the Paris Conservatory comprise this collection. Not as difficult as the "morceaux de concours", they are charming and descriptive - a welcome addition to the repertoire for the intermediate level flutist.
Interesting historical notes and a Foreword by Martha Rearick are special features of the collection. "Once again, we flutists are the beneficiaries of the remarkable work of our esteemed colleague, Martha Rearick.
Her new publication, "Flute Solos from the Paris Conservatory", is one of the most enticing and valuable compendiums to be published. It is a great gift to have new pieces available to us from some of our favorite flute composers. Ms. Rearick's background information about each composer and her glossary of French music terms, make this publication a total educational and inspirational package. Congratulations to Martha Rearick and to Falls House Press!" -Jeanne Baxtresser
Works:
- Tulou: Souvenir du theâtre Italien, Op. 122
- Altès: Romanza from 6 pièces caractéristiques, Op. 33
- Boisdeffre: Canzonetta from Mélodies, Op. 39
- Duvernoy: 2 Morceaux, Op. 41
- T. Dubois: Tityre from Poèmes Virgiliens
- Pessard: Deuxième pièce, Op. 28
- Pessard: Quatrième pièce, Op. 75
- Lefebvre: Scherzo, No. 2 from 2 pièces, Op. 72
- Hennebains: Rêverie-Caprice
- Leroux: Première Romance
- Leroux: Deuxième Romance
- Catherine: Barcarolle
- Catherine: Sérénade Mélancolique
- Guiraud: Légende et Danse Slaves
- Guiraud: Scherzetto-Valse
- Guiraud: Rêverie Tendre
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Flute Solos from The Paris Conservatory
