{"title":"Sheet music composed by Jake Landau (1995-)","description":"Jake Landau (1995-) is a composer from United States of America.","products":[{"product_id":"landau-sew-my-true-love-jubilee-just-theory","title":"Landau: Sew My True Love (Jubilee)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/jake-landau\"\u003eJake Landau (1995-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Mezzo Soprano, Drone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Sew My True Love (Jubilee) (2025) (drone a2)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094006583\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 18\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSew My True Love (Jubilee),\u003c\/em\u003e Jake Landau (2024)\nfor mezzo, drone a2, and piano\u003c\/p\u003e\n\u003cp\u003e\"Sew My True Love (Jubilee)\" was commissioned by mezzo Devony Smith and pianist Danny Zelibor for their debut album \u003cem\u003eIn This Short Life\u003c\/em\u003e , along with \"The Sake of You\".****\u003c\/p\u003e\n\u003cp\u003eDevony and Danny are both treasured collaborators, most frequently performing an artsong of mine called \"Mary's Song\" from the song cycle As He Is Mine. Taking the Scottish text of \"Mary's Song\" as inspiration, I dove into Appalachian folk song lyrics, for a musical lineage is traceable from Appalachia to Scotland and other parts of the British Isles (in addition to African and indigenous traditions). for many years, Jean Ritchie has been one of my favorite collectors and performers of American folk music. I dove deep into her catalogue and found the two texts that became these artsongs (and many more I hope to set in the future).****\u003c\/p\u003e\n\u003cp\u003eOf special musical interest in this song is the engagement of a drone—here defined as a pitch or group of pitches sounding constantly throughout a piece of music. As a lover of the simple as an anchor for the complex, I frequently use drones in my vocal and instrumental music. On an emotional level, I find that a drone communicates an insistence, an obsession, in which I find a lot to say. On the one hand, it is a jail cell, a harmonic prison, and the voice and piano are constantly pushing against the bars. Reharmonizations, dissonances, weaving above and below the drone—nothing is able to move or change it. But on the other, a drone is as much a canvas as it is a wall. These songs are the sounds of a person throwing themself against their own limitations: musical and emotional. Over the course of these songs, the character singing them does not change—they are merely revealed.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42686983503951,"sku":"139-005-VS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/83cb9141adad3e295c8ace0b09a9c8f2.png?v=1752087109"},{"product_id":"landau-the-sake-of-you-just-theory","title":"Landau: The Sake of You","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/jake-landau\"\u003eJake Landau (1995-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Mezzo Soprano, Drone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The Sake of You (2025) (drone a2)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094006590\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 13\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eThe Sake of You,\u003c\/em\u003e Jake Landau (2024)\nfor mezzo, drone a2, and piano\u003c\/p\u003e\n\u003cp\u003e\"The Sake of You\" was commissioned by mezzo Devony Smith and pianist Danny Zelibor for their debut album \u003cem\u003eIn This Short Life\u003c\/em\u003e \u003cem\u003e,\u003c\/em\u003e along with \"Sew My True Love (Jubilee)\".****\u003c\/p\u003e\n\u003cp\u003eDevony and Danny are both treasured collaborators, most frequently performing an artsong of mine called \"Mary's Song\" from the song cycle As He Is Mine. \"Mary's Song\" features in its third refrain an optional \"belting\" moment in which the singer is requested to climactically sing in their chest voice, a technique more common in musical theater and pop writing than in classical. Devony produces a magnificent version of this, so, when she and Danny approached me about writing some songs for their album, we knew we wanted to continue this unique idea.****\u003c\/p\u003e\n\u003cp\u003eDevony and Danny's album \u003cem\u003eIn This Short Life\u003c\/em\u003e featured texts exclusively by American writers. Taking the Scottish text of \"Mary's Song\" as inspiration, I began to explore Appalachian folk song lyrics. A musical lineage is traceable from the folk music traditions of Appalachia back to Scotland and other parts of the British Isles (in addition to African and indigenous traditions), so it felt a logical progression. for many years, Jean Ritchie has been one of my favorite collectors and performers of American folk music. I dove deep into her catalogue and found the two texts that became these artsongs (and many more I hope to set in the future).****\u003c\/p\u003e\n\u003cp\u003eOf special musical interest in this song is the engagement of a drone—here defined as a pitch or group of pitches sounding constantly throughout a piece of music. As a lover of the simple as an anchor for the complex, I frequently use drones in my vocal and instrumental music. On an emotional level, I find that a drone communicates an insistence, an obsession, in which I find a lot to say. On the one hand, it is a jail cell, a harmonic prison, and the voice and piano are constantly pushing against the bars. Reharmonizations, dissonances, weaving above and below the drone—nothing is able to move or change it. But on the other, a drone is as much a canvas as it is a wall. These songs are the sounds of a person throwing themself against their own limitations: musical and emotional. Over the course of these songs, the character singing them does not change—they are merely revealed.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42686989205583,"sku":"139-006-VS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/f688905753c46c8cf21be1e7f624b2e0.png?v=1752085990"},{"product_id":"landau-pieta-just-theory","title":"Landau: Pietà","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/jake-landau\"\u003eJake Landau (1995-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOpera\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: PIETÀ (2021)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 307\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eLibretto by Jake Landau and Andrea DelGiudice\u003c\/p\u003e\n\u003cp\u003ean opera in one act for chamber orchestra\u003c\/p\u003e\n\u003cp\u003eAgainst the dark, sinful city of 18th-century Venice, the \u003cem\u003eOspedale della Pietà\u003c\/em\u003e (a real historical institution) glows with hope, humor, and music. The \u003cem\u003ePietà\u003c\/em\u003e is an orphanage that takes girls off the street and trains them to sing and play instruments, forming one of Europe's most elite orchestras of the day. Daughters of the \u003cem\u003ePietà\u003c\/em\u003e (\u003cem\u003efiglie\u003c\/em\u003e) always perform from behind an impenetrable lattice, hidden from their audiences for propriety's sake. Though they are cared for there, the \u003cem\u003efiglie\u003c\/em\u003e are kept under strict lock and key.\u003c\/p\u003e\n\u003cp\u003eOutside the walls, the institution's wealthy \u003cem\u003epadroni\u003c\/em\u003e , Ugo and Editta, have raised teenage Giorgio as their adopted grandson. When Giorgio falls in love with a \u003cem\u003efiglia _named Genovieffa and takes her home to meet his grandparents, long-repressed family secrets rush to the surface. Editta, revealed to be a former _figlia\u003c\/em\u003e who will eventually become \u003cem\u003eSuor Angelica\u003c\/em\u003e's La Zia Principessa, sees in Genovieffa a chance to fight her way out from years of shame over what she once did to her young niece Angelica—Giorgio's mother. But will Editta be able to face down the truth of her trauma and have mercy on herself, even as the past begins to repeat itself?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstrumentation:\u003c\/strong\u003e Flute, oboe, clarinet, bassoon, horn trumpet, timpani, percusison 1-2, piano, strings, cast\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Vocal Score","offer_id":43533375897679,"sku":"139-008-VS","price":55.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":43533379960911,"sku":"139-008-FS","price":120.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3e152779365122478b4095bf4cecece2.jpg?v=1755808836"},{"product_id":"landau-as-it-unfolds-just-theory","title":"Landau: As It Unfolds","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/jake-landau\"\u003eJake Landau (1995-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: As It Unfolds (2021)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e8.5\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 12\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\"As It Unfolds\" was written in Narni, Italy at the same festival that commissioned my first opera, a one-act called \u003cem\u003ePietà\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eA year after the Covid outbreak had delayed \u003cem\u003ePietà's\u003c\/em\u003e premiere, the opera was finally opening, and alongside its planned partner \u003cem\u003eSuor Angelica\u003c\/em\u003e , by Puccini. Like \u003cem\u003ePietà\u003c\/em\u003e , \"As It Unfolds\" features a spinning out of Suor Angelica's themes, most obviously the \u003cem\u003eDies Irae\u003c\/em\u003e -like bells that open the opera. It is built out of these bells un- and refurling at an industrious tempo—like an ostinato (rather contrarily) in constant development—as swells of harmony propose exchange between in D Minor and Major.\u003c\/p\u003e\n\u003cp\u003eThere is a beautiful red room, a music salon, at the top of Narni's theater, where I was rehearsing the opera daily. Throwing open the windows and their red curtains would allow in the gale-force sound of the local church bells from a tower just across the small street. One time, in rehearsal, the bells rang out perfectly in sync with those called for in the opera, and in precisely the right key. My inner ear, buried somewhere in \u003cem\u003ePietà \/\/ Suor Angelica,\u003c\/em\u003e and my outer ear collided, and this inspired the explosions of sound scattered with direction throughout \"As It Unfolds\".\u003c\/p\u003e\n\u003cp\u003eDedicated with gratitude to Cristiana Pegoraro\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":43533381959759,"sku":"139-009-FS","price":20.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c9f97c06c3a7031ccf274a3662d40d3f.webp?v=1755809136"},{"product_id":"landau-violin-sonata-no-2-just-theory","title":"Landau: Violin Sonata No. 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/jake-landau\"\u003eJake Landau (1995-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Violin Sonata No. 2 (2015)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 22\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCoincidentally, my second violin sonata, like my first one, had its first movement written years before its others. After putting the \"Rhapsody\" movement aside for almost a decade, I found I had a lot more to say about these musical materials. I attribute this to the abstract nature of this and my first sonata, each of which could more easily go by a title made up of notes than by words. Devoid of a real \"program\", these notes remained as ripe as they ever were, one of the many reasons I gravitate towards names like \"Violin Sonata No. 2\".\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":43533386055759,"sku":"139-011-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/dfe7d7e99035a7f90f15dad1097e7764.webp?v=1755809317"},{"product_id":"landau-violin-sonata-no-1-just-theory","title":"Landau: Violin Sonata No. 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/jake-landau\"\u003eJake Landau (1995-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Violin Sonata No. 1 (2013)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 40\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003efor violin, piano, and optional drum set\u003c\/p\u003e\n\u003cp\u003eThis violin sonata was written over the course of about three years, from 2011-13. The first movement was completed in about a week, but I kept writing different movements to follow it, working out an overarching structure. It was composed with the idea of the pitch \"C\" being a home base, and the more the listener zooms out, the more apparent this becomes.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":43533386350671,"sku":"139-003-SP","price":40.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/995938d731d16d60b9447d311277a338.webp?v=1755809438"},{"product_id":"landau-ballads-just-theory","title":"Landau: Ballads","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/jake-landau\"\u003eJake Landau (1995-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eDouble Bass\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Ballads (2012) (3 double basses)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 12\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003efor three contrabasses\u003c\/p\u003e\n\u003cp\u003eVirtuosic, character-driven, and harmonically-focused, \"Ballads\" is a short piece for three string basses. Like three individuals trying to tell the same story, the basses shuffle through material all pointed in the same direction, suggesting new language at one moment and expressing impatience at the next. Thus, three perspectives on the same story, or ballad, are performed. \"Ballads\" was written while I was a part of the New York Youth Symphony's Composition Program.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":43533387923535,"sku":"139-010-SP","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d0e566e5040f1cd6d72cb418ebb744af.webp?v=1755809617"}],"url":"https:\/\/www.ficksmusic.com\/ja\/collections\/jake-landau.oembed","provider":"Ficks Music","version":"1.0","type":"link"}