Winterberg: Suite
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- Composer: Hans Winterberg (1901-1991)
- Format: Score & Set of Parts
- Instrumentation: Clarinet, Flute, Oboe, Bassoon, Harpsichord
- Work: Suite for Flute, Clarinet, Oboe, Bassoon, and Harpsichord (1959)
- ISMN:
- Size: 9.0 x 12.0 inches
- Pages: 148
Description
Hans Winterberg (1901-1991) left behind a rich chamber music oeuvre, which has only recently been made accessible through first editions and CD productions. in addition to one string trio, four string quartets and two wind quintets for the standard instrumentation of flute, oboe, clarinet, horn and bassoon, his estate contains works in the most diverse and sometimes most unusual combinations of winds, strings and keyboard instruments. The Suite for flute, oboe, clarinet, bassoon and harpsichord from 1959 was probably written - like many of his other works from the 1950s and 1960s - on commission from Bayerischer Rundfunk, although no traces of performances or broadcasts during the composer's lifetime have been found. As always with Winterberg, the unconventional, humorous and at times surreal handling of the material is surprising, making the Suite seem like an echo of Czech modernism of the interwar period, which Winterberg, who lived in Prague until his emigration to Munich in 1947, had a lasting influence on. The tonal language is moderately modern: Polytonality, modality, layers of fifths and fourths dominate. The character of the three movements is determined by the tension between the elegant aura of the harpsichord and the rusticity of the wind movement, between post-Janáček folklorism and neoclassical esprit à la Stravinsky.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
