{"title":"Sheet music composed by Gala Flagello (1994-)","description":"Gala Flagello (1994-) is a composer from United States of America.","products":[{"product_id":"flagello-self-talk-just-theory","title":"Flagello: Self-Talk","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eReed Quintet (Oboe, Clarinet, Alto Sax, Bass Clarinet, Bassoon)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-self-talk-2018\"\u003eSelf-Talk (2018)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSelf-Talk\u003c\/em\u003e (2018) is a piece about the stories we tell ourselves—our inner voice, our commentary on our own actions and emotions. Each movement depicts a different manifestation of self-talk. The first movement, \"Fable,\" musically illustrates how one might learn about themselves over time through trial and error. The rhythmic material of this movement was constructed from a line of poetry from Jim Harrison's \u003cem\u003eSuite to Fathers\u003c\/em\u003e : \"I was a fable to myself.\" The second movement, \"Transformation,\" explores how one's perspective shifts over time, embodied by the melodic transformations heard after each musical interruption. The final movement, \"Pursuit,\" celebrates progress toward a dream or goal and the unexpected twists and turns one might experience in pursuit of it.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42732768297039,"sku":"110-023-SP","price":50.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42732773703759,"sku":"110-023-FS","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4c8f9b6a7eeacbbd9d26f691d56d96c8.png?v=1752072486"},{"product_id":"flagello-self-talk-version-for-chamber-winds-just-theory","title":"Flagello: Self-Talk (Version for Chamber Winds)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eChamber Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eReed Quintet (Oboe, Clarinet, Alto Sax, Bass Clarinet, Bassoon)\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-self-talk-2018\"\u003eSelf-Talk (2018)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSelf-Talk,\u003c\/em\u003e by Gala Flagello\nfor reed quintet (2018)\narr. for chamber winds (2024)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChamber winds instrumentation:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFlute 1-2, oboe 1-2, english horn, clarinet 1-2, bass clarinet, bassoon 1-2, contrabassoon, horn 1-4\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSelf-Talk\u003c\/em\u003e (2018, arr. 2024) is a piece about the stories we tell ourselves—our inner voice, our commentary on our own actions and emotions. Each movement depicts a different manifestation of self-talk. The first movement, \"Fable,\" musically illustrates how one might learn about themselves over time through trial and error. The rhythmic material of this movement was constructed from a line of poetry from Jim Harrison's \u003cem\u003eSuite to Fathers\u003c\/em\u003e : \"I was a fable to myself.\" The second movement, \"Transformation,\" explores how one's perspective shifts over time, embodied by the melodic transformations heard after each musical interruption. The final movement, \"Pursuit,\" celebrates progress toward a dream or goal and the unexpected twists and turns one might experience in pursuit of it.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42732777635919,"sku":"110-023.01-SP","price":75.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42734211039311,"sku":"110-023.01-FS","price":35.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3e2175c10c6733fd19731dcd3241e30b.png?v=1749443897"},{"product_id":"the-assembly-quartet-pedagogy-project-volume-1-just-theory","title":"The Assembly Quartet Pedagogy Project - Volume 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e, Josh Bradford, \u003ca href=\"\/ja\/collections\/grace-baugher-dunlap\"\u003eGrace Baugher-Dunlap (1995-)\u003c\/a\u003e, Ryan Todd\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSaxophone Quartet, Saxophone Quartet (Soprano, Alto, Tenor, Baritone)\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094006637\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 34\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCompiled and edited by The Assembly Quartet\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded Works\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJosh Bradford, \u003cem\u003eSupplication and Celebration\u003c\/em\u003e(AATB) - Grade 4\u003c\/li\u003e\n\u003cli\u003eGrace Baugher Dunlap, \u003cem\u003eMountain Mornings\u003c\/em\u003e (SATB) - Grade 3\u003c\/li\u003e\n\u003cli\u003eGala Flagello, \u003cem\u003eRed Giant\u003c\/em\u003e(SATB\/AATB) - Grade 4\u003c\/li\u003e\n\u003cli\u003eRyan Todd, \u003cem\u003eThe Three Semi-Wise Men\u003c\/em\u003e (SATB\/AATB) - Grade 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Assembly Quartet Pedagogy Project\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDriven by our passion for creating new music for the saxophone and sharing our love of chamber music with the next generation, the Assembly Quartet has embarked on a long-term, large-scale commissioning, concertizing, recording, and publication project of new works for SATB and AATB saxophone quartet that are artistically fulfilling and playable by driven high school and early collegiate level musicians. While much music of great quality has been written for saxophone quartet, often that music can be quite challenging for young musicians. Additionally, much of the entry level music features transcriptions of baroque and classical period music. This project seeks to enrich that repertoire with new faces, diverse perspectives, and re-imaginations of what chamber music can be for developing musicians.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eFlagello: Red Giant (2023)\u003c\/li\u003e\n\u003cli\u003eBradford: Supplication and Celebration\u003c\/li\u003e\n\u003cli\u003eBaugher-Dunlap: Mountain Mornings (2022)\u003c\/li\u003e\n\u003cli\u003eTodd: The Three Semi-Wise Men\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42732806799439,"sku":"152-001-SP","price":50.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/924b129756189db04596af4a18419c4a.png?v=1752066169"},{"product_id":"flagello-matriarch-just-theory","title":"Flagello: Matriarch","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eWind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Matriarch (2020)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094008365\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 24\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eMatriarch\u003c\/em\u003e , Gala Flagello (2020) 7'30\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMatriarch\u003c\/em\u003e , written for the 2020 Michigan Music Teachers Association Commissioned Composer Prize, was inspired by my two grandmothers, Dianne Flagello and Olive Herring, who were matriarchs in every sense of the word. From them, I learned how to lead, energize, forgive, empathize, persevere, and, most relevantly to this piece, evolve. Grandma and Nanny are true role models, and this made me wonder what parts of myself come from them. When I react to a difficult situation or celebrate an accomplishment, the way in which I do it is borne of the family who came before me. \u003cem\u003eMatriarch _uses musical material based on my own name to demonstrate how we learn to move through the world through the lives of our ancestors. The Gala Flagello theme encounters many twists and turns as it adapts to changes in its environment (texture), headspace (range), personal circle (voicing), and age (duration). When I reach 90, as Grandma will this year, or 93, like Nanny did, I hope to be even half the matriarch these women represent to me. Special thanks to the Michigan Music Teachers Association and Music Teachers National Association for supporting the Commissioned Composer Prize, and to Pure Winds for premiering _Matriarch\u003c\/em\u003e and championing new music for wind quintet.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42784978960463,"sku":"110-048-SP","price":45.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42784979779663,"sku":"110-048-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/46f3dd8f7dd6a422c9b429612b46d8c8.png?v=1752069815"},{"product_id":"flagello-dabble-just-theory","title":"Flagello: Dabble","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSaxophone Quartet (Soprano, Alto, Tenor, Baritone)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-dabble-2019\"\u003eDabble (2019)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 47\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eDabble\u003c\/em\u003e (2019) 5'30\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDabble\u003c\/em\u003e (2019) for saxophone quartet, is a piece about the act – and perhaps art – of dabbling: doing things you're bad at (or only superficially good at) precisely because you enjoy doing them, full well knowing you'll never be the best at whatever it is, and that that is part of the fun. Throughout the work, the quartet explores the process of doing, making, and being, never letting sudden jolts and bumps, comments and interruptions, stop them in their pursuit of dabbling.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42784987414607,"sku":"110-010-SP","price":40.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42785807564879,"sku":"110-010-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d7d3e2748bd7fa270725b102985708dd.png?v=1752072481"},{"product_id":"flagello-dabble-arr-for-clarinet-quartet-just-theory","title":"Flagello: Dabble (arr. for clarinet quartet)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eClarinet I, Clarinet II, Bass Clarinet, E-flat Clarinet\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSaxophone Quartet (Soprano, Alto, Tenor, Baritone)\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-dabble-2019\"\u003eDabble (2019)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094008518\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 47\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eDabble\u003c\/em\u003e (2019, arr. 2025) 5'30\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDabble\u003c\/em\u003e (2019) for saxophone quartet, is a piece about the act – and perhaps art – of dabbling: doing things you're bad at (or only superficially good at) precisely because you enjoy doing them, full well knowing you'll never be the best at whatever it is, and that that is part of the fun. Throughout the work, the quartet explores the process of doing, making, and being, never letting sudden jolts and bumps, comments and interruptions, stop them in their pursuit of dabbling.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42784990789711,"sku":"110-010.01-SP","price":40.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42784991051855,"sku":"110-010.01-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/884ab73e6b20be1ef34341eedd94313b.jpg?v=1752089606"},{"product_id":"flagello-everything-beautiful-just-theory","title":"Flagello: Everything Beautiful","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Everything Beautiful (2024)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094006606\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 30\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eEverything Beautiful,\u003c\/em\u003e Gala Flagello (2024) 6'30\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEverything Beautiful\u003c\/em\u003e (2024) sonically explores the following quote by Herman Melville: \"Real strength never impairs beauty or harmony, but it often bestows it, and in everything imposingly beautiful, strength has much to do with the magic.\" The work seeks beautiful moments in the small and intimate as well as the intense and bombastic, demonstrating that beauty manifests in myriad forms. Tender solo passages contrast with tutti grandeur in a conversation of strength versus power, what it might mean to impose beauty, and how we can illuminate the magic that bestows it in our everyday lives. Everything Beautiful was commissioned by the Contemporary Youth Orchestra in celebration of their 30th season.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 3.3.3.3\/4.3.3.1\/timp.3 perc\/pno\/strings\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42785823195215,"sku":"110-037-FS","price":75.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0988bc025522b78bf353e92039a1409b.png?v=1749442970"},{"product_id":"flagello-love-nature-just-theory","title":"Flagello: Love \u0026 Nature","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eConcert Band\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Love \u0026amp; Nature (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 45\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003efor wind band | Grade 4-5 10'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLove \u0026amp; Nature\u003c\/em\u003e (2024) was commissioned by a consortium of wind bands led by the University of Illinois Urbana-Champaign and explores how love prevails through cosmic lore, social movements, and mercurial mythos. Each of the work's three movements connect a different instrumental sound world to the concepts of earth, air, and fire, depicting a blossoming of kindness and hope for the future of our planet. The first movement, \"Flower Power,\" is inspired by the titular social movement of the 1960s–1970s and sonically critiques the juxtaposition of fragility and strength, beauty and utility, and nonviolence and force. \"Flower Power\" reflects the ethos of Marc Riboud's iconic photograph \u003cem\u003eThe Ultimate Confrontation: The Flower and the Bayonet\u003c\/em\u003e and incorporates a musical Easter egg—a countermelody for counterculture. The second movement, \"Star-Crossed,\" summons the hope, whimsy, and longing of its ill-fated protagonists through celestial textures and luminous scoring. The third and final movement, \"Slow Burn,\" explores both versions of the titular literary trope—romantic and anger-fueled—through the arboraceous lens of controlled fire, an originally indigenous practice that mitigates the drought-driven effects of climate change. \"Slow Burn\" foregrounds bright and wooden sounds to pay homage to our forests and the necessity of ecological restoration.\u003c\/p\u003e\n\u003cp\u003eSpecial thanks to Kim Fleming, Christi Blahnik, Rachel Zephir, Ashley Killam, Ancel \"Fitz\" Neeley, Michael Avitabile, Sagar Anupindi, Allison Chu, and Hannah Hickman for their guidance during the writing of this work. and Pete Williams: to the moon and back. Endless gratitude to the bands whose support has made \u003cem\u003eLove \u0026amp; Nature\u003c\/em\u003e a reality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstrumentation:\u003c\/strong\u003e Piccolo, Flute 1-2, Oboe 1-2, Clarinet 1-3, Bass Clarinet, Bassoon 1-2, opt. Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet 1-3, Horn 1-2, Trombone 1-3, Euphonium, Tuba, Piano, Timpani, Percussion 1-4\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42785837678671,"sku":"110-035-SP","price":250.25,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42785841217615,"sku":"110-035-FS","price":75.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/20130245f00dcf8e337f1e5ea37f725c.png?v=1752073019"},{"product_id":"flagello-droughts-and-downpours-just-theory","title":"Flagello: Droughts and Downpours","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eDouble Bass Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-droughts-downpours-2024\"\u003eDroughts \u0026amp; Downpours (2024)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094006408\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 32\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eDroughts and Downpours\u003c\/em\u003e , for bass septet, Gala Flagello (2024)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDroughts and Downpours\u003c\/em\u003e(2024) was commissioned by the Tanglewood Music Center and explores the concepts of scarcity and abundance through the sonic depiction of rainfall (or lack thereof). The ensemble evokes doubt, longing, hope, and joy through sound worlds of aridity, mist, drizzle, and deluge; harmonics and pizzicato braid with ostinati and percussive effects in search of \"enough.\" As climate change has made droughts \"more frequent, longer, and more severe\" (usgs.gov), how can we cherish and care for the world around us?\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42826134585423,"sku":"110-034-SP","price":50.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42826141237327,"sku":"110-034-FS","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/1b7bcbebaa9d85702c1b35c13d17e612.png?v=1752071266"},{"product_id":"flagello-i-could-fall-just-theory","title":"Flagello: I Could Fall","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eTreble Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-i-could-fall-2016\"\u003eI Could Fall (2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eI Could Fall\u003c\/em\u003e(2016) is a meditation on the evolution of trust. The piece is marked \"freely\" so that the performers may make decisions on the evenness or unevenness of tempo and phrasing—a microcosm of changing human emotion, whether toward oneself, another individual, or the situation at hand. Thank you to the Dulciana Vocal Ensemble of Dublin, Ireland for premiering this work.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42826178691151,"sku":"110-044-VS","price":3.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0effde13bf76440a4a9cfac9a777c01e.png?v=1752091530"},{"product_id":"flagello-i-could-fall-version-for-brass-ensemble-just-theory","title":"Flagello: I Could Fall (Version for Brass Ensemble)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eBrass Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eTreble Choir\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-i-could-fall-2016\"\u003eI Could Fall (2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 10\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eI Could Fall,\u003c\/em\u003e arr. brass ensemble (2025) 4'\u003c\/p\u003e\n\u003cp\u003eInstrumentation: Horn 1-2, Trumpet 1-3, Trombone 1-3, Euphonium, Tuba\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI Could Fall \u003c\/em\u003e(2016, arr. 2025) is a meditation on the evolution of trust. The piece is marked \"freely\" so that the performers may make decisions on the evenness or unevenness of tempo and phrasing—a microcosm of changing human emotion, whether toward oneself, another individual, or the situation at hand. Thank you to the Dulciana Vocal Ensemble of Dublin, Ireland for premiering this work and to Michael S. Brown Jr. for commissioning this brass ensemble arrangement of \u003cem\u003eI Could Fall.\u003c\/em\u003e\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42826180067407,"sku":"JAT-110-044.01-SP","price":40.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42826181017679,"sku":"JAT-110-044.01-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e8a8dd589c1b25b238ac2b9a0454ac00.png?v=1749674004"},{"product_id":"flagello-modern-legacy-just-theory","title":"Flagello: Modern Legacy","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eConcert Band\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Modern Legacy (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 85\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eModern Legacy,\u003c\/em\u003e Gala Flagello (2025) 12'30\"\nfor large chamber winds\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eModern Legacy\u003c\/em\u003e (2025) is a rollicking exploration of the lineage of conventions and their enduring ability to inspire generations of contemporary concoctions. Each of the work's three movements references iconic pillars of the chamber winds repertoire while showcasing different sections of the ensemble. in the first movement, \"Partita,\" a fragment of Mozart's \u003cem\u003eGran Partita\u003c\/em\u003e attempts to conscript all instrument families to its cause, whimsically whirling through a kaleidoscope of classical and contemporary exchanges. The second movement, \"Serenade,\" is a nod to Dvořák's \u003cem\u003eSerenade for Winds\u003c\/em\u003e , featuring slippery harmonic moments, a leap-laden cantabile main melody, and a trio section that may not be what it seems. in the third and final movement, \"Concertino,\" the ensemble and piano soloist transmute vestiges of Stravinsky's \u003cem\u003eConcerto for Piano and Wind Instruments\u003c\/em\u003e , shapeshifting through stark and resonant harmony, intricate imitative surges, and fearless rhythmic excursions. \u003cem\u003eModern Legacy\u003c\/em\u003e celebrates this instrumentation's collective power as well as the intimacy and distinctiveness of its component parts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChamber winds instrumentation:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePiccolo, flute, oboe 1-2, clarinet, bass clarinet, bassoon, contrabassoon, alto saxophone, baritone saxophone, horn 1-2, trumpet 1-2, percussion, piano, double bass\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42826184196175,"sku":"110-041-SP","price":90.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42829274382415,"sku":"110-041-FS","price":45.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/394d2ab39e11d4124c7ad02ce2e56e74.png?v=1749648823"},{"product_id":"flagello-embers-just-theory","title":"Flagello: Embers","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Tuba\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Embers (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094008433\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 14\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eEmbers\u003c\/em\u003e(2025) uses the glowing, smoldering imagery of a fading fire to sonically explore hope after loss, moving through grief, and the importance of small moments of joy and delight. The piece traces a wistful glimmer, a brilliant blaze, and an inquisitive spark through morphing textures and tempi, gesturing to a non-linear journey through the stages of grief and the ultimate peace and gratitude one might seek. Many thanks to Jarrett McCourt for his generosity, guidance, and tireless support of new music.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42826185703503,"sku":"110-049-SP","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5dd5994d55e08fdfa3ca316bbff10d24.png?v=1749647747"},{"product_id":"flagello-watch-me-just-theory","title":"Flagello: Watch Me","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eMale Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-watch-me-2023\"\u003eWatch Me (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eWatch Me\u003c\/em\u003e (2023) was written for the University of Michigan Men's Glee Club, Mark Stover, conductor. The piece explores the difference in intensity between the verbs \"see,\" \"look,\" and \"watch,\" juxtaposing the individual perspective (\"me\") with that of the collective (\"us\"). Throughout \u003cem\u003eWatch Me\u003c\/em\u003e, the choir demands attention, asks for consideration, and defies expectation through dynamic, registral, and rhythmic shifts. To what and whom do we dedicate our attention and with what level of intentionality? Is the attention we give one another curious? Severe? Tender? Many thanks to the University of Michigan Men's Glee Club for bringing \u003cem\u003eWatch Me\u003c\/em\u003e to life.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42826191863887,"sku":"110-045-VS","price":3.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c139697b15bf80ae1fed5fd11c2f8ca0.png?v=1752074895"},{"product_id":"flagello-watch-me-version-for-brass-ensemble-just-theory","title":"Flagello: Watch Me (Version for Brass Ensemble)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eBrass Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eMale Choir\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-watch-me-2023\"\u003eWatch Me (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 34\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eWatch Me,\u003c\/em\u003e arr. brass ensemble (2025) 4'\u003c\/p\u003e\n\u003cp\u003eInstrumentation: Horn 1-2, Trumpet 1-3, Trombone 1-3, Euphonium, Tuba\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWatch Me\u003c\/em\u003e (2023, arr. 2025) was written for the University of Michigan Men's Glee Club, Mark Stover, conductor. The piece explores the difference in intensity between the verbs \"see,\" \"look,\" and \"watch,\" juxtaposing the individual perspective (\"me\") with that of the collective (\"us\"). Throughout \u003cem\u003eWatch Me\u003c\/em\u003e , the choir demands attention, asks for consideration, and defies expectation through dynamic, registral, and rhythmic shifts. To what and whom do we dedicate our attention and with what level of intentionality? Is the attention we give one another curious? Severe? Tender? Many thanks to the University of Michigan Men's Glee Club for premiering \u003cem\u003eWatch Me\u003c\/em\u003e and to Michael S. Brown Jr. for commissioning this brass ensemble arrangement.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42826191962191,"sku":"JAT-110-045.01-SP","price":40.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42831114600527,"sku":"JAT-110-045.01-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ecb517ad0abdb1a8764db64a434f9754.png?v=1749674884"},{"product_id":"flagello-the-parting-glass-just-theory","title":"Flagello: The Parting Glass","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-the-parting-glass-2014\"\u003eThe Parting Glass (2014)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eThe Parting Glass\u003c\/em\u003e (arr. 2014) is an arrangement of the traditional Scottish\/Irish song that highlights the love, loss, celebration, and nostalgia of a gathering of friends. This arrangement's changing meters, subito dynamics, and orchestrational pivots evoke the twists and turns of life and gesture to hope for the future, even when one's own path is unsure or unknown. The Parting Glass was arranged for the 2014 Composers on Holiday album project that fundraised for St. Jude's Children's Research Hospital.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42826195664975,"sku":"110-027-VS","price":4.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/1aa0114fd8789b945be2323ea1475689.png?v=1752077424"},{"product_id":"flagello-the-parting-glass-version-for-brass-ensemble-just-theory","title":"Flagello: The Parting Glass (Version for Brass Ensemble)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eBrass Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-the-parting-glass-2014\"\u003eThe Parting Glass (2014)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 12\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eThe Parting Glass \u003c\/em\u003e(arr. 2025) is an arrangement of the traditional Scottish\/Irish song that highlights the love, loss, celebration, and nostalgia of a gathering of friends. This arrangement's changing meters, subito dynamics, and orchestrational pivots evoke the twists and turns of life and gesture to hope for the future, even when one's own path is unsure or unknown. A huge thanks to Horns of the Heartland for commissioning the horn choir arrangement and Michael S. Brown Jr. for commissioning the brass ensemble arrangement of \u003cem\u003eThe Parting Glass.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrass ensemble arrangement (2025)\u003c\/strong\u003e 4'\nInstrumentation: Horn 1-2, Trumpet 1-3, Trombone 1-3, Euphonium, Tuba\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42826203627599,"sku":"110-028.01-SP","price":40.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42831212806223,"sku":"110-028.01-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e3fa76a1c2da98d8d49014d55406f666.png?v=1749649636"},{"product_id":"flagello-smoke-and-mirrors-just-theory","title":"Flagello: Smoke and Mirrors","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Tenor Saxophone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-smoke-and-mirrors-2024\"\u003eSmoke and Mirrors (2024)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 15\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSmoke and Mirrors\u003c\/em\u003e (2024) sonically conjures misdirection, mystery, and the obscuring of truth through two opposing but complementary themes, one curling and mischievous, the other measured and yearning. The soloist and piano collaborate, converse, jeer, sympathize, and dream, ending where they began but with new perspective gained from navigating this exercise in smoke and mirrors.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":43533398999119,"sku":"110-042-SP","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0216facede24daa5ffc742547a161954.webp?v=1755810458"},{"product_id":"flagello-what-the-trees-know-just-theory","title":"Flagello: What the Trees Know","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Oboe, Marimba\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: What the Trees Know (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 15\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eWhat the Trees Know\u003c\/em\u003e(2023) was inspired by Richard Powers' \u003cem\u003eThe Overstory\u003c\/em\u003e , the novel I was reading while in-residence at the Gabriela Lena Frank Creative Academy of Music in December 2022, during which time my colleagues and I visited the California Redwoods on which the book centers. I began to triangulate the ancient trees I read about at night, their real-life incarnations I saw during the day, and their arborous cousins—maple, spruce, rosewood, and grenadilla—comprising the instruments for which I was writing. \u003cem\u003eWhat the Trees Know\u003c\/em\u003e seeks to capture not only the visceral woodiness of this entire experience but also the coinciding lessons I learned from the novel, the Redwoods, and my GLFCAM mentors. The piece musically explores collaboration (as trees work together to find sunlight), community (as dead trees support a host of wildlife), communication (as fungal networks talk to one another), and care (as dying Douglas-firs return their nutrients to the soil).\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":43533408108623,"sku":"110-050-SP","price":35.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/87e6c29a204e066011f64dd7101b2080.webp?v=1755810998"},{"product_id":"flagello-monochrome-metronome-just-theory","title":"Flagello: Monochrome Metronome","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eBrass Quintet (Trumpet I, Trumpet II, Horn, Trombone, Tuba)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Monochrome Metronome (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 17\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eMonochrome Metronome\u003c\/em\u003e (2025) celebrates the vivid color and shifting texture unique to brass quintet. Through a lens of relentless forward motion—from skittering and playful to churning and powerful—the piece sonically depicts subtle variations of shades within a single color (tempo), highlighting each member of the quintet as they journey through a prism of different energetic landscapes. Groupings of two and three drive the ensemble metrically, rhythmically, and orchestrationally, enveloping listeners in the rich, tender, daring, and vibrant tints and tones that brass has to offer.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44314150240335,"sku":"110-051-SP","price":50.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/114c1547aa49adabd56e6dab6f702822.webp?v=1767737344"},{"product_id":"flagello-devils-in-the-details-just-theory","title":"Flagello: Devil's in the Details","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Tuba, Euphonium\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Devil's in the Details (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009195\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 25\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eDevil's in the Details \u003c\/em\u003e(2025) evokes the intricacies and entanglements of the titular idiom while challenging its inherently dark connotation. Coming into the zeitgeist in the 1960s, \"the devil's in the details\" is derived from the saying \"God is in the details,\" and interestingly, over time, these idioms have become interchangeable. The euphonium, tuba, and piano weave a tangled web of textures as they explore spiky terrain, slither in tandem, cavort, and converse. As the work progresses, the trio's devil-may-care attitude transforms as they unearth wistfulness and wonder in their supposedly fiendish environment.\u003cem\u003e Devil's in the Details\u003c\/em\u003e is a piece about intention, reflection, and connection, sonically illustrating that things may not always be what they seem.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44539823849551,"sku":"JAT-110-053-SP","price":35.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4badb0363be9caebca181f82aeda884e.jpg?v=1772644227"},{"product_id":"flagello-fibonacci-just-theory","title":"Flagello: Fibonacci","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Tuba\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Fibonacci (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094011778\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 19\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eFibonacci\u003c\/em\u003e(2025) sonically explores the titular sequence and its foundational role in not only mathematics but the magnificent natural world around us. From the branching pattern of trees to the family tree of honeybees, the Fibonacci sequence appears in all facets of our environment, in addition to its use by humans in architecture, art, and design. Fibonacci asks what we hear as natural versus unnatural, organic versus inorganic, as we contemplate the pervasiveness of this sequence in our daily lives. Do we inherently perceive something that is mathematically constructed as stilted or artificial? Can patterns blossom organically and calculations arrive effortlessly? This work employs the first nine Fibonacci numbers intervallically, harmonically, rhythmically, and metrically, showcasing the rich tone and registral possibilities of the tuba as the performers journey through a systematically shifting world. Many thanks to Nathan Shook for commissioning \u003cem\u003eFibonacci\u003c\/em\u003e and for his tireless support of new music.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44539830763599,"sku":"JAT-110-052-SP","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/fd9510f877357df1abf1b6d646778705.jpg?v=1772644407"},{"product_id":"flagello-enough-just-theory-1","title":"Flagello: Enough","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin, Bassoon, Percussion\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Enough (2018)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009959\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 25\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eEnough\u003c\/em\u003e(2018) was written for the mixed quartet Front Porch and explores the concept of \"enough.\" As musicians, we ask ourselves \"Is this enough?\" in a multitude of specific situations: \"Is it loud\/soft\/high\/low\/long\/short\/etc. enough?\" More largely, as human beings, we ponder our purpose in life, the things that fulfill us, and the actions we take, all in the name of what is or could be \"enough\" for us. The piece examines these questions on both a musical and extra-musical level as the quartet investigates what is enough—technically, stylistically, and emotionally.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":44902651428943,"sku":"JAT-110-068-SP","price":50.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":44902651461711,"sku":"JAT-110-068-FS","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/aaf2775ca1faf2589b66ca8f4c61ed6e_64ae02de-3832-43ff-802f-edc82ce1e7b0.jpg?v=1773863758"},{"product_id":"flagello-chloe-summers-just-theory","title":"Flagello: Chloe Summers","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSoprano, Alto Saxophone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Chloe Summers (2019)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010832\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 15\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eChloe Summers \u003c\/em\u003e(2019) is a fictionalized account of the composer's experience winning a new music competition, having written the submitted piece in a very short period of time and thinking the pseudonym she chose for the competition application to be silly. The name had a ring to it, though, so the joke became that the composer won the competition because of the pseudonym rather than in spite of it. The text of \u003cem\u003eChloe Summers\u003c\/em\u003e is from the perspective of the competition adjudication panel as they write to the composer, with perhaps too much honesty, to inform her that she (and\/or \"Chloe Summers\") has won.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44902753665103,"sku":"JAT-110-064-FS","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/61682a24a3d2e00a54dbf8accf49b1d4.webp?v=1773864026"},{"product_id":"flagello-burn-as-brightly-version-for-2-saxophones-just-theory","title":"Flagello: Burn as Brightly (Version for 2 Saxophones)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eAlto Saxophone, Soprano Saxophone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Violin\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-burn-as-brightly-2023\"\u003eBurn as Brightly (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009980\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eBurn as Brightly \u003c\/em\u003e(2023) was inspired by and titled after a quote by playwright George Bernard Shaw: \"I rejoice in life for its own sake. Life is no brief candle for me. It is a sort of splendid torch which I have got hold of for the moment, and I want to make it burn as brightly as possible before handing it on to future generations.\" The main musical motive of _ Burn as Brightly_ is borrowed from the Prelude of J.S. Bach's Partita No. 3 in E Major for solo violin, making this piece a musical descendant, in the spirit of Shaw's mission to connect with future generations of artists.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44903022690383,"sku":"JAT-110-062.01-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/fdc6e0f4a6b7ac0950aa14de1c124159.jpg?v=1773865245"},{"product_id":"flagello-burn-as-brightly-version-for-violin-cello-just-theory","title":"Flagello: Burn as Brightly (Version for Violin \u0026 Cello)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-burn-as-brightly-2023\"\u003eBurn as Brightly (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009973\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eBurn as Brightly \u003c\/em\u003e(2023) was inspired by and titled after a quote by playwright George Bernard Shaw: \"I rejoice in life for its own sake. Life is no brief candle for me. It is a sort of splendid torch which I have got hold of for the moment, and I want to make it burn as brightly as possible before handing it on to future generations.\" The main musical motive of _ Burn as Brightly_ is borrowed from the Prelude of J.S. Bach's Partita No. 3 in E Major for solo violin, making this piece a musical descendant, in the spirit of Shaw's mission to connect with future generations of artists.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44903073677391,"sku":"JAT-110-062-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/85edfd88faae835761845d5cfd9fdd1c.webp?v=1773865000"},{"product_id":"flagello-bizarre-barbershop-just-theory","title":"Flagello: Bizarre Barbershop","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eHorn Quartet (4 Horns)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Bizarre Barbershop (2015)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009942\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 6\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eBizarre Barbershop\u003c\/em\u003e (2015) was written for the Hartt School Horn Studio and explores the dark and playful sides of a barbershop quartet. Through reflective solo moments and tutti tumult, the ensemble journeys through a kaleidoscope of brassy textures, coming together for a joyful, brazen conclusion.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44903498350671,"sku":"JAT-110-061-SP","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0d95b2cb87a02141323f1a5a5bff5441.avif?v=1773866194"},{"product_id":"flagello-asphodel-version-for-flute-clarinet-just-theory","title":"Flagello: Asphodel (Version for Flute \u0026 Clarinet)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eClarinet, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-asphodel-2023\"\u003eAsphodel (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009928\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eAsphodel \u003c\/em\u003e(2023) musically depicts the flower that is said to carpet the underworld and adorn Persephone in Greek mythology, using William Carlos Williams' striking poem \"Asphodel, That Greeny Flower\" as narrative inspiration. The piece contrasts Williams' longing, hesitancy, passion, and curiosity for the subject of the poem with the asphodel flower's ominous lore.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44903612186703,"sku":"JAT-110-060-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/cc25d1b86e35832359ca84f31d7de912.webp?v=1773866507"},{"product_id":"flagello-asphodel-version-for-2-soprano-saxophones-just-theory","title":"Flagello: Asphodel (Version for 2 Soprano Saxophones)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSoprano Sax I, Soprano Sax II\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eClarinet, Flute\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-asphodel-2023\"\u003eAsphodel (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009935\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eAsphodel \u003c\/em\u003e(2023) musically depicts the flower that is said to carpet the underworld and adorn Persephone in Greek mythology, using William Carlos Williams' striking poem \"Asphodel, That Greeny Flower\" as narrative inspiration. The piece contrasts Williams' longing, hesitancy, passion, and curiosity for the subject of the poem with the asphodel flower's ominous lore.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44903706493007,"sku":"JAT-110-060.01-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ecc0a80d4c3ff7ae2ba316ecc6d3f2fb.jpg?v=1773866874"},{"product_id":"flagello-all-lines-from-lead-to-just-theory","title":"Flagello: All Lines From Lead To","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eFlute I, Flute II\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: All Lines From Lead To (2016)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009911\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eAll Lines From Lead To \u003c\/em\u003e(2016) explores imitative figures through a free-flowing and organic lens. Strict imitation is subverted or distorted with playfulness, intrigue, and energy, while performers explore a conversational concluding controlled improvisation.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44903998619727,"sku":"JAT-110-059-FS","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/79fa2abbdef8564af85332a077677b92.webp?v=1773867489"},{"product_id":"flagello-wishes-and-warnings-just-theory","title":"Flagello: Wishes and Warnings","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Viola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Wishes and Warnings (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009904\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 6\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eWishes and Warnings\u003c\/em\u003e (2023) explores the resonance and warmth of a single, quintally focused chorale through the lenses of texture, register, and articulation. in this way, the piece's musical material becomes alternately hopeful and distraught, a lullaby and a proclamation, both wishing with and warning the listener of imagined happenings to come. Thank you to the 2023 Fromm Players for premiering \u003cem\u003eWishes and Warnings\u003c\/em\u003e as part of the Piece-a-Day Project at Tanglewood Music Center.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44904110358607,"sku":"JAT-110-058-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/381708c115be00bcf4857c124c589062.webp?v=1773867792"},{"product_id":"flagello-flutter-just-theory","title":"Flagello: Flutter","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Perforamance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eHorn I, Tenor Saxophone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Flutter (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009966\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 10\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eFlutter\u003c\/em\u003e (2024) sonically explores the titular verb through a multitude of lenses: the metaphorical fluttering of one's heart when seeing a person they love; the feeling of excitement or nervousness in one's stomach during an intense situation; and the gesture of the wings of a butterfly. The tenor saxophone and horn flutter musically together and apart, chasing and echoing, debating and conversing throughout the piece. Many thanks to Bryan for commissioning \u003cem\u003eFlutter\u003c\/em\u003e and to he and Katherine for premiering this work.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44904250245199,"sku":"JAT-110-070-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d4345675f0201568002d1be6352387bb.webp?v=1773868174"},{"product_id":"flagello-athena-just-theory","title":"Flagello: Athena","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Athena (2025)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009881\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 23\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 6'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAthena\u003c\/em\u003e(2025) for orchestra sonically explores the different facets of the Greek goddess' mythology, from wisdom to warfare and owls to olive trees. Athena's main melody introduces her as a protectress and strategist, plotting, competing, and warring. But as the piece progresses, the orchestra evokes Athena's compassion and advocacy as a patron of arts and bringer of insight. Through driving, fierce rhythmic figures and pensive, shimmering textures, \u003cem\u003eAthena\u003c\/em\u003e summons both heroism and tenderness and asks how these qualities might appear in our own self-mythology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 2.2.2.2\/4.2.3.1\/timp.3 perc\/hp\/strings\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264605315151,"sku":"JAT-110-055-FS","price":75.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ec6f0cb89e050c7553d23aa862004ba3.webp?v=1779207756"},{"product_id":"flagello-alchemy-just-theory","title":"Flagello: Alchemy","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Alchemy (2026)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009898\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 32\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 5'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlchemy\u003c\/em\u003e (2026) for orchestra explores transformation, experimentation, and wonder. Inspired by the theoretical transmutation of base metals into gold, \u003cem\u003eAlchemy\u003c\/em\u003e whisks a three-note motive into unexpected forms, glistening with metallic timbres and bristling with swirling energy. The piece features each section of the orchestra as unique materials in the metaphorical cauldron, highlighting their distinctive characteristics while testing how they might merge into shiny new elements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 3.2.2.2\/4.3.3.1\/timp.3 perc\/strings\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264618684495,"sku":"JAT-110-057-FS","price":75.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3b42af5becd7dcc24a35bc1ce2ad8304.jpg?v=1779207938"},{"product_id":"flagello-nebulous-beauty-just-theory","title":"Flagello: Nebulous Beauty","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Nebulous Beauty (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010825\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 23\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 10'30\"\n\u003cem\u003eNebulous Beauty\u003c\/em\u003e (2025) was inspired by Surrealist artist René Magritte's \"The Secret Life\" and explores the myriad forms of beauty found in unexpected places and combinations. As observed across Magritte's oeuvre, this work utilizes juxtaposition, playfulness, layering, deceptiveness, change of scale, transformation, and delight to construct the notion of Surrealist beauty, which was contemporaneously articulated by poet Isidore Ducasse as \"the chance meeting on a dissection table of a sewing machine and an umbrella.\" \u003cem\u003eNebulous Beauty\u003c\/em\u003e celebrates diverse expressions of beauty through the varied and intricate sounds of the string quartet, weaving a tapestry of harmonious and dissonant elements. Through rich textures and fleeting gestures, the composition invites listeners to discover and appreciate the hidden beauty in the mundane and the extraordinary alike.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264636739663,"sku":"JAT-110-054-SP","price":60.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/b9120714b448d2e3f7fa4b07758a3ed9.jpg?v=1779208237"},{"product_id":"flagello-fake-smile-version-for-alto-saxophone-just-theory","title":"Flagello: Fake Smile (Version for Alto Saxophone)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eAlto Saxophone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Fake Smile (2016)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010948\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 10\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 4'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFake Smile\u003c\/em\u003e (2016) was commissioned by saxophonist Maggie Weisensel for her lecture-recital focusing on women composers in contemporary music. She asked that this piece somehow reflect my personal experiences as a woman composer, and to that end,\u003cem\u003e Fake Smile _explores the feeling of social exhaustion and the veneer of excitement at public events and formal gatherings. I often find myself having to exert a high, bright energy in these situations, often responding to unfriendly attitudes and comments with a forced smile. in discussing this learned reaction with other women, including the commissioner, I realized it was universal. This translates to _Fake Smile\u003c\/em\u003e with the use of rubato, cadenza-like sections and relentless fast passages—the juxtaposition of what we feel versus what we project.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264663674959,"sku":"JAT-110-069.01-FS","price":20.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/a56d1323e562082b2123eafb08286185.jpg?v=1779208539"},{"product_id":"flagello-fragile-goods-just-theory","title":"Flagello: Fragile Goods","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePercussion\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Fragile Goods (2019)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010917\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 12\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 5'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFragile Goods\u003c\/em\u003e (2019), written for percussionist Danielle Gonzalez, is a piece about the fragility and volatility of both nature and humankind. The work incorporates literal fragile objects—glass and ceramic—whose strength is tested physically and musically, while metaphorically exploring the strength of human beings. How are we tested, and how do we respond? Are we strong, or do we break? How can we be both fragile and resilient, and what beauty comes of this?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstruments:\u003c\/strong\u003e Glass bottles, ceramic tiles, kick drum, hi-hat, suspended cymbal, splash cymbal\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264687431759,"sku":"JAT-110-071-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e82a7f543621a2fb150d93ceb60fbd6e.jpg?v=1779208839"},{"product_id":"flagello-graphic-climate-just-theory","title":"Flagello: Graphic Climate","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eAny Instrument\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Graphic Climate (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010955\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 4\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eopen duration for open instrumentation\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGraphic Climate\u003c\/em\u003e (2023) was commissioned by Krista Kopper and explores the polarizing way in which we as a society discuss climate change. This graphic score encourages improvisers to express the segmentation of debate, the urgency of timeline, and the intersection of the natural and human made worlds. Score features include a visualization of carbon atoms blossoming into six-petaled flowers, reflective of the element's atomic number, and the supposed advancement of society through building, counting, assessing, excavating, dominating, competing, and reconfiguring. Many thanks to Krista for commissioning and premiering this work and for her support of new music for social change.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePurchase allows the printing of copies for your ensemble.\u003c\/strong\u003e\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264717643855,"sku":"JAT-110-072-FS","price":55.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/f90910c0118a02e2db5334b6d1c105c0.webp?v=1779209078"},{"product_id":"flagello-memory-home-version-for-trombone-piano-just-theory","title":"Flagello: Memory Home (Version for Trombone \u0026 Piano)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Trombone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-memory-home-2023\"\u003eMemory Home (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010962\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 10\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 5'30\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMemory Home \u003c\/em\u003e(2023) was commissioned by trombonist Rich Williams and explores the relationship between memories and physical spaces. Rich asked that this work be written in memory of his first teacher, which prompted me to contemplate the way in which memories are formed at different stages of our lives. for many, a childhood home literally and figuratively houses formative remembrances, and, later in life, we might house our memories in different locations or within the walls of our own minds. Is it that to house a memory is to contain it? Should memories be contained? If we are to express them, have we unleashed them or are they still somehow at home with us?\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264734060623,"sku":"JAT-110-073-SP","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e32937852010ddce990a86b793ff5ae1.webp?v=1779209318"},{"product_id":"flagello-mother-time-father-nature-just-theory","title":"Flagello: Mother Time, Father Nature","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Bassoon\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Mother Time, Father Nature (2021)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094011006\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 21\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 7'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMother Time, Father Nature\u003c\/em\u003e (2021) was commissioned by Joseph Swift, bassoonist, and eight consortium members as part of the Room to Breathe commissioning project which reflects on the confluence of crises in 2020 and 2021 and humankind's perseverance through them. This work was inspired by a sentence I found in my journal from June 2020: \"I feel like I'm mourning the loss of a season that hasn't happened yet.\" I found that I no longer experienced the passage of time in the same way that I had pre-pandemic; everything moved so slowly and yet also so quickly around me. Societally, we think of Father Time as steady, rigid, ticking on reliably, while Mother Nature is supposedly caring, nurturing, and abundant. Although the gender binary is a myth, intentionally re-gendering time and nature helped me discover two figures whose cosmic work actually resonated with my new relationship to my surroundings. Mother Time is shifting, flexible, and gentle—an ever-changing season of learning and growth. Father Nature is relentless flowering, a continual force that progresses with or without humans out and about. \u003cem\u003eMother Time, Father Nature\u003c\/em\u003e translates these personas to music, exploring proportions and development as the two might, but in the form of meter, rhythm, register, and phrasing.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264813850703,"sku":"JAT-110-075-SP","price":35.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/16a6cc447f0d7dc27270dc919428aa9a.jpg?v=1779209678"},{"product_id":"flagello-sweet-nothings-just-theory","title":"Flagello: Sweet Nothings","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Alto Saxophone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Sweet Nothings (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094011082\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 34\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 10'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSweet Nothings\u003c\/em\u003e (2022) was commissioned by Connor O'Toole and a consortium of 17 saxophonists and explores the idiom \"sweet nothings\" through both lyricism and virtuosity. The first recorded use of this phrase occurred in 1876 by poet Edwin Coller in his \"Black Sir Ralph: An Essex Legend,\" published in Volume 28 of the London magazine Belgravia founded by novelist Mary Elizabeth Braddon. Today, \"sweet nothings\" are defined as \"words of affection exchanged by lovers,\" but the more I contemplated the phrase itself, the more I noticed its inherent oxymoronic nature: How can something be both kind and cursory, meaningful but fleeting? Are sweet nothings just passing niceties, or can they stick with us (as this phrase has done for over 146 years)?\u003cem\u003e Sweet Nothings\u003c\/em\u003e begins in a world of nothings—repeated Cs, 0 in set theory—and creates somethings from there, examining this idiomatic phenomenon through texture and tempi shifts.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264876666959,"sku":"JAT-110-082-SP","price":40.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3986f682de2c8d166d3763904d074ad6.webp?v=1779210099"},{"product_id":"flagello-dear-johanna-version-for-trumpet-alto-sax-just-theory","title":"Flagello: Dear Johanna (Version for Trumpet \u0026 Alto Sax)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eAlto Saxophone, Trumpet\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-dear-johanna-2016\"\u003eDear Johanna (2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010856\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eC trumpet and alto saxophone (2016), Duration 3'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDear Johanna\u003c\/em\u003e (2016) was written for The Hartt School's premier ensemble, Performance 20\/20. Unique instrumentations such as this one were assigned to student composers with the task of relating each new piece to Beethoven's Große Fugue. \u003cem\u003eDear Johanna\u003c\/em\u003e meets this challenge by using a retrograde of Beethoven's subject as the most prominent pitch material, while illustrating the real-life custody battle between Beethoven and his sister-in-law, Johanna, over her son.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264904257615,"sku":"JAT-110-066-FS","price":20.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c9460e28ea96141007203f81ba524aa8.webp?v=1779210818"},{"product_id":"flagello-dear-johanna-version-for-clarinet-alto-sax-just-theory","title":"Flagello: Dear Johanna (Version for Clarinet \u0026 Alto Sax)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eClarinet, Alto Saxophone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eAlto Saxophone, Trumpet\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Dear Johanna (2016)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010863\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eClarinet and alto saxophone (arr. 2016), Duration 3'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDear Johanna\u003c\/em\u003e (2016) was written for The Hartt School's premier ensemble, Performance 20\/20 and arranged for Nairam Simoes and Kristin Leitterman. Unique instrumentations such as this one were assigned to student composers with the task of relating each new piece to Beethoven's Große Fugue.\u003cem\u003eDear Johanna\u003c\/em\u003e meets this challenge by using a retrograde of Beethoven's subject as the most prominent pitch material, while illustrating the real-life custody battle between Beethoven and his sister-in-law, Johanna, over her son.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264916316239,"sku":"JAT-110-066.01-FS","price":20.5,"currency_code":"USD","in_stock":true}]},{"product_id":"flagello-dear-johanna-version-for-b-flat-trumpet-english-horn-just-theory","title":"Flagello: Dear Johanna (Version for B-flat Trumpet \u0026 English Horn)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eTrumpet, English Horn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eAlto Saxophone, Trumpet\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-dear-johanna-2016\"\u003eDear Johanna (2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010870\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eB-Flat trumpet and English horn (arr. 2025), Duration 3'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDear Johanna\u003c\/em\u003e (2016, arr. 2025) was written for The Hartt School's premier ensemble, Performance 20\/20 and arranged for Nairam Simoes and Kristin Leitterman. Unique instrumentations such as this one were assigned to student composers with the task of relating each new piece to Beethoven's Große Fugue.\u003cem\u003eDear Johanna\u003c\/em\u003e meets this challenge by using a retrograde of Beethoven's subject as the most prominent pitch material, while illustrating the real-life custody battle between Beethoven and his sister-in-law, Johanna, over her son.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264927227983,"sku":"JAT-110-066.02-FS","price":20.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c9460e28ea96141007203f81ba524aa8.webp?v=1779210818"},{"product_id":"flagello-dear-johanna-version-for-c-trumpet-english-horn-just-theory","title":"Flagello: Dear Johanna (Version for C Trumpet \u0026 English Horn)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eTrumpet, English Horn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eAlto Saxophone, Trumpet\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-dear-johanna-2016\"\u003eDear Johanna (2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010887\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eC trumpet and English horn (arr. 2025), Duration 3'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDear Johanna\u003c\/em\u003e (2016, arr. 2025) was written for The Hartt School's premier ensemble, Performance 20\/20 and arranged for Nairam Simoes and Kristin Leitterman. Unique instrumentations such as this one were assigned to student composers with the task of relating each new piece to Beethoven's Große Fugue. \u003cem\u003eDear Johanna\u003c\/em\u003e meets this challenge by using a retrograde of Beethoven's subject as the most prominent pitch material, while illustrating the real-life custody battle between Beethoven and his sister-in-law, Johanna, over her son.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264937615439,"sku":"JAT-110-066.03-FS","price":20.5,"currency_code":"USD","in_stock":true}]},{"product_id":"flagello-dear-johanna-version-for-2-alto-saxes-just-theory","title":"Flagello: Dear Johanna (Version for 2 Alto Saxes)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eAlto Saxophone I, Alto Saxophone II\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eAlto Saxophone, Trumpet\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/flagello-dear-johanna-2016\"\u003eDear Johanna (2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010894\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eTwo alto saxophones (arr. 2016), Duration 3'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDear Johanna\u003c\/em\u003e (2016) was written for The Hartt School's premier ensemble, Performance 20\/20 and arranged for Nairam Simoes and Kristin Leitterman. Unique instrumentations such as this one were assigned to student composers with the task of relating each new piece to Beethoven's Große Fugue. \u003cem\u003eDear Johanna\u003c\/em\u003e meets this challenge by using a retrograde of Beethoven's subject as the most prominent pitch material, while illustrating the real-life custody battle between Beethoven and his sister-in-law, Johanna, over her son.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264949051471,"sku":"JAT-110-066.04-FS","price":20.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4e569dfe748dbef9d94f0c706dddf02d.jpg?v=1779211300"},{"product_id":"flagello-seasons-just-theory","title":"Flagello: Seasons","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Performance Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eAny Instrument\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Seasons (2017)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094011051\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e12.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e8.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 13\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 10'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSeasons\u003c\/em\u003e (2017) utilizes the time-honored programmatic structure of movements that sonically explore autumn, winter, spring, and summer in an improvisatory, open instrumentation format. Any number of performers on a variety of instruments are asked to interpret the piece's graphic score using its descriptive text, registral scale, dynamic trajectories, and gestural drawings as guides. \u003cem\u003eSeasons\u003c\/em\u003e illustrates the leaf-filled gusts of autumnal breezes, crystalline snow of winter, lively rainfall of springtime, and intense heat of summer, encouraging the audience to envision a year of nature's challenges and gifts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePurchase allows the printing of copies for your ensemble.\u003c\/strong\u003e\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264979427407,"sku":"JAT-110-079-FS","price":55.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/739853f6cc35535292901e53c0381438.jpg?v=1779211663"},{"product_id":"flagello-where-you-are-now-just-theory","title":"Flagello: Where You Are Now","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eBassoon\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Where You Are Now (2019)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010924\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 10\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 6'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhere You Are Now\u003c\/em\u003e (2019), written for bassoonist Aviva Klein, is a piece about realizing how far one has come in life. The work's title is derived from the quote \"Remember that once you dreamed of being where you are now\" (author unattributed). Where You Are Now is somewhat narrative in nature, as two seemingly conflicting themes are introduced, explored, and intertwined, celebrating the slippery and completely imperfect manner in which we experience life, the path to our dreams, and how we arrive there in sometimes unexpected ways.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45264990601295,"sku":"JAT-110-084-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/10880a2246b1168e8071e018b528024d.jpg?v=1779211842"},{"product_id":"flagello-to-see-a-world-in-a-grain-of-sand-just-theory","title":"Flagello: To See a World in a Grain of Sand","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eHorn, Trumpet\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: To See a World in a Grain of Sand (2017)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094011099\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 3'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTo See a World in a Grain of Sand\u003c\/em\u003e (2017) sonically explores the first four lines of William Blake's poem Auguries of Innocence: \"To see a World in a Grain of Sand and a Heaven in a Wild Flower Hold Infinity in the palm of your hand and Eternity in an hour.\"\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45265021599823,"sku":"JAT-110-083-FS","price":20.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/94b889fd2aa47be2573207d75c8dcc5d.jpg?v=1779212322"},{"product_id":"flagello-tenacity-just-theory","title":"Flagello: Tenacity","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/gala-flagello\"\u003eGala Flagello (1994-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePercussion, Brass Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Tenacity (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 30\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 5'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTenacity\u003c\/em\u003e (2025) was commissioned by the United States Naval Academy Band in celebration of the United States' 250th birthdate, the 180th anniversary of the U.S. Naval Academy, and the 50th anniversary of women entering service academies. Through harmonious chorale passages and discordant rhythmic interplay, the piece musically depicts determination, belonging, grit, and persistence. in her memoir \u003cem\u003eFlight Lessons,\u003c\/em\u003e CAPT Barbara Bell, Ed.D. USN (ret), USNA Class of 1983 writes, \"It is true that not all of us may be able to change the world, but each and every one of us can change our piece of it.\" \u003cem\u003eTenacity\u003c\/em\u003e honors this outlook as the ensemble soars melodically and navigates textural turbulence, bravely landing in a radiant, resolute sound world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstrumentation:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrumpet 1-4 (C and Bb parts included)\u003c\/li\u003e\n\u003cli\u003eHorn 1-2\u003c\/li\u003e\n\u003cli\u003eTrombone 1-3\u003c\/li\u003e\n\u003cli\u003eBass Trombone\u003c\/li\u003e\n\u003cli\u003eEuphonium\u003c\/li\u003e\n\u003cli\u003eTuba 1-2\u003c\/li\u003e\n\u003cli\u003eTimpani\u003c\/li\u003e\n\u003cli\u003ePercussion 1: Bass drum, snare drum\u003c\/li\u003e\n\u003cli\u003ePercussion 2: Vibraphone\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":45265037787215,"sku":"JAT-110-056-SP","price":60.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":45265794072655,"sku":"JAT-110-056-FS","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/28ac91202fc73900ee3780171fdf42fc_30b2b876-e430-4653-844c-9ee6dc1b0c17.webp?v=1779212562"}],"url":"https:\/\/www.ficksmusic.com\/ja\/collections\/gala-flagello.oembed?page=2","provider":"Ficks Music","version":"1.0","type":"link"}