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Francisco Casanovas

Casanovas: Guajiras

$ 29.50
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Brotons & Mercadal Edicions Musicals  |  SKU: 101-007PA  |  バーコード: 9790692452522
  • Composer: Francisco Casanovas (1899-1986)
  • Instrumentation: Piano, Flute
  • Work: Guajiras (Version for Flute & Piano) (1981)
  • ISMN: 9790692452522
  • Size: 8.9 x 12.0 inches

Description

The guajira is a musical genre derived from the Cuban punto. in the 1930s, it was refined and popularised as "Guajira de Salón" or "Guajira-Son" by the singer and guitarist Guillermo Portabales. Its rhythm uses alternating 6/8 and 3/4 time signatures.

Guajiras de Casanovas consists of an introduction that begins with a brief piano introduction, whose motifs the soloist repeats and develops with a certain flamenco Spanish air. The piano then begins a "Tiempo de Guajira" which serves as the basis for the soloist to present the theme and different variations based on scales, arpeggios and double notes. Finally, the opening introduction is repeated and interrupted for the soloist to play a cadenza followed by a brief and conclusive two-bar coda.

This edition of Guajiras is based on the manuscript of the version for flute and piano made by the composer himself in 1981, which bears the following dedication: "Recuerdo para Juan Francisco Cayuelas" (Remembrance for Juan Francisco Cayuelas). in this version, the author proposes during the "Tiempo de Guajira" several alternative measures or "ossia" depending on the skill of the soloist who plays it, as well as a different and longer cadenza than the original one for saxophone.

Brotons & Mercadal Edicions Musicals

Casanovas: Guajiras

$ 29.50

Description

The guajira is a musical genre derived from the Cuban punto. in the 1930s, it was refined and popularised as "Guajira de Salón" or "Guajira-Son" by the singer and guitarist Guillermo Portabales. Its rhythm uses alternating 6/8 and 3/4 time signatures.

Guajiras de Casanovas consists of an introduction that begins with a brief piano introduction, whose motifs the soloist repeats and develops with a certain flamenco Spanish air. The piano then begins a "Tiempo de Guajira" which serves as the basis for the soloist to present the theme and different variations based on scales, arpeggios and double notes. Finally, the opening introduction is repeated and interrupted for the soloist to play a cadenza followed by a brief and conclusive two-bar coda.

This edition of Guajiras is based on the manuscript of the version for flute and piano made by the composer himself in 1981, which bears the following dedication: "Recuerdo para Juan Francisco Cayuelas" (Remembrance for Juan Francisco Cayuelas). in this version, the author proposes during the "Tiempo de Guajira" several alternative measures or "ossia" depending on the skill of the soloist who plays it, as well as a different and longer cadenza than the original one for saxophone.

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