Beethoven: Complete Songs for Voice and Piano - Volume 2
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- Composer: Ludwig van Beethoven (1770-1827)
- Editor: Helga Lühning
- Instrumentation: Piano, Voice, High Voice
- Work Language: German
- ISMN:
- Size: 9.3 x 12.2 inches
- Pages: 218
- Urtext / Critical Edition
Works:
- 4 Ariettas and a Duet, Op. 82
- 3 Songs, Op. 83
- An die Geliebte (1st Version), WoO 140
- An die Geliebte (3rd Version), WoO 140
- Der Bardengeist, WoO 142
- Des Kriegers Abschied, WoO 143
- Merkenstein, WoO 144
- Merkenstein, Op. 100
- Das Geheimnis, Liebe und Wahrheit, WoO 145
- An die Hoffnung (second version), Op. 94
- Sehnsucht (Die stille Nacht umdunkelt), WoO 146
- An die ferne Geliebte (To the Distant Beloved), Op. 98
- Der Mann vom Wort, Op. 99
- Ruf vom Berge, WoO 147
- So oder so, WoO 148
- Resignation, WoO 149
- Abendlied unterm gestirnten Himmel, WoO 150
- Ariette (Der Kuß), Op. 128
- Klage (second version), WoO 113
- Erhebt das Glas mit froher Hand, WoO 109
- Punschlied, WoO 111
- An Laura, WoO 112
- Ein Selbstgespräch, WoO 114
- Oh care selve, oh cara, WoO 119
- Seufzer eines Ungeliebten/Gegenliebe, WoO 118
- Romance, WoO 128
- Man strebt, die Flamme zu verhehlen, WoO 120
- Freudvoll and leidvoll (from Egmont), Op. 84, No. 4
- An die Geliebte (2nd Version), WoO 140
- Der Gesang der Nachtigall, WoO 141
- Die laute Klage (second version), WoO 135
- Auf, Freunde, singt dem Gott der Ehen, WoO 105
- Gedenke mein!, WoO 130
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.



