Advanced Flute Repertoire
Expected to ship in 1-2 weeks.
- Composers: Franz Doppler (1821-1883), George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Johann Sebastian Bach (1685-1750), Mélanie Bonis (1858-1937), Georg Philipp Telemann (1681-1767), Claude Debussy (1862-1918), Anton Stamitz (1750-1798), Gabriel Fauré (1845-1924), William Lloyd Webber (1914-1982), Sally Adams, Benoît Tranquille Berbiguier (1782-1835)
- Instrumentation (this edition): Piano, Flute
- Originally for: Piano, Basso continuo, Flute, Harpsichord, Orchestra, Alto (Treble) Recorder
- ISMN:
Description
Advanced Flute Repertoire comprises a broad selection of essential repertoire suitable for advanced-level students. The collection features pieces that are selected for Grades 7 and 8 across all Major examination boards. It also provides a valuable selection for performance opportunities and the own-choice section of exams. All pieces are accompanied by performance notes from Paul Harris, a professional wind player, teacher, senior examiner and adjudicator.
Works:
- No. 4 - Allegro in D Minor from Berbiguier: 18 Études
- No. 1 in A from Telemann: 12 Fantasias for Solo Flute, TWV 40:2-13
- Nos. 2 & 3 from A. Stamitz: 8 Caprices
- Larghetto and Allegro from Handel: Recorder Sonata in C Major, HWV 365, Op. 1, No. 7
- Andante ma non troppo from Mozart: Flute Concerto No. 2 in D Major, K. 314 (285d)
- Scherzo from Bonis: Flute Sonata in C-sharp Minor, Op. 64
- W. Lloyd Webber: Allegretto piacevole from Sonatina in D
- Allegro moderato from Bach: Flute Sonata in E-flat Major, BWV 1031
- Adagio ma non tanto and Allegro from Bach: Flute Sonata in E Major, BWV 1035
- Allemande from Bach: Partita in A Minor, BWV 1013
- Allegro aperto from Mozart: Flute Concerto No. 2 in D Major, K. 314 (285d)
- Fauré: Fantasie, Op. 79
- Doppler: Berceuse, Op. 15
- Debussy: Syrinx, CD 137, L 129
- Adams: Sea Echo
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.



