{"title":"Sheet music composed by Aquiles Lázaro (1989-)","description":"Aquiles Lázaro (1989-) is a composer from Austria and Mexico.","products":[{"product_id":"lazaro-el-paraiso-sur","title":"Lázaro: El paraíso","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/aquiles-lazaro\"\u003eAquiles Lázaro (1989-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: El paraíso (2021)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790902040600\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIs it possible to conceive of a \"monolithic\" form? It would be a complete block in itself, which has no need of any other part to complete a structure, a form. Is the artist's task suppressed at all by offering only a \"raw\" product, devoid of internal complexities? Does such a treatment of form eliminate the work's possibilities of communication? Does it limit them?\u003c\/p\u003e\n\u003cp\u003eThese questions motivated the composition of this piece. \u003cem\u003eEl paraíso\u003c\/em\u003e is a monolithic block, within which a unidirectional and imperturbable process takes place.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Sur Editions","offers":[{"title":"Default Title","offer_id":45061085921359,"sku":"SLAA24-E01","price":30.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/29f859b8642f26a21c1d7477ba4e27dc.png?v=1775214871"},{"product_id":"lazaro-chimalli-sur","title":"Lázaro: Chimalli","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/aquiles-lazaro\"\u003eAquiles Lázaro (1989-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Chimalli (2017)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790902040877\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.5\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposed in 2017, this is one of the earliest compositions in the catalog of the Mexican composer and performer Aquiles Lázaro, and to date it remains his only orchestral score. Its three-part formal design anticipates, in the central section, the subsequent direction of Lázaro's work, characterized by a contemplative mode of listening in which parameters such as regular rhythm or melody disappear.\u003c\/p\u003e\n\u003cp\u003eThe title refers to the Guerrero Chimalli, a monumental sculpture erected in 2014 in one of the most marginalized urban areas of Mexico.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Sur Editions","offers":[{"title":"Default Title","offer_id":45677270990927,"sku":"SLAA25-C18","price":60.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/63b3a5809cb73e8f69308bfe0e995736.png?v=1781208234"},{"product_id":"lazaro-brutal-sur","title":"Lázaro: Brutal","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/aquiles-lazaro\"\u003eAquiles Lázaro (1989-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eChamber Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Brutal (2024) (16 players)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790902040891\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.5\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe principle of contrast, the foundation of all sound dramaturgy, disappears as we reduce all registers to an extreme minimum. If sound moves within a range so limited that it allows no perceptible changes, then we are left to rethink the concept of form as a more open one — a structure that can contain any model of organization of the sound phenomenon, even if it completely lacks perceptible contrasts; even if, by doing so, it lacks dramatic development and thereby questions the very nature of artistic activity.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBrutal\u003c\/em\u003e is an attempt to apply these considerations to a larger instrumental group. The monolithic block has no climax, no contrasts, no surprises, nor dramatic development. It is a perfectly predictable, unidirectional process, whose subtle internal modifications are only perceptible when comparing the extreme poles of the process—the starting point and the endpoint.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Sur Editions","offers":[{"title":"Default Title","offer_id":45677276332111,"sku":"SLAA24-B20","price":53.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/2d50287ce8316f539e3884a2bfc1bc37.png?v=1781208414"}],"url":"https:\/\/www.ficksmusic.com\/ja\/collections\/aquiles-lazaro.oembed","provider":"Ficks Music","version":"1.0","type":"link"}