Women in Wind Band
Expected to ship in 1-2 weeks.
- Authors: Erin Keeton-Howard, Meghan Wagner
- Pages: 280
Written as a guide for discussion and reflection amongst music educators, Women in Wind Band thoughtfully looks at why female-identifying band directors are still in a Minority in the field and what can be done about it.
Centered on the experiences and wisdom of women in the field, the book is divided into three parts. Part I features essays by five professionals who explore best practice and contemporary issues.
Part II focuses on lived experiences presented through interviews with nineteen women representing many identities and intersecting identities, including women of various ages, races, ethnicities, orientations, years of experience, and levels of instruction.
After examining traditions, assessing current practices, and reflecting on lived experiences, Part III is a call to action, providing ideas and resources for shaping and supporting a future that is inclusive and sustainable—not only for women but for everyone in the field.
As the profession evolves, Women in Wind Band encourages readers with any level of experience to explore healthier practices and deepen their understanding through authenticity, community, and advocacy.
Erin Keeton-Howard is a Seattle-based educator, conductor, and composer. She currently serves as Director of Bands at The Northwest School, Director of Bands at North Seattle College, and is Co-Founder and Director of Formation Wind Band, Seattle's all-women wind band.
Meghan Wagner is the Director of Bands at Auburn Riverside High School, where she has taught since 2005. She currently serves as the Band Curriculum Officer on the Washington Music Educators Association board and was a quarter-finalist for Grammy Teacher of the Year in 2013. Additionally, Meghan maintains an active schedule as a clinician, guest conductor, adjudicator, and performer.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Women in Wind Band
