Samuel Dushkin Repertoire
The Best Pieces for Violin and Piano
Expected to ship in 1-2 weeks.
- Composers: Modest Mussorgsky (1839-1881), César Artok, Paul Kirman, Alexander Sasonoff, Rudolf Felber (1891-1978), Max Reger (1873-1916), Luigi Boccherini (1743-1805), Alexander Glazunov (1865-1936), Igor Stravinsky (1882-1971), George Gershwin (1898-1937)
- Arranger: Samuel Dushkin
- Editor: Samuel Dushkin
- Instrumentation: Piano, Violin
- ISMN:
- Size: 9 x 12.0 inches
- Pages: 91
Description
Samuel Dushkin (1891-1976), advisor, duo partner and friend of Igor Stravinsky, wrote several transcriptions for his instrument, the violin, of then well-known and popular melodies from works by Stravinsky, of course, but also by other composers such as Bizet, Rachmaninoff, Albéniz and Wieniawski.
The present collection is a compilation of arrangements by well-known and unknown composers: Exotically tinged melodies by Paul Kirman, R. Felber or Alexander Sasonoff are juxtaposed to a beguiling waltz by Max Reger, tone paintings in Mussorgsky's 'Ripples', George Gershwin's jazzy 'Short Story' and many others. The collection is not complete without a movement from Stravinsky's 'L'Oiseau de feu' and a Berceuse - spectacular music for the violin.
Contents:
- C. Artok: Chanson à bercer et à danser
- P. Kirman: Chanson Palestinienne
- P. Kirman: Chants des juifs du Yemen
- A. Sasonoff: Air et Trépak
- A. Glasunow: Mélodie Arabe
- M. Reger: Deutscher Walzer / German Waltz
- M. Mussorgsky: Ripples
- G. Gershwin: Short Story
- I. Strawinsky: Scherzo de "L'oiseau de feu"
- I. Strawinsky: Berceuse
- L. Boccherini: Canzonetta
- R. Felber: Dance Slovaque No. 2
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.