Mozart: Grande sestetto concertante (arr. for string sextet)
after K. 364
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- Composer: Wolfgang Amadeus Mozart (1756-1791)
- Editor: Christopher Hogwood (1941-2014)
- Instrumentation: String Sextet (2 violins, 2 violas, 2 cellos)
- Work: Grande sestetto concertante (after K. 364)
- ISMN:
- Size: 9.1 x 11.8 inches
- Pages: 61
- Urtext / Critical Edition
Description
Mozart's Sinfonia concertante for violin and viola, K. 364 (320d), is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim .
For two decades it was known only in a few copyists' manuscripts. The first edition did not appear until 1802. The work achieved great popularity that same year, particularly the arrangements for piano four-hands and piano trio.
This arrangement for string sextet, dating from 1808, is interesting not only for its unusual scoring but also for the way the two concertante instruments interact with the other strings.
Our edition revives this arrangement after almost two centuries, drawing primarily on the sole surviving source: the first edition in parts, published by the Vienna Stamperia Chimica in 1808.
The editor, Christopher Hogwood , recounts the history of the work and the particulars of the arrangement in a trilingual preface (Eng ./ Ger./ Cz .) and a critical report. Our new edition takes into account both the original print and the text from the "New Mozart Edition".
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Mozart: Grande sestetto concertante (arr. for string sextet)
