Orchestral Excerpts for Piccolo
Expected to ship in 1-2 weeks.
- Composers: Benjamin Britten (1913-1976), Hector Berlioz (1803-1869), Sergei Prokofiev (1891-1953), Gustav Mahler (1860-1911), Alexander Borodin (1833-1887), Johannes Brahms (1833-1897), Paul Hindemith (1895-1963), Ludwig van Beethoven (1770-1827), Maurice Ravel (1875-1937), Anatoly Lyadov (1855-1914), Gioachino Rossini (1792-1862), Léo Delibes (1836-1891), Paul Dukas (1865-1935), Mikhail Ippolitov-Ivanov (1859-1935), Nikolai Rimsky-Korsakov (1844-1908), Béla Bartók (1881-1945)
- Instrumentation (this edition): Piano Reduction, Piccolo
- Originally for: Piano, Piano 4-Hands, Orchestra, Opera
- ISBN:
- Size: 9.1 x 11.9 inches
Description
Following the success of "Orchestral Excerpts for Flute," Theodore Presser Company presents "Orchestral Excerpts for Piccolo." 36 of the most common orchestral piccolo audition excerpts are represented with solo part, piano reduction, and practice and performance commentary from Jack Wellbaum, longtime piccoloist of the Cincinnati Symphony Orchestra and teacher at the University of Cincinnati College-Conservatory of Music.
Works:
- Mvt. III (bar, 12, 54, 106) , Mvt. V (bar 413) from Bartók: Concerto for Orchestra, Sz. 116, BB 123
- Mvt. (bar 694) from Beethoven: Symphony No. 5 in C Minor, Op. 67
- Mvt. IV (bar 331, 843) from Beethoven: Symphony No. 9 in D Minor ("Choral"), Op. 125
- Menuet des Follets, Before rehearsal 1 & 10 from Berlioz: La damnation de Faust, H 111, Op. 24
- Mvt. V (rehearsal 60 & 63) from Berlioz: Symphonie fantastique, H 48, Op. 14
- Polovetsian Dances, Before rehearsal C & K from Borodin: Prince Igor
- Variation V & VIII complete from Brahms: Variations on a Theme by Haydn ("Saint Anthony Variations"), Op. 56a
- Variation A & Fugue from Britten: The Young Person's Guide to the Orchestra, Op. 34
- Act II, No. 11 (Musique des automates) from Delibes: Coppélia
- Opening, before rehearsal 52 from Dukas: L'Apprenti sorcier (The Sorcerer's Apprenctice)
- Hindemith: Movement 2, opening from Nobilissima Visione
- Ippolitov-Ivanov: No. 4, opening from Caucasian Sketches
- No. 7, complete from Lyadov: 8 Russian Folk Melodies, Op. 58
- Mvt. IV, before rehearsal 4, Mvt V, rehearsal 30 from Mahler: Symphony No. 2 in C Minor ("Ressurection") (1894)
- Birth of Kijé, opening from Prokofiev: Suite from Lieutenant Kijé, Op. 60
- Troika, before rehearsal 51 from Prokofiev: Suite from Lieutenant Kijé, Op. 60
- Rehearsal 156 & before rehearsal 182 from Ravel: Daphnis et Chloé Suite No. 2, M. 57b
- Opening from Ravel: Piano Concerto in G Major, M. 83
- Rehearsal 8 from Ravel: Boléro, M. 81
- Petit Pouchet, rehearsal 5 from Ravel: Ma mère l'Oye ("Mother Goose"), M. 60
- Laideronnette, Impératrice des Pagodes, opening from Ravel: Ma mère l'Oye ("Mother Goose"), M. 60
- Malgueña, before rehearsal 13 from Ravel: Rapsodie espagnole, M. 54
- Feria, opening & Feria, before rehearsal 9 from Ravel: Rapsodie espagnole, M. 54
- Mvt. 4, after rehearsal V from Rimsky-Korsakov: Scheherazade, Op. 35
- Overture (bar 180 & 337) from Rossini: La gazza ladra
- Overture, before rehearsal 13 from Rossini: La scala di seta
- Overture (bar 128, 187, 327) from Rossini: Semiramide
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.