{"product_id":"assad-12-colloquial-preludes-yppan","title":"Assad: 12 Colloquial Preludes","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/sergio-assad\"\u003eSérgio Assad (1952-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: 12 Colloquial Preludes\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9782897963972\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 40\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe prelude, across different composers, has taken many forms—sometimes as an introduction, sometimes as a self-contained piece, often as a place for experimentation and freedom.\u003c\/p\u003e\n\u003cp\u003eThese \u003cem\u003e12 Colloquial Preludes\u003c\/em\u003e , written for Ricardo Gallén, unfold as conversations—intimate exchanges between voices where the guitar becomes a space for dialogue rather than monologue.\u003c\/p\u003e\n\u003cp\u003eEach prelude explores a different type of interaction: sometimes the voices echo one another, sometimes they overlap, interrupt, or gently contradict. This sense of dialogue is not only structural but expressive, shaping the character of each piece. One can sense moments of reflection, urgency, lyricism, and playfulness emerging from these shifting relationships.\u003c\/p\u003e\n\u003cp\u003eThe writing gravitates naturally toward the most idiomatic guitar keys—those that take advantage of the instrument's open strings—allowing it to resonate freely and speak with clarity. This gives the music an organic quality, as if the gestures were discovered rather than imposed.\u003c\/p\u003e\n\u003cp\u003eTaken together, these preludes form a collection of short musical encounters, each one revealing a different facet of the guitar's voice—always in conversation, always alive.\u003c\/p\u003e\n\u003cp\u003eMovements:\u003c\/p\u003e\n\u003cp\u003ePreludio I in C Major\u003c\/p\u003e\n\u003cp\u003ePreludio II in A Minor\u003c\/p\u003e\n\u003cp\u003ePreludio III in G Major\u003c\/p\u003e\n\u003cp\u003ePreludio IV in E Minor\u003c\/p\u003e\n\u003cp\u003ePreludio V in D Major\u003c\/p\u003e\n\u003cp\u003ePreludio VI in F Major\u003c\/p\u003e\n\u003cp\u003ePreludio VII in D Minor\u003c\/p\u003e\n\u003cp\u003ePreludio VIII in B Minor\u003c\/p\u003e\n\u003cp\u003ePreludio IX in A Major\u003c\/p\u003e\n\u003cp\u003ePreludio X in F-sharp Minor\u003c\/p\u003e\n\u003cp\u003ePreludio XI in E Major\u003c\/p\u003e\n\u003cp\u003ePreludio XII in C-sharp Minor\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Doberman-Yppan","offers":[{"title":"Default Title","offer_id":45176065785935,"sku":"DO1617","price":18.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/15606f8740274d2539e9542e73cedf77.jpg?v=1778161010","url":"https:\/\/www.ficksmusic.com\/fr\/products\/assad-12-colloquial-preludes-yppan","provider":"Ficks Music","version":"1.0","type":"link"}