{"title":"Sheet music composed by Will Eaves","description":"","products":[{"product_id":"eaves-4-diptychs-edition-hh","title":"Eaves: 4 Diptychs","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/will-eaves\"\u003eWill Eaves\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: 4 Diptychs (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790708213475\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eFour Diptychs\u003c\/em\u003e is a suite for solo piano that comprises eight short works in pairs. The component pieces speak to each other, without interpenetrating, in the manner of a diptych. A \"diptych\" is a two-panelled painting, but in the ancient world it was also the equivalent of an exercise book: two wax plates facing each other on which the student (or adept) wrote or drew with a stylus. The wax could then be reheated and the work remade. Ideally, the effect of listening to the diptychs should be that of hearing something at once deliberate and carefully spaced, but also sketch-like, evocative, playful. They are somewhere between studies and preludes in scale and intention.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition HH","offers":[{"title":"Default Title","offer_id":45263872983119,"sku":"hh633.sol","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/aeb1caacf001ad422a3c1c49b6eea602.gif?v=1779198988"},{"product_id":"eaves-pamphlet-edition-hh","title":"Eaves: Pamphlet","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/will-eaves\"\u003eWill Eaves\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Pamphlet\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790708213765\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHere are four musical ideas. in each case the idea doesn't arrive intact; it presents itself as an accident, a series of marks in sound, a fragment of melody, a chord, an arc. The fragments and marks then have to be assembled so that we can hear what it is they belong to, where they come from. Composition (for Will Eaves) is as much about reconnection as it is about development. It's like listening to a conversation through the wall: you're pretty sure the subject is interesting, but the wall is in the way, so you have to infer things. Whether Will is drawing something or writing a poem, a story or a piece of music, he seems always to be doing two things at once: listening to his aesthetic intuition (it needs to be this way, or such-and-such a shape) and putting a scattered object back together again.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition HH","offers":[{"title":"Default Title","offer_id":45263904604239,"sku":"hh660.sol","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/36eb9c2137927b5e5e615c35d9d03e48.gif?v=1779199168"}],"url":"https:\/\/www.ficksmusic.com\/fr\/collections\/will-eaves.oembed","provider":"Ficks Music","version":"1.0","type":"link"}