{"title":"Sheet music composed by Pablo (Pau) Casals (1876-1973)","description":"Pablo (Pau) Casals (1876-1973) was a composer from Spain and Puerto Rico. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Pablo_Casals\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"the-casals-legacy-fischer","title":"The Casals Legacy","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/george-frideric-handel\"\u003eGeorge Frideric Handel (1685-1759)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/johann-sebastian-bach\"\u003eJohann Sebastian Bach (1685-1750)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/pablo-pau-casals\"\u003ePablo (Pau) Casals (1876-1973)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/sergei-rachmaninoff\"\u003eSergei Rachmaninoff (1873-1943)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/enrique-granados\"\u003eEnrique Granados (1867-1916)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/gabriel-faure\"\u003eGabriel Fauré (1845-1924)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/david-popper\"\u003eDavid Popper (1843-1913)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/ernest-bloch\"\u003eErnest Bloch (1880-1959)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eCello, Piano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9780825882807\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/player.chordatamusic.com\/a8d5ca92-84fa-442f-8c6a-7b9db2c5251c\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis collection is dedicated to the legacy of Pablo Casals. It comprises ten pieces that he often performed throughout his extensive career. His great love of Bach is reflected by his arrangements of the Adagio from the Toccata in C Major for organ, and the Chorale Prelude from Jesu, meine Freude. The great Catalan-Spanish tradition from which he came speaks out in the Intermezzo from Granados' opera Goyescas and Casals' own Cant dell Ocells (Song of the Birds). Two other pieces in this collection, Mazurka in G Minor and Vito, were composed by David Popper, who is remembered today as the leader of the Hungarian school of cello playing. Casals often played many of these virtuoso pieces for the cello as encores on his programs. The ten pieces in this collection contain updated fingerings and bowings, and the book also features rarely-seen photos of Casals himself.\u003c\/p\u003e\n\u003cp\u003eFor intermediate to advanced players.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Carl Fischer","offers":[{"title":"Default Title","offer_id":32589217661007,"sku":"BF60","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/b76afc94a37179023c97b59ac05ac4eb.jpg?v=1750595594"},{"product_id":"casals-el-pessebre-the-manger-carus","title":"Casals: El Pessebre (The Manger)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/pablo-pau-casals\"\u003ePablo (Pau) Casals (1876-1973)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano Reduction, SATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir, Orchestra\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: El Pessebre (The Manger) (Soli SATBarB)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eCatalan, English, German\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790007080747\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 184\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.carusmedia.com\/images-intern\/medien\/00\/0733303\/0733303x.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis work (text by Joan Alavedra) in a somewhat modern musical style, which is essentially characterized by songlike elements throughout , was composed under the impression of the Spanish Civil War and the second world war: a musical memorial to peace and humanity.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Carus","offers":[{"title":"Vocal Score","offer_id":32901500567631,"sku":"CV07.333\/03","price":58.5,"currency_code":"USD","in_stock":true},{"title":"Vocal Score - Digital Download","offer_id":45936341254223,"sku":"CV73.330\/3010000","price":58.5,"currency_code":"USD","in_stock":true},{"title":"Study Score","offer_id":32901502992463,"sku":"CV07.333\/07","price":69.5,"currency_code":"USD","in_stock":true},{"title":"Critical Commentary","offer_id":32901502926927,"sku":"CV07.333\/08","price":35.25,"currency_code":"USD","in_stock":true},{"title":"Full Score \/ Arrangement for Organ","offer_id":32901502894159,"sku":"CV07.333\/45","price":94.25,"currency_code":"USD","in_stock":true},{"title":"Choral Score","offer_id":43653856985167,"sku":"CV07.333\/05","price":28.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/7c028c7b5b7a3084fabeba13272ed2db.jpg?v=1749693981"},{"product_id":"european-sacred-music-oup","title":"European Sacred Music","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/giovanni-pierluigi-da-palestrina\"\u003eGiovanni Pierluigi da Palestrina (1525-1594)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/mikhail-glinka\"\u003eMikhail Glinka (1804-1857)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/wolfgang-amadeus-mozart\"\u003eWolfgang Amadeus Mozart (1756-1791)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/johann-sebastian-bach\"\u003eJohann Sebastian Bach (1685-1750)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/josquin-des-prez\"\u003eJosquin des Prez (1450-1521)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/tomas-luis-de-victoria\"\u003eTomás Luis de Victoria (1548-1611)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/edvard-grieg\"\u003eEdvard Grieg (1843-1907)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/felice-anerio\"\u003eFelice Anerio (1560-1614)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/francisco-guerrero\"\u003eFrancisco Guerrero (1528-1599)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/francis-poulenc\"\u003eFrancis Poulenc (1899-1963)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/orlande-de-lassus\"\u003eOrlande de Lassus (1530-1594)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/giovanni-gabrieli\"\u003eGiovanni Gabrieli (1554-1612)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/claudio-monteverdi\"\u003eClaudio Monteverdi (1567-1643)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/giuseppe-verdi\"\u003eGiuseppe Verdi (1813-1901)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/jan-pieterszoon-sweelinck\"\u003eJan Pieterszoon Sweelinck (1562-1621)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/sergei-rachmaninoff\"\u003eSergei Rachmaninoff (1873-1943)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/igor-stravinsky\"\u003eIgor Stravinsky (1882-1971)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/franz-schubert\"\u003eFranz Schubert (1797-1828)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/hans-leo-hassler\"\u003eHans Leo Hassler (1564-1612)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/antonio-lotti\"\u003eAntonio Lotti (1667-1740)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/jacob-handl-gallus\"\u003eJacob (Handl) Gallus (1550-1591)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/cesar-franck\"\u003eCésar Franck (1822-1890)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/josef-rheinberger\"\u003eJosef Rheinberger (1839-1901)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/gregorio-allegri\"\u003eGregorio Allegri (1582-1652)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/johannes-brahms\"\u003eJohannes Brahms (1833-1897)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/gioachino-rossini\"\u003eGioachino Rossini (1792-1862)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/pablo-pau-casals\"\u003ePablo (Pau) Casals (1876-1973)\u003c\/a\u003e, Dom (John) João IV (1604-1656), \u003ca href=\"\/fr\/collections\/lodovico-grossi-da-viadana\"\u003eLodovico Grossi da Viadana (1560-1627)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/heinrich-schutz\"\u003eHeinrich Schütz (1585-1672)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/felix-mendelssohn\"\u003eFelix Mendelssohn (1809-1847)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/anton-arensky\"\u003eAnton Arensky (1861-1906)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/anton-bruckner\"\u003eAnton Bruckner (1824-1896)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/gabriel-faure\"\u003eGabriel Fauré (1845-1924)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/max-reger\"\u003eMax Reger (1873-1916)\u003c\/a\u003e, \u003ca href=\"\/fr\/collections\/dieterich-buxtehude\"\u003eDieterich Buxtehude (1637-1707)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/john-rutter\"\u003eJohn Rutter (1945-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Vocal Score - \u003ca href=\"\/fr\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, SATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Organ, Piano, Basso continuo, SATB Choir, Orchestra, Double Choir (SATB + SATB), Harp, SSATB Choir, Tenor, Chamber Orchestra, Female Choir, Organ (or Piano), SSAATTBB Choir, SSATTB Choir, Strings, Chamber Ensemble\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish, French, German, Latin, Russian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9780193436954\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 384\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eListen\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/01Jubilatedeo.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/02Beatusvir.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/03Christieadoramuste.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/04Cantatedomino.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/05Sicutcervus.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/06Exultatedeo.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/09Timorettemnor.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/10Aveverumcorpus.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/11Laudatedominum.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/12Magnificat.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/15Cruxfedelis.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/14Ovosomnes.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/16AveMaria.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/08Ovosomnes.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/18Psalm100.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/19Seligsinddietoten.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eEuropean Sacred Music\u003c\/em\u003e is a collection of over 50 of the finest examples of sacred choral music from continental Europe, ranging from the sixteenth to twentieth centuries. John Rutter has prepared completely new editions of all the pre-twentieth-century items, going back to the earliest and most reliable manuscript or printed sources. New English singing translations are provided for most pieces, and playable keyboard reductions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAllegri: Miserere\u003c\/li\u003e\n\u003cli\u003eAnerio (F.): Christus factus est\u003c\/li\u003e\n\u003cli\u003eArensky: The Lord's Prayer\u003c\/li\u003e\n\u003cli\u003eBach: O Jesu Christ, meins Lebens Licht, BWV 118\u003c\/li\u003e\n\u003cli\u003eBrahms: Ach, arme Welt, Op. 110, No. 2\u003c\/li\u003e\n\u003cli\u003eBrahms: Geistliches Lied, Op. 30\u003c\/li\u003e\n\u003cli\u003eBrahms: Warum ist das Licht, Op. 74, No. 1\u003c\/li\u003e\n\u003cli\u003eBruckner: Ave Maria\u003c\/li\u003e\n\u003cli\u003eBruckner: Christus factus est\u003c\/li\u003e\n\u003cli\u003eBruckner: Locus iste\u003c\/li\u003e\n\u003cli\u003eBruckner: Os justi\u003c\/li\u003e\n\u003cli\u003eBuxtehude: Magnificat\u003c\/li\u003e\n\u003cli\u003eCasals: O vos omnes\u003c\/li\u003e\n\u003cli\u003eFaur'e: Cantique de Jean Racine\u003c\/li\u003e\n\u003cli\u003eFranck: Panis angelicus\u003c\/li\u003e\n\u003cli\u003eGabrieli (G): Jubilate Deo a 8\u003c\/li\u003e\n\u003cli\u003eGesualdo: O vos omnes\u003c\/li\u003e\n\u003cli\u003eGlinka: The Cherubic Hymn\u003c\/li\u003e\n\u003cli\u003eGrieg: Ave maris stella\u003c\/li\u003e\n\u003cli\u003eGuerrero: Ave Virgo sanctissima\u003c\/li\u003e\n\u003cli\u003eHandl (Gallus): Pater noster\u003c\/li\u003e\n\u003cli\u003eHassler: Dixit Maria\u003c\/li\u003e\n\u003cli\u003eJohn IV of Portugal: Crux fidelis\u003c\/li\u003e\n\u003cli\u003eJosquin Desprez: Ave Maria\u003c\/li\u003e\n\u003cli\u003eLassus: Adoramus te, Christe\u003c\/li\u003e\n\u003cli\u003eLassus: Ave verum Corpus\u003c\/li\u003e\n\u003cli\u003eLassus: Timor et tremor\u003c\/li\u003e\n\u003cli\u003eLotti: Crucifixus a 8\u003c\/li\u003e\n\u003cli\u003eMendelssohn: Verleih uns Frieden\u003c\/li\u003e\n\u003cli\u003eMendelssohn: Psalm 43 (Richte mich, Gott)\u003c\/li\u003e\n\u003cli\u003eMonteverdi: Beatus vir\u003c\/li\u003e\n\u003cli\u003eMonteverdi: Cantate Domino\u003c\/li\u003e\n\u003cli\u003eMonteverdi: Christe, adoramus te\u003c\/li\u003e\n\u003cli\u003eMoza rt: Ave verum Corpus\u003c\/li\u003e\n\u003cli\u003ePalestrina: Exsultate Deo\u003c\/li\u003e\n\u003cli\u003ePalestrina: Sicut cervus\u003c\/li\u003e\n\u003cli\u003ePalestrina: Tu es Petrus and Quodcumque ligaveris\u003c\/li\u003e\n\u003cli\u003ePoulenc: Salve Regina\u003c\/li\u003e\n\u003cli\u003eRachmaninoff: Ave Maria\u003c\/li\u003e\n\u003cli\u003eRheinberger: Abendlied, Op. 69, No. 3\u003c\/li\u003e\n\u003cli\u003eReger: Unser lieben Frauen Traum\u003c\/li\u003e\n\u003cli\u003eRossini: O salutaris Hostia\u003c\/li\u003e\n\u003cli\u003eSchubert: Psalm 23\u003c\/li\u003e\n\u003cli\u003eSch\"utz: Psalm 100\u003c\/li\u003e\n\u003cli\u003eSch\"utz: Selig sind die Toten\u003c\/li\u003e\n\u003cli\u003eStravinsky: Ave Maria\u003c\/li\u003e\n\u003cli\u003eSweelinck: Laudate Dominum\u003c\/li\u003e\n\u003cli\u003eTchaikovsky: Hymn to the Virgin\u003c\/li\u003e\n\u003cli\u003eVerdi: Ave Maria\u003c\/li\u003e\n\u003cli\u003eViadana: Exsultate justi\u003c\/li\u003e\n\u003cli\u003eVictoria: Ave Maria a 4\u003c\/li\u003e\n\u003cli\u003eVictoria: Jesu, dulcis memoria\u003c\/li\u003e\n\u003cli\u003eVictoria: O quam gloriosum\u003c\/li\u003e\n\u003cli\u003eVictoria: O vos omnes\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/allegri-miserere\"\u003eAllegri: Miserere\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eAnerio: Christus factus est\u003c\/li\u003e\n\u003cli\u003eArensky: Our Father, No. 3 from Sacred Choruses from the Liturgy of St. John Chrysostom, Op. 40\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/bach-o-jesu-christ-meins-lebens-licht-funeral-cantata-bwv-118\"\u003eBach: O Jesu Christ, meins Lebens Licht (Funeral Cantata), BWV 118\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eWarum ist das Licht gegeben dem Mühseligen?, No. 1 from \u003ca href=\"\/fr\/collections\/brahms-2-motets-op-74\"\u003eBrahms: 2 Motets, Op. 74\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eAch, arme Welt, du trügst mich, No. 2 from \u003ca href=\"\/fr\/collections\/brahms-3-motets-op-110\"\u003eBrahms: 3 Motets, Op. 110\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/brahms-geistliches-lied-spiritual-song-op-30\"\u003eBrahms: Geistliches Lied (\"Spiritual Song\"), Op. 30\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/bruckner-ave-maria-wab-6\"\u003eBruckner: Ave Maria, WAB 6\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/bruckner-christus-factus-est-wab-11\"\u003eBruckner: Christus factus est, WAB 11\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/fr\/collections\/bruckner-os-justi-meditabitur-wab-30\"\u003eBruckner: Os justi meditabitur, WAB 30\u003c\/a\u003e (SSAATTBB)\u003c\/li\u003e\n\u003cli\u003eBuxtehude: Magnificat anima mea Domine, BuxWV Anh. 1\u003c\/li\u003e\n\u003cli\u003eCasals: O vos omnes (1932)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/faure-cantique-de-jean-racine-op-11-n-42a\"\u003eFauré: Cantique de Jean Racine, Op. 11, N 42a\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/franck-panis-angelicus-cff-209-fwv-61b\"\u003eFranck: Panis angelicus, CFF 209, FWV 61b\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/gabrieli-jubilate-deo-omnis-terra-motet-for-11-voices-1597\"\u003eGabrieli: Jubilate Deo, omnis terra (Motet for 11 Voices) (1597)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eO vos omnes, No. 11 from \u003ca href=\"\/fr\/collections\/gesualdo-sacrae-cantiones-book-1-op-9\"\u003eGesualdo: Sacrae Cantiones - Book 1, Op. 9\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eGlinka: Херувимская (Cherubim's Song) (1837)\u003c\/li\u003e\n\u003cli\u003eGrieg: Ave, maris stella (Version for Choir), EG 150b\u003c\/li\u003e\n\u003cli\u003eGuerrero: Ave Virgo sanctissima (1566)\u003c\/li\u003e\n\u003cli\u003eGallus: Pater noster (1586)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/hassler-dixit-maria-from-cantiones-sacrae-1591\"\u003eHassler: Dixit Maria (from Cantiones sacrae) (1591)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eJoão IV: Crux fidelis (1615)\u003c\/li\u003e\n\u003cli\u003ePrez: Ave Maria…virgo serena (1502)\u003c\/li\u003e\n\u003cli\u003eLassus: Adoramus te, Christe, LV 1083\u003c\/li\u003e\n\u003cli\u003eLassus: Ave verum corpus, LV 730\u003c\/li\u003e\n\u003cli\u003eLassus: Timor et tremor (1566)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/lotti-crucifixus-for-8-voices\"\u003eLotti: Crucifixus (for 8 Voices)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/mendelssohn-psalm-43-richte-mich-gott-und-fuhre-meine-sache-mwv-b-46-op-78-no-2\"\u003eMendelssohn: Psalm 43 (Richte mich, Gott und führe meine Sache), MWV B 46, Op. 78, No. 2\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/mendelssohn-verleih-uns-frieden-gnadiglich-mwv-a-11-woo-5\"\u003eMendelssohn: Verleih uns Frieden gnädiglich, MWV A 11, WoO 5\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/monteverdi-beatus-vir-psalm-112-sv-268\"\u003eMonteverdi: Beatus vir (Psalm 112), SV 268\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/monteverdi-cantate-domino\"\u003eMonteverdi: Cantate Domino\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/monteverdi-christe-adoramus-te-sv-294\"\u003eMonteverdi: Christe adoramus te, SV 294\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/mozart-ave-verum-corpus-k-618\"\u003eMozart: Ave verum corpus, K. 618\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003ePalestrina: Exsultate Deo (1584)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/palestrina-tu-es-petrus\"\u003ePalestrina: Tu es Petrus\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003ePalestrina: Sicut cervus desiderat. Sitivit anima mea (1604)\u003c\/li\u003e\n\u003cli\u003ePoulenc: Salve Regina, FP 110\u003c\/li\u003e\n\u003cli\u003eAve Maria, No. 6 from \u003ca href=\"\/fr\/collections\/rachmaninoff-all-night-vigil-op-37\"\u003eRachmaninoff: All-Night Vigil, Op. 37\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/fr\/collections\/rheinberger-abendlied-op-69-no-3-jwv-55\"\u003eRheinberger: Abendlied, Op. 69, No. 3, JWV 55\u003c\/a\u003e (SSATTB)\u003c\/li\u003e\n\u003cli\u003eUnser lieben Frauen Traum, No. 4 from \u003ca href=\"\/fr\/collections\/reger-acht-geistliche-gesange-8-sacred-songs-op-138\"\u003eReger: Acht geistliche Gesänge (8 Sacred Songs), Op. 138\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eRossini: O salutaris Hostia (1857)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/schubert-psalm-23-gott-ist-mein-hirt-d-706\"\u003eSchubert: Psalm 23 (\"Gott ist mein Hirt\"), D 706\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/schutz-psalm-100-jauchzet-dem-herren-alle-welt-swv-36\"\u003eSchütz: Psalm 100 (\"Jauchzet dem Herren, alle Welt\"), SWV 36\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eSchütz: Selig sind die Toten, SWV 391\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/stravinsky-ave-maria-bogoroditse-dvo-1934\"\u003eStravinsky: Ave Maria (Bogoroditse D'vo) (1934)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eSweelinck: Laudate Dominum (Psalm 117)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/fr\/collections\/verdi-ave-maria\"\u003eVerdi: Ave Maria\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eViadana: Exsultate just\u003c\/li\u003e\n\u003cli\u003eT.L. Victoria: Ave Maria (for 4 Voices)\u003c\/li\u003e\n\u003cli\u003eT.L. Victoria: O quam gloriosum (1572)\u003c\/li\u003e\n\u003cli\u003eT.L. Victoria: O vos omnes (Tenebræ Responsory No. 2 for Holy Saturday) (1585)\u003c\/li\u003e\n\u003cli\u003eT.L. Victoria: Jesu, dulcis memoria\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":39287729717327,"sku":"9780193436954","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3f9fc49829d87647f84484e9fc8d25f2.jpg?v=1750598865"},{"product_id":"casals-pablo-cor-volume-v-els-mesos-edited-by-marta-casals-istomin-full-score-boileau","title":"Casals: Choir - Volume 5 (Els Mesos)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/pablo-pau-casals\"\u003ePablo (Pau) Casals (1876-1973)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Els mesos (The Months) (1897)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eSpanish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eText languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eCatalan, English, Spanish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790350343186\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWork for male voice choir or mixed choir (in this edition), signed in 1897, on text by Apel·les Mestres y Oñós (1852-1936), draftsman, poet, playwright, composer and horticulturist, a man highly appreciated in those years at the end of the 19th century, whose texts often served as inspiration for musicians.\u003c\/p\u003e\n\u003cp\u003eThe work, of which two manuscripts survive, 68 and 72 pages respectively, follows a program linked to the passage of the year, as other composers such as Vivaldi, Haydn, and Tchaikovsky had done. Written for male choir, like Clar de lluna, it was probably conceived with the same intention: to provide repertoire for the Claverian choir of its local population. It frequently includes vocal effects typical of this choral context. It is organized in a particular way for each of the parts corresponding to the months, proposing a variable distribution of voices and appropriate tonalities for each expressive moment, although it maintains a predominantly homophonic character, alternating use of voices to enhance expressiveness, and relative simplicity of interpretation.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003eCançó de gener [January Song], originally written in the key of in E Major (now in E-flat Major) and time signature 6\/8. Completed on June 21, 1897. Originally for tenors I and II and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCançó de febrer [February Song], originally in A Minor (now, E Minor) and 4\/4 time. Completed in July 1897. in the first manuscript, for tenors I and II and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCançó de març [March Song], written in the key of F Major and in 2\/2 time. It has no end-marking; the original score—from the archives of La Lira Vendrellense—has been heavily revised, in some cases with fragments of paper pasted over the previous ones. It was conceived for solo tenor, first and second tenors, baritones, and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCançó d'abril [April Song], initially in F-sharp Minor (transposed to G Minor) and in 4\/4, 3\/4 and 2\/4 time signatures. Completed in September 1897. Originally it was for solo baritone, tenors I and II, baritones and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCançó de maig [May Song], written in B-flat Major and 4\/4 time. It was finished in October 1897. It was for tenors I and II, baritones and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCançó de juny [Song of June], written in D-flat Major (transposed to C Major) and 6\/8 time. It was completed in December 1897. Intended for double tenors, second tenors, baritones and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCançó de juliol [July Song], written in G Major and 6\/8 time. Completed in January 1898. It was originally written for tenors I and II, baritones and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCançó d'agost [August Song], originally written in A-flat Major and 3\/4 time, was completed in January 1898. It has been transposed to G Major. It was initially for first and second tenors, baritones, and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCançó de setembre [September Song], written in C Major (transposed to B-flat Major) and 6\/8 time, was finished in February 1898. It was for tenors I and II, baritones and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCançó d'octubre [October Song], written in G Major and 2\/4 time, was completed in October 1897. Primarily for tenors I and II, baritones and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCançó de novembre [November Song], written in D Major (in the mixed choir version in C Major), in 6\/8 time and finished in November 1897. It was for tenors I and II, baritones and basses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eThe work for the month of December was not composed.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editorial de Música Boileau","offers":[{"title":"Default Title","offer_id":44382646206543,"sku":"BC0014","price":60.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/9bfb3e0ad7259207a5fe6abcba0fee55.webp?v=1769808512"},{"product_id":"casals-pablo-cor-volume-iv-clar-de-lluna-edited-by-marta-casals-istomin-full-score-boileau","title":"Casals: Choir - Volume 4 (Clar de lluna, arr. for SATB choir)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/pablo-pau-casals\"\u003ePablo (Pau) Casals (1876-1973)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eMale Choir\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Clar de lluna (Moonlight) (1896)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eSpanish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eText languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish, Portuguese, Spanish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790350343179\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWork for male voice choir (or mixed choir in this edition, version by Agustín Cohí y Grau) on text by Jaume Ramon y Vidales dated 1896.\u003c\/p\u003e\n\u003cp\u003eThe original of this score, of 31 pages, is located at the headquarters of the choral entity La Lira Vendrellense, a Claverian formation to which Casals dedicates the work, as it appears on the cover: «To my friends of La Lira with much affection. [To my friends at La Lira with much affection.] Pau Casals\" and in the title of the work itself: \"Clar de lluna, coro à 4 veus escrit expressament per la Lira Vendrellense i dedicat à la mateixa per sos autores, música de Pau Casals \/ lletra de Jaume Ramon\" [Moonlight, chorus for 4 voices written expressly for La Lira Vendrellense and dedicated to it by its authors, music by Pau Casals \/ lyrics by Jaume Ramon.] Although the cover indicates the date 1897, the completion of the score, as would later be customary, the author indicates the date of creation: \"96\/97 April\". The score existing in the Casals Archive indicates \"Barcelona, ​​1896\".\u003c\/p\u003e\n\u003cp\u003eThe work is conceived as an idyll, a literary genre that typically exhibited a connection to the description of nature and a certain dramatic intent, as Clavé had developed in his compositions. Casals was well acquainted with the musical treatment of this repertoire, since the work employs the expressive resources common to these ensembles, such as the closed mouths of the lower voices to highlight the singing of the higher voices, the simplicity of the melodic development, the harmonic encounters, and the sustained note values. Occasionally, Casals uses passing chromaticisms that add color to the musical discourse but also make the performance more challenging.\u003c\/p\u003e\n\u003cp\u003eBased on the key of in E-flat Major, and 6\/8 or 9\/8 time signatures that give it a danceable feel, the composition is divided into seven moments that give it a poetic character: Alegretto tranquillo in E-flat Major, Andante in the same key, Allegretto in F Major, Allegro in a modulating passage that ends in D Minor, Largo in G Major, Andante in E-flat Major and, finally, a Viu [Vivo] in the same key.\u003c\/p\u003e\n\u003cp\u003eThe lyricist, Jaume Ramon i Vidales (1847-1900), a writer and law graduate, practiced as a notary in Sarral, Montblanc, and El Vendrell. A staunch supporter of the Renaixença, he was one of the founders of Jove Catalunya and strongly influenced Guimerà to write in Catalan; he contributed to La Renaixença, Lo Gay Saber, and La Ilustració Catalana, among other publications, and in 1890 he founded and directed El Vendrellense, where he published the series Vendrell històric, later published in 1933. He also cultivated verse, narrative prose, and popular dramatic literature.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editorial de Música Boileau","offers":[{"title":"Default Title","offer_id":44382647091279,"sku":"BC0013","price":52.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/65ae7527e3f2704f56172f440a0f86e5.jpg?v=1769808838"},{"product_id":"casals-pablo-ball-dels-dimonis-per-cobla-y-percusion-boileau","title":"Casals: Ball Dels Dimonis","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/pablo-pau-casals\"\u003ePablo (Pau) Casals (1876-1973)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/fr\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePercussion, Chamber Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Ball sels dimonis (Dance of the Demons) (1955) (cobla)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eText languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eCatalan, English, Spanish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9788419715203\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003efor cobla and percussion\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editorial de Música Boileau","offers":[{"title":"Default Title","offer_id":45034842652751,"sku":"BC0022","price":61.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e15cd3c2787a5dc9c37acc50e70089c0.webp?v=1774984363"},{"product_id":"casals-works-for-cello-piano-volume-2-boileau","title":"Casals: Works for Cello \u0026 Piano Volume 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/pablo-pau-casals\"\u003ePablo (Pau) Casals (1876-1973)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eCello, Piano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790350308499\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/boileau-music.com\/uploads\/imgen\/14063_BC0003-cello-piano-casals-score.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis comprehensive collection unveils the early compositional genius of Pablo Casals, capturing his foundational contributions to the cello repertoire. Written as early as age 16, these works demonstrate an astonishing command of cello technique, mature artistic inspiration, and a profound understanding of academic concert traditions. Volume II delivers a highly diverse curation essential for performers and scholars alike, bridging Casals' original chamber compositions with his legendary performance legacy.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cp\u003eEl cant dels ocells (3'00\")\nPoème (8'00\")\nMorceau de concours (1'20\")\nLa balada dels dos estels (9'25\")\u003c\/p\u003e\n\u003cp\u003eCadenzas:\u003c\/p\u003e\n\u003cp\u003eC.P.E. Bach: Cello Concerto in A Major (Movement I \u0026amp; Movement III \"Finale\")\nLuigi Boccherini: Cello Concerto in B-flat Major (Movement III)\nJoseph Haydn: Cello Concerto in D Major (Movement I \u0026amp; Movement II)\nRobert Schumann: Cello Concerto in A Minor\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editorial de Música Boileau","offers":[{"title":"Default Title","offer_id":46873302532175,"sku":"BC0003","price":53.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/42197f4206f39bb32bc9b861c0af4bfc.jpg?v=1790048947"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/collections\/a5ghnqoge9nic1nj6af9.png?v=1621867132","url":"https:\/\/www.ficksmusic.com\/fr\/collections\/pablo-pau-casals.oembed","provider":"Ficks Music","version":"1.0","type":"link"}