Eastman: Stay On It
This item is made to order and typically ships within 2-3 weeks.
- Composer: Julius Eastman (1940-1990)
- Format: Set of Parts
- Instrumentation: Any Instrument
- Work: Stay On It
- Size: 8.9 x 12.0 inches
Description
For any instruments. Performance scores in several transpositions are included:
- C, 6 performance scores
- B-flat, 5 performance scores
- A, 1 performance score
- G, 1 performance score
- F, 3 performance scores
- E-flat, 3 performance scores
- D, 1 performance score
Not all scores need be used in performance.
Performance Notes
Instrumentation is open, although traditionally voice(s), piano, and mallet percussion have been a part of most performances.
The ‘chordal' part (Main Theme) may be played by the piano and/or mallet percussion. Alternatively, players of single-line instruments may choose to play one of the lines in the Main Theme that falls in a register that is comfortable and will lend itself to balance within the ensemble.
Players may choose to play and repeat the layered cells at their own discretion.
It is possible to move between the chordal and layered elements, but the Themes must be repeated throughout each section by at least one player.
Each element (Theme, Cells) may be repeated ad lib. Cues to move to each next section may be visual, or a pre-determined musical cue.
The piece may begin with the poem. Optionally, the players may choose to improvise using materials from the main body of the composition. This should begin quietly and sparsely, building intensity as the poem progresses, leading to the entrance of the Main Theme as the poem ends.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Eastman: Stay On It
