{"title":"Sheet music composed by Judith Shatin (1949-)","description":"Judith Shatin (1949-) is a composer from United States of America. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Judith_Shatin\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"shatin-letude-du-coeur-peters","title":"Shatin: L'Etude du coeur","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: L'Etude du coeur\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790300738130\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 8\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":289026867221,"sku":"EP67317","price":20.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/19e43b7392ebfa75d7825e4b4e6a1dce.jpg?v=1750774484"},{"product_id":"shatin-gazebo-music-aca","title":"Shatin: Gazebo Music","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Gazebo Music\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eGazebo Music\u003c\/em\u003e , for flute and cello, is a pastoral piece created for a site-specific dance on the grounds of Duke University, with the dancers wending their way up from woods, peeking over the railing of the gazebo where the performers were located, and ending with them lying on the branches of a huge magnolia tree. The piece was created as part of the Composer\/Choreographer Workshop at the American Dance Festival in Durham, NC., with each of four composers collaborating with each of four choreographers. The performers, including flutist Dorothy Stone and cellist Erica Duke, were drawn from the LA-based E.A.R. Unit in residence for the program.\u003c\/p\u003e\n\u003cp\u003eThe intertwining of the flute and cello parts creates its own sonic choreography. The music, which begins with floating flute\/cello chords, moves into a dance, by turns whimsical and piquant, before ending on a wave-like chordal rocking that comes gently to rest. Reviewers have singled out the way the music ‘…evokes nymphs, mysteries and pastoral magic…' (Theatre Scene Net), and the way in which ‘…the arch form and flowing music fit perfectly.' (Richmond Times Dispatch). \u003cem\u003eGazebo Music\u003c\/em\u003e was recorded by flutist Patricia Spencer and cellist André Emilianoff of Da Capo Chamber Players on \u003cem\u003eDreamtigers\u003c\/em\u003e , a Shatin portrait album on the Innova label (#613).\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42209616166991,"sku":"ACA-SHAJ-011","price":26.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/49a1d140160005d3aa5a3fe30b41183c.webp?v=1780118316"},{"product_id":"shatin-gabriels-wing-aca","title":"Shatin: Gabriel's Wing","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Gabriel's Wing\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600230037\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGabriel's Wing\u003c\/em\u003e was inspired by the archangel Gabriel who appears in all three Abrahamic religions as God's messenger. The music features resonant harmonic series associated with the music of the spheres as well as soaring melodic lines that embody flight. The flute represents Gabriel, the piano the medium through which the angel moves and speaks. Commissioned by flutist Julia Bogorad and the Upper Midwest Flute Association, \u003cem\u003eGabriel's Wing\u003c\/em\u003e was a winner of the National Flute Association's Newly Published Music competition and was presented at the Washington D.C. NFA convention in 1992. It was recorded by Patricia Spencer on her Neuma album Narcissus and Kairos , featuring flute music by Thea Musgrave and Judith Shatin. The Journal of the British Flute Society wrote \"…the angelic flute takes flight through the piano's evocative medium. By clever use of pedaling, chords rich in overtones and other harmonic effects, the piano provides an exciting backdrop for the flute's soaring phrases which are enhanced by singing with the flute tone,\" while the American Record Guide said \"…Gabriel's Wing…conveys a well- crafted sense of ecstatic climax.\"\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42294361030735,"sku":"ACA-SHAJ-001","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c24e67cd177bda1aebb597a8e2b3740a.webp?v=1780119770"},{"product_id":"shatin-fantasia-sobre-el-flamenco-aca","title":"Shatin: Fantasía sobre el Flamenco","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eBrass Quintet (Trumpet I, Trumpet II, Horn, Trombone, Tuba)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Fantasía sobre el Flamenco\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003eFantasí­a Sobre El Flamenco is my musical response to a visit to the Corpus Christi fair in Granada, Spain, where the music and dance of the flamenco was all- enveloping. It is a complex music with a fascinating variety of forms. I have thought about this experience in music, influenced by the mixture of cultures emblematic of Spain's past. One of the striking aspects of the dance is the intermingling of qualities: sensuousness and surrender, intensity, pride and smoldering violence. I was particularly struck by the cante jondo, with its recitative elements and decorations.\u003c\/p\u003e\n\u003cp\u003eIn Fantasí­a Sobre El Flamenco, sinuous melodies that have a conversational flavor are interrupted by characteristic rhythmic bursts reminiscent of zapateado (toe and heel clicking). These two musical ideas collide, creating different rhythmic planes. The cante winds its way through the ensemble, though interrupted by violent staccato bursts.\u003c\/p\u003e\n\u003cp\u003eFantasi­a sobre El Flamenco was commissioned by Jeffrey Silberschlag for St. Mary's Brass, who premiered it and recorded it for the album Hearing the Call : 20th century American Brass Music on the Sonora label. Fantasía Sobre El Flamenco is dedicated to my beloved Michael.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42330380140623,"sku":"ACA-SHAJ-008","price":40.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6066be80ed90fb0c97c0617a66158fef.webp?v=1780118316"},{"product_id":"shatin-entreat-me-aca","title":"Shatin: Entreat Me","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eVoice\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Entreat Me (1971)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600230983\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note: Verses 16 and 17 from The Book of Ruth, starting with the words \"Entreat me not to leave thee, or to return from following after thee,\" are achingly beautiful. They reflect the deep loyalty of the Moabite, Ruth, whose mother-in-law Naomi lost both her husband and two sons in succession. Naomi tells her daughters-in-law to go home to their mothers and shares her hope that they will find husbands there. But Ruth stayed with Naomi and went with her to Bethlehem. I set these verses for solo voice and tried, through the shaping of the melody, to convey something of the passionate character of the words, with their keening undertone. The music may be transposed depending on the tessitura of the singer.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42345893724239,"sku":"ACA-SHAJ-012","price":10.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3f2295c5dc10c3a9706a15570a172df1.webp?v=1780257440"},{"product_id":"shatin-icarus-aca","title":"Shatin: Icarus","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Icarus (1984)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note: The myth of Icarus seems an apt metaphor for the creative process: the attempt to transcend, and the riskiness of the endeavor. The story of the escape of Daedalus, noted for his wonderful sculptures, together with his son Icarus is a compelling one. Imprisoned by King Minos in the labyrinth that Daedalus had designed, and the Minotaur later inhabited, Daedalus searched for a means of escape. He fashioned wings made of bird feathers and wax, and he and Icarus flew away, soaring over the Aegean Sea. But, according to the story, Icarus, heedless of his father's warnings, flew too near the sun, the wax melted and he plunged to a watery grave. This myth has inspired many artists: Bruegel in his Landscape with the Fall of Icarus; Matisse, in The Flight of Icarus; Auden's Icarus; William Carlos Williams's Landscape with the Fall of Icarus; Anne Sexton's To a Friend Whose Work Has Come to Triumph; Nino Rota's piano concerto, also named Icarus. There are numerous examples, each with its own twist. My Icarus, composed for violinist Kevin Lawrence in 1983, is cast in four movements. Each was inspired by a different aspect of the story. The first, marked Majestic, is assertive, and confident, with an extended violin cadenza that soars, expressing the will to break barriers, as well as the innocence of one who has not yet had to do so. The second suggests the complex relationships between father and son, now in agreement, now in heated debate. The third hovers in the registral stratosphere, conveying the floating quality of flight, as well as its inevitable turbulence. The last movement shivers with the violence of effort and the catharsis of the plunge. Icarus was recorded by violinist Hasse Borup and pianist Mary Kathleen Ernst on Tower of the Eight Winds, a CD of Shatin's violin\/piano music on Innova.\u003c\/p\u003e\n\u003cp\u003eReview: In the movement titled \"Majestic\" in Shatin's Icarus, a beautiful violin solo with double stops takes your breath away. We can sense the hubris of Icarus in the music as the father-son relationship is translated into a rhythmic and harmonic dialogue between violin and piano. The piano reflects sobriety as the violin expresses youthful enthusiasm. Borup excels here with gorgeous playing in the upper range. In \"Delirious,\" Icarus's second movement, we soon become aware that Shatin creates basically tonal and accessible music as the piano commences a kind of a rag, which seems to me to reflect Icarus and his dad taking turns losing their respective cools. \"Soaring\" begins with sustained harmonics and rolled chords. The piano seems grounded while the violin soars, and in \"Wild\"—well, we all know how the story ends. This is a film made up of musical phrases instead of scenes. –David Wolman, Fanfare\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42346393337935,"sku":"ACA-SHAJ-018","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/526e762e0d3b429811e5d790a996ffcd.webp?v=1780257434"},{"product_id":"shatin-singing-still-aca","title":"Shatin: Singing Still","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eFlute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Singing Still (1974)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600231034\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note: \u003cem\u003eSinging Still\u003c\/em\u003e is a slightly revised and retitled version of my earlier Limericks. The new title, which seemed more apt, is from a phrase of Sara Teasdale's poem, Redbirds. A vivid nature poem, it sings of her memory of a spring day, lightened with the song of birds. It also refers to my own feelings about making music. \u003cem\u003eSinging Still\u003c\/em\u003e is cast in three contrasting movements, with each successive one marked by a light trace of the previous. It is one of my earliest pieces for flute, premiered by Nadine Asia at my Masters recital at Juilliard in 1974. Flute was one of my main instruments growing up and it was exciting to create new music for an instrument I knew from the inside out.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42346395140175,"sku":"ACA-SHAJ-017","price":16.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/48ff161f9b1ada626b873b492e418a1f.webp?v=1780256952"},{"product_id":"shatin-bagatelle-aca","title":"Shatin: Bagatelle","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Bagatelle (1971)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600231317\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBagatelle\u003c\/em\u003e is a short, light piece that plays with shifting moods in the harmonic and melodic relationships as well as their articulations rhythmic profiles.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42484778270799,"sku":"ACA-SHAJ-020","price":14.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ac79a503742db8093048701387dbf6bb.webp?v=1780257297"},{"product_id":"shatin-hearing-the-call-aca","title":"Shatin: Hearing the Call","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eTrumpet I, Trumpet II, Snare Drum\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Hearing the Call (1995)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600231973\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003efor 2 trumpets and 2 snare drums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHearing the Call\u003c\/em\u003e , commissioned by the National Symphony Orchestra as part of the Hechinger Fanfare commission project, was inspired by the music of call and response heard in settings, ranging from religious to jazz. Paired trumpet and snare drum are stationed to the right and left of the stage, creating an antiphonal setting. The music is tossed back and forth, with partners forming, shifting, and rejoining, though the stereo pairings of trumpet and snare drum are the main focus. The instrumentation of brass and percussion and the brightly colored harmony are typical of fanfares, though the rhythmic and timbral interplay are more suggestive of call and response.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHearing the Call\u003c\/em\u003e was premiered at the Kennedy Center in Washington, DC on 11\/30\/95. It has since been recorded by St. Mary's Brass on Sonoma Records, S022591, on an album of new brass music named for this piece.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42678783541327,"sku":"ACA-SHAJ-022","price":21.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3142ff96308ed23c3a5360fc057e4c28.webp?v=1780257123"},{"product_id":"shatin-scirocco-aca","title":"Shatin: Scirocco","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Scirocco (1981)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600230051\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eScirocco\u003c\/em\u003e is a short, fast capricious piece named for the fast, intense hot wind that comes from the Sahara and blows into northern Africa and the mideast. The music is full of runs and whirls, of shifting harmonies and twisting rhythms. It is dedicated to pianist Mary Kathleen Ernst who premiered it at the Biblioteca Municipal in Segorbe, Spain on 10\/26\/1985, with additional performances in Madrid and Valencia.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42763463262287,"sku":"ACA-SHAJ-003","price":14.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/a7f5b89719795b756715a663886c0272.webp?v=1780119011"},{"product_id":"shatin-to-keep-the-dark-away-aca","title":"Shatin: To Keep the Dark Away","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: To Keep the Dark Away (2010)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42773922414671,"sku":"ACA-SHAJ-007","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/aaf094dc6cdf6461d7dc44fcd8b3199f.webp?v=1780118306"},{"product_id":"shatin-cinqchronie-aca","title":"Shatin: Cinqchronie","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eWind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Cinqchronie (2019)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600230396\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCinqchronie\u003c\/em\u003e celebrates both the individuality and collaboration of the members of the wind quintet. The title, with its play on both \"synchrony\" and \"chronos,\" as well as the French \"cinq,' meaning five, refers to the plethora of interactions of the five members. The piece opens with each instrument handing a single pitch to another, showcasing their individual voices. Gradually, all the musical elements combine to shine a sonic light on both their individual timbres and their blending. One of the characteristics of their interactions is the phenomenon of streaming, creating syncopated rhythms among the parts.\u003c\/p\u003e\n\u003cp\u003eStreaming creates new rhythms by changing the rate of motion of different layers, amplified by changes in register and timbre. Meanwhile, the harmonic underpinning shifts as well. This is underscored by overall arc, hinged on a single pitch that is transformed by the journey. At the end, the ensemble comes together again on a single pitch closing as the sound fades from that of a single voice into silence. \u003cem\u003eCinqchronie\u003c\/em\u003e was commissioned by the Chamber Music Conference and Composers' Forum of the East, Inc., in 2019.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42773927592015,"sku":"ACA-SHAJ-004","price":40.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5fd86ec43c10917418037a03549ffc7b.webp?v=1780119816"},{"product_id":"shatin-widdershins-aca","title":"Shatin: Widdershins","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Widdershins (1981)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600231027\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42773927624783,"sku":"ACA-SHAJ-016","price":21.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/be8f8bfdd05b8b9a884cf968c388fc13.webp?v=1780256332"},{"product_id":"shatin-run-aca","title":"Shatin: Run","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano Quartet (Piano, Violin, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Run\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600231003\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42773930049615,"sku":"ACA-SHAJ-014","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0935b16c0012c4a4bcf048f8313ab51b.webp?v=1780256330"},{"product_id":"shatin-doxa-aca","title":"Shatin: Doxa","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Viola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Doxa (1989)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600230990\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42773932965967,"sku":"ACA-SHAJ-013","price":21.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0b7b1bf2ce336b580bd59dd0a1535d33.webp?v=1780256324"},{"product_id":"shatin-chai-variations-on-eliahu-hanavi-aca","title":"Shatin: Chai Variations on Eliahu HaNavi","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Chai Variations on Eliahu HaNavi (1997)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600230112\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChai Variations on Eliahu HaNavi was inspired by the folk song Eliahu HaNavi (Elijah the Prophet), often sung during the closing service of the Jewish Sabbath. The letters of \"Chai,\" which means \"life\" or \"living\" in Hebrew, symbolically stand for the number 18; hence, 18 variations. I have given the choice of variation order to the performer as a reflection of my deep sense of performance as a collaboration between performer and composer (and, for that matter, listener). It also reflects my effort to open the musical form. This results in 18! or 6,402,373,705,728,000 possible orderings! The particular order in which the variations are ordered in the grouping below has no bearing on an expected or desired order. One of my fascinations in this approach is the formal structure that each performer creates.\u003c\/p\u003e\n\u003cp\u003eI composed these variations while in residence at Brahmshaus in Baden-Baden during the summer of 1995. It is dedicated to the Abel family. Their warm welcome will not be forgotten, nor Herr Abel's efforts to establish and maintain this studio, where the spirit of Brahms is palpable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"...This is a magnificent piece of piano music that should be in many, many pianists' repertoires....\" (Fanfare)\u003c\/p\u003e\n\u003cp\u003e\"... It's a marvelous work and I hope it becomes better known...\" (American Record Guide,)\u003c\/p\u003e\n\u003cp\u003e\"…The most substantial work featured on the disc is Chai Variations, a 20-movement, 21-minute tour de force for solo piano by Judith Shatin (New Music Box)\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42773935915087,"sku":"ACA-SHAJ-005","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/2caeff8883fed8e24d2ef18b25d44344.webp?v=1780119000"},{"product_id":"shatin-canta-la-sal-aca","title":"Shatin: Canta la Sal","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Piano, Horn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Canta la Sal (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600233205\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003eThe title \u003cem\u003eCanta la Sal\u003c\/em\u003e is drawn from Pablo Neruda's profound poem \u003cem\u003eOda a La Sal\u003c\/em\u003e. One of the joys of creating music for particular performers is the discussion that goes into the process. Early on, when asked if she had any particular ideas that she wished to share, hornist Anne Howarth mentioned salt – how it is essential for life and how it is dissolved in both the tears of our sadness and of joy. This resonated with me, and as I undertook some research into the topic it led me to Pablo Neruda's magnificent ode. in it, he speaks eloquently of the singing of salts on the-flats, the mountain of buried light in the mines, the transparent cathedral, the crystal of the sea and the wonders of its flavor. Salt connects the intimacy of our tongues to the enormity of the oceans. These images and metaphors inspired the harmonic, rhythmic and timbral trajectories of the trio.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42801776885839,"sku":"ACA-SHAJ-032","price":36.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/aaaa97de78bc664b3f812ce56eb6077e.webp?v=1780257565"},{"product_id":"shatin-spin-aca","title":"Shatin: Spin","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Violin, Clarinet, Flute, Viola, Bassoon\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Spin (1997)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600234905\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpin\u003c\/em\u003e is a one-movement piece whose action manifests the meaning of its title at a variety of levels. The accented chords that form the harmonic pillars unfold and collapse back into themselves in a slow-motion spin. The quick, dancing motifs are spun around the pairs and trios of instrument groupings in the sextet. The spinning motifs form the axis around which the large-scale motion revolves. The piece plays with this underlying notion at all levels, and was inspired by the multilevel use of the triangle in I.M. Pei's design of the East Wing of the National Gallery of Art in Washington D.C.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eSpin\u003c\/em\u003e, the music moves between harmonic pillars that create a crescendo of consonance. There are two large sections, the second of which is a twirled version of the first. Each large section contains the harmonic pillars and dancing motif, a habanera-like dance, and a closing section that whirls like a tOp.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":43529676488783,"sku":"ACA-SHAJ-034","price":37.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0d248a210afcef9d4245488486e2b6de.webp?v=1755702729"},{"product_id":"shatin-when-the-moon-of-wildflowers-is-full-aca","title":"Shatin: When the Moon of Wildflowers is Full","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: When the Moon of Wildflowers is Full (1973)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600234899\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eRevised 2019\u003c\/p\u003e\n\u003cp\u003eProgram Note:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen the Moon of Wildflowers is Full\u003c\/em\u003e was composed many years ago for the wedding of dear friends that took place in a beautiful meadow in high summer in Aspen, CO, where I was a composition student at the Aspen Music Festival. The music has a light, Renaissance dance-like quality, interpreted in a contemporary vein. My experiences at the Aspen Music Festival opened the door to a life in music, and to ongoing joy in its creation.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":43529692512335,"sku":"ACA-SHAJ-033","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/404751cb9e0119734161b34eb60fba79.webp?v=1755702970"},{"product_id":"shatin-mariola-aca","title":"Shatin: Mariola","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Performance Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViola, Marimba\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Mariola (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600235308\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003eThe Piedmont Duo's unique combination of viola and marimba inspired the title Mariola, which both suggests the instruments' names and refers to a hardy shrub that grows in the Southwest of the US and can handle extremely dry conditions. It overcomes them to blossom in the summer with delicate white flowers. This provides a rich metaphor for the compositional process, from pushing ideas into shape to their gradual flourishing. Likewise, it embodies the interpretive process, growing from the study and practice that gradually brings performance to fruition. The piece begins with the intensity of seeds taking root and growing. The harmonic substrate gradually changes, ultimately rising in a Major second as the plans reach the light, culminating in an upwards vanishing. I am delighted by my colleagues and dear friends Ay Balija (viola) and I-Jen Fang (percussion) the founders of the innovative Piedmont Duo, not only commissioned this piece, but also enthusiastically collaborated in exploring the marvelous range of their instruments. I am also grateful for the support of this project by the University of Virginia, through the Institute of the Humanities \u0026amp; Global Cultures, and UVA Arts Enhancement.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":43529703325775,"sku":"ACA-SHAJ-037","price":21.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/fb01bf288647e803293b9e903f076b2c.webp?v=1780257451"},{"product_id":"shatin-sister-thou-wast-mild-and-lovely-aca","title":"Shatin: Sister Thou Wast Mild and Lovely","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Soprano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Sister Thou Wast Mild and Lovely (1994)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600234943\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eSoprano or Mezzo-soprano and Viola\u003c\/p\u003e\n\u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSister Thou Wast Mild and Lovely\u003c\/em\u003e is a setting of the lyrics of a Primitive Baptist hymn by Samuel Francis Smith that I composed in memory of my dear friend, violist Rosemary Glyde. I met Rosemary on my first day at the Aspen Music Festival and we became close friends immediately, with our friendship continuing while students at Juilliard and for the rest of her too-short life. We collaborated on numerous occasions, resulting in a number of pieces. Three of the high points were her performance of Arche for viola and orchestra, with the Houston Symphony, her premiere of Glyph (solo viola, string quartet and piano) at Merkin Hall and her performances of Doxa (viola \u0026amp; piano) and L'etude du Coeur (viola) on her Tully Hall debut. She was a champion of contemporary composers, including Richard Lane and Bernard Hoffer. A fine composer herself, she created Whydah (viola) and Weji, for viola quartet, as well as her transcriptions of the Rachmaninoff Cello Sonata and of J.S. Bach's Cello Suites for viola. I will always miss Rosemary's warm friendship, her adventuresome spirit and her consummate musicality.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":43530110107727,"sku":"ACA-SHAJ-036","price":11.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e86b885f4034ca14fb67787cf1a90001.webp?v=1755717134"},{"product_id":"shatin-autumn-way-aca","title":"Shatin: Autumn Way","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Autumn Way (2014)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600235872\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\n\u003cem\u003eAutumn Way\u003c\/em\u003e, for solo cello, was commissioned by \u003cem\u003eString Poet\u003c\/em\u003e, an innovative online journal with a Studio Series hosted by the Long Island Violin Shop in Huntington, NY. \u003cem\u003eString Poet\u003c\/em\u003e ran a poetry competition and paired each winner with a composer commissioned to create music in response to the poetry. My piece was inspired by Richard Meyer's poignant and beautifully wrought poem, \"The Autumn Way.\" Suzanne Mueller premiered it on 9\/23\/2014 on the Studio Series.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":43732975288399,"sku":"ACA-SHAJ-039","price":12.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6afddaf6004a5ef9b8910ad2a9a7aa6f.webp?v=1780257705"},{"product_id":"shatin-kassia-aca","title":"Shatin: Kassia","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eClarinet, Double Bass, String Quartet (Violin I, Violin II, Viola, Cello), Harp\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Kassia (2020)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600235865\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Score \u0026 Set of Parts","offer_id":43733278556239,"sku":"ACA-SHAJ-038","price":63.0,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":43733281177679,"sku":"ACA-SHAJ-038s","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4147397fed4bda7e31297d215ad195a0.webp?v=1780323839"},{"product_id":"shatin-of-wells-springs-aca","title":"Shatin: Of Wells \u0026 Springs","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Performance Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eAlto Saxophone, Percussion\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Of Wells \u0026amp; Springs (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600237067\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003eCollaboration and instrumental exploration with performers are central to my compositional process. We often begin by chatting about ideas, both musical and personal. When Bent Frequency Duo and I first discussed this project, saxophonist Jan Baker mentioned that the topic of water was on her mind - ranging from its life-sustaining necessity to its potential for devastating floods. This immediately resonated with me. Like so many of us, I am deeply concerned about climate change and the increasing severity of drouth and flood cycles.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOf Wells and Springs\u003c\/em\u003e takes its title (and spelling of drouth) from environmental activist, writer and farmer Wendell Berry's poem, \u003cem\u003eWater\u003c\/em\u003e. Drawn from the series \"Farming: A Handbook,\" it tells of a terrible drouth, of the narrator's mother waiting for men to bring water from distant springs, of his fear of recurring drought and of his ‘love of wells and springs.' He closes the poem with the line ‘My sweetness is to wake in the night after days of dry heat, hearing the rain.'\nI have responded through my music to the experiences that Berry details so vividly – the fear and anguish that drouth precipitates, the joy of the coming of rain, the worry of renewed dry spells, the relief of hearing rain. And, I have added to that both the increasing severity of drouths and the obliterating floods that have also become devastatingly more common.\u003c\/p\u003e\n\u003cp\u003ePercussion Needed:\n5 temple blocks,\n2 Toms (Low and high), Snare drum, 2 Bongos (low\/high), and Vibraphone.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":43933089857615,"sku":"ACA-SHAJ-040","price":18.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/91742e36b3996ba4f4a0a1e39189b7ce.webp?v=1780257495"},{"product_id":"shatin-ruah-aca","title":"Shatin: Ruah","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eFlute, Chamber Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Ruah (1985)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600237098\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.8\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e13.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFlute and Chamber Orchestra:\n0110 - 1110 - perc - flute solo - strings\u003c\/p\u003e\n\u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRuah\u003c\/em\u003e, with the ‘h' pronounced like the ‘ch' in Bach, is a flute concerto inspired by the Hebrew word that translates as air, wind, or breath. in Cabalistic mysticism it also refers to the part of the soul that mediates between the body and the spirit. Both the colloquial and spiritual meanings are at work here. The images of breath and air inform the timbral stretching of the flute's sound, with the flutist using the voice and its breath flow in conjunction with played tones. The image of the wind is captured particularly in the swirling lines of the first movement, marked\n\u003cem\u003eSoaring\u003c\/em\u003e\n, and in the third, titled \u003cem\u003eImpassioned\u003c\/em\u003e\n. The second movement,\n\u003cem\u003eTender\u003c\/em\u003e\nemerges from a dynamic stillness, with far-flung registral limits, and large internal spaces. Its three-part organization mirrors the larger-scale three movement plan of the entire piece. The final movement is a more furious spin through space, and reflects a more tightly wound, assertive character than the first two movements. However, it also refers to them. The spiritual reference is embodied in the role of the flute as it variously springs forth from and mediates between the instruments of the ensemble.\u003c\/p\u003e\n\u003cp\u003ePercussion Needed:\nBass drum. large tam-tam, med. sus cymbal, snare drum, tambourine, small triangle, 3 wood blocks (L, M, H) Castanets, mark tree, marimba, vibraphone, crotales .\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":43933102112847,"sku":"ACA-SHAJ-042s","price":97.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/f7d5beefabc1b17585bc12c7c7ae16b4.webp?v=1780256091"},{"product_id":"shatin-khamsa-aca","title":"Shatin: Khamsa","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePercussion Quintet\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Khamsa (2015)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600238125\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003eThe title,\n\u003cem\u003eKhamsa\u003c\/em\u003e\n, which means ‘five' in Arabic, refers to an ancient palm-shaped amulet that has been used as a sign of protection against the ‘evil eye.' It has meaning in all three Abrahamic religions: Judaism, Christianity and Islam, though it predated all of them. During this time of turmoil, chose this title, and designed a structure based on the five digits and for five players, as an expression of hope for better times ahead and for protection for all people against intolerance based on religious creed and ethnicity. Each of the five members of the quintet represents the fingers of the open palm. The music is intensely dramatic, with powerful gestures to ward off evil.\nIt is also conversational, with debates and discussions, and gradual agreement that intensifies over the course of the piece.\u003c\/p\u003e\n\u003cp\u003ePercussion Needed:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePerc 1: Snare drum, woodblock (lo), cowbell (hi) 18\" ride cymbal\u003c\/li\u003e\n\u003cli\u003ePerc 2: 2 tom-toms (med\/hi), 2 bongos (med\/hi), maraca, clave (hi)\u003c\/li\u003e\n\u003cli\u003ePerc 3: BD, wind gong (med), 2 congas (lo\/med), brake drum (med)\u003c\/li\u003e\n\u003cli\u003ePerc 4: 2 tom-toms (low\/med), 2 bongos (lo\/med), tambourine, clave (lo)\u003c\/li\u003e\n\u003cli\u003ePerc 5: Snare drum, cowbell (lo), woodblock (hi), 16\" ride cymbal\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":44517155471439,"sku":"ACA-SHAJ-043","price":71.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/77e33c138f89df86879e7f36ca16da13.webp?v=1780257252"},{"product_id":"shatin-to-the-bird-from-a-distant-land-aca","title":"Shatin: To the Bird From a Distant Land","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano Trio (Piano, Violin, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: To the Bird from a Distant Land (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790307300576\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTo the Bird from the Distant Land\u003c\/em\u003e was composed in response to Hayim Nachman Bialik's poem\n\u003cem\u003eTo the Bird (El HaTzipor)\u003c\/em\u003e\non commission from the Atar Trio. When pianist and director Ofer Shelley approached me to create a piece for their upcoming Bialik program, I was particularly drawn to this poem. Written when Bialik was just nineteen and had recently moved to Odessa, there is a strong undercurrent of homesickness for the Biblical land of Israel he imagined. The poem, addressed to a bird that serves as a bridge between the distant land and his current home, is episodic – variously referring to the Bialik's imaginings of this distant land in both its beauty and potential difficulties, while contrasting it again and again with his current perilous situation in Ukraine. His ruminations move back and forth, taking flight like the winging bird he calls to, yet also crashing down on his current reality. My response to the poem became a song without words, with the flight of the bird sometimes soaring, while at other times caught in the darker net of Bialik's worry before taking wing again.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":45326090109007,"sku":"ACA-SHAJ-044","price":33.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d6c01bebff5f4ef7d270126b25b93cf8.webp?v=1780256404"},{"product_id":"shatin-sursum-corda-aca","title":"Shatin: Sursum Corda","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/judith-shatin\"\u003eJudith Shatin (1949-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Sursum Corda (1981)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600231010\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSursum Corda\u003c\/em\u003e\nis a versicle of Thanksgiving in the Catholic liturgy. The name is suggestive of the internal quiet of prayer, the external voice of joy and the mystery of both. The music develops from these themes, moving from the microtonal quiet breathing of the opening to an expressive surging motion, and moves back and forth between a vibrant calm and passionate ecstasy.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":45326103117903,"sku":"ACA-SHAJ-045","price":16.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ce61b89e16763689a4bc6fa18073ebb1.webp?v=1780256736"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/collections\/mfcrkl7txewwm5c1eokj.png?v=1728717646","url":"https:\/\/www.ficksmusic.com\/fr\/collections\/judith-shatin.oembed","provider":"Ficks Music","version":"1.0","type":"link"}