{"title":"Sheet music composed by Carl Vine (1954-)","description":"Carl Vine (1954-) is a composer from Australia. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Carl_Vine\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"vine-piano-sonata-no-1-chester","title":"Vine: Piano Sonata No. 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/carl-vine\"\u003eCarl Vine (1954-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Sonata No. 1\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9781844490332\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.7\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 37\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eA complex and challenging piano sonata composed by Carl Vine for the Sydney Dance Company. The piece was first performed by Michael Harvey in North Melbourne in June 1991. The music is full of rich chordal movements, unusual flowing harmonies and tonalities, with great extremes of dynamic and energy. Reflecting the physical origins of the piece as a dance, the music is dotted with very strict changes of tempo which require exact adherence, rather than the \u003cem\u003eRubato\u003c\/em\u003e approach that typifies many piano interpretations.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Chester Music","offers":[{"title":"Default Title","offer_id":32133475590,"sku":"CH61356","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/af102bd833272cfa44ec8c0fa8e014d2.jpg?v=1750454789"},{"product_id":"vine-five-bagatelles-faber","title":"Vine: Five Bagatelles","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/carl-vine\"\u003eCarl Vine (1954-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: 5 Bagatelles\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9780571515462\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 12\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"Faber","offers":[{"title":"Default Title","offer_id":45733177045,"sku":"12-0571515460","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/8a5733215c573cc484df9b8ff4728b19.jpg?v=1780384411"},{"product_id":"vine-piano-sonata-no-4-faber","title":"Vine: Piano Sonata No. 4","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/carl-vine\"\u003eCarl Vine (1954-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Sonata No. 4 (2019)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9780571542215\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/12-0571542212.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarl Vine's Piano Sonatas are a crucial contribution to the piano repertoire. Each one carries the essence of pianistic traditions through Vine's own stylistic voice. The latest in the series, his \u003cem\u003ePiano Sonata No. 4\u003c\/em\u003e is comprised of three seamless movements of high character.\u003c\/p\u003e\n\u003cp\u003e\"Aphorisms\" opens the sonata with strings of fast lines and arpeggios articulating a set of materials that don't seem to interact as much as coexist. This leads straight into the pensive second movement, \"Reflection\", and finally \"Fury\" which closes the sonata with relentless and violent energy.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Faber","offers":[{"title":"Default Title","offer_id":43536161570895,"sku":"0571542212","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3c20e1ade8ea4b12c7590b430d3861c1.jpg?v=1755897176"},{"product_id":"vine-gravity-road-faber","title":"Vine: Gravity Road","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/carl-vine\"\u003eCarl Vine (1954-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Gravity Road\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9780571572595\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.8\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e14.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn 1827 the second railway line ever constructed in the United States carried raw coal from the top of Summit Hill down to the Lehigh River, at Mauch Chunk (now \"Jim Thorpe\") in the middle of Pennsylvania. A mule team took three hours to drag the empty cars to the top of the hill, but relaxed in a back carriage for the thirty minute ride back down, along with the coal, driven by gravity. Mine workers discovered that the high-speed downhill journey through virgin mountain scenery was distinctly thrilling, and in less productive periods tourists were invited to enjoy the ride, which became known as \"The Gravity Road\" - the world's first roller-coaster. Other mines proved to be more productive, and Mauch Chunk became dedicated to thrill-seekers paying fifty cents a ride (US$12.50 today). A steam engine replaced the hardy mules in 1846, and it remained a popular tourist attraction until it closed in 1932, precipitated by the Great Depression.\u003c\/p\u003e\n\u003cp\u003eWhen it first opened, the maximum Gravity Road downhill speed, exceeding 30 mph, was the fastest any human, who wasn't falling off a cliff, had ever travelled. This short orchestral tone poem is a homage to the pioneering spirit and sense of adventure that led to the construction and deployment of the Gravity Road at Mauch Chunk.\u003c\/p\u003e\n\u003cp\u003eGravity Road was commissioned by Queensland Youth Orchestras with financial assistance from the Music Board of the Australia Council. It is dedicated to the first orchestral conductor to insist that I compose symphonic music, John Curro AM MBE (1932-2019).\u003c\/p\u003e\n\u003cp\u003eIt was first performed by the Queensland Youth Orchestra conducted by John Curro on 31 May 2014, at the Concert Hall of the Queensland Performing Arts Centre in Brisbane, Australia.\u003c\/p\u003e\n\u003cp\u003e© Carl Vine, January 2014\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Faber","offers":[{"title":"Default Title","offer_id":43638688677967,"sku":"0571572596","price":59.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/f253a6d77683dda9d1a671b23c3a77f5.jpg?v=1776179306"},{"product_id":"vine-wonders-faber","title":"Vine: Wonders","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/carl-vine\"\u003eCarl Vine (1954-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Wonders\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9780571572793\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.8\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e14.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 56\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWonders was commissioned by Sydney Philharmonia Choirs as a concert companion for Vaughan Williams' renowned Sea Symphony, and so uses similar forces with large choir and two soloists. Like that work it also features text by Walt Whitman, being a setting of his 1855 poem, Who learns my lesson complete?, which was renamed Wonders in the 1892 edition of Leaves of Grass. (This substantial collection of poetry also supplied the words for Vaughan Williams' symphony).\u003c\/p\u003e\n\u003cp\u003eWonders is a short poem in twenty-six lines of free verse. I was drawn to it for its manifest humanism, its tangible though irreligious spirituality and its powerful expression of communal inclusivity. Although the text functions largely as a soliloquy, its message is meant equally for all, and so in my setting is passed between the soloists and the collective consciousness of the two choirs - large and small. The soloists speak respectively for the male and female principle of the original voice, while the choirs echo the social sentiment of acceptance.\u003c\/p\u003e\n\u003cp\u003eIt is hard to not get swept up in the boundless beauty that the poet finds in the simple things that surround us every day: from one's eyesight, friendship and conversation up to the miracles of childbirth and the unknowable extent of time and the universe. in this concise statement the poet has encapsulated a comprehensive holistic view of humankind and the way we should live together. It is wonderful.\u003c\/p\u003e\n\u003cp\u003eCarl Vine, June 2016\u003c\/p\u003e\n\u003cp\u003eWonders was first performed by Sydney Philharmonia Choirs with Penelope Miller, Christopher Hillier and the Sydney Youth Orchestra conducted by Brett Weymark on the 22nd of September 2016 at the Sydney Opera House.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Faber","offers":[{"title":"Default Title","offer_id":44437067857999,"sku":"0571572790","price":67.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/107b08626a42fd81ee57e9a55ffb4cce.jpg?v=1776179306"},{"product_id":"vine-sonata-for-piano-four-hands-faber","title":"Vine: Sonata for Piano Four Hands","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/fr\/collections\/carl-vine\"\u003eCarl Vine (1954-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano 4-Hands\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Sonata for Piano Four Hands (2009)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9780571572205\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/12-0571572200.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFrom the dynamic rhythms of its opening \"Prelude,\" the luxurious harmonies of the \"Meditation,\" and the breathless \"Toccata,\" Carl Vine's \u003cem\u003eSonata for Piano Four Hands\u003c\/em\u003e (2009) packs a wide range of styles and emotions into its 23-minute span, reinvigorating a much-loved chamber music genre for the 21st century.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Faber","offers":[{"title":"Default Title","offer_id":45169606131791,"sku":"0571572200","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/2d07c782179154b656704f0a19f660d7.jpg?v=1777996809"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/collections\/whwkm8xymv2vnbh64tkw.png?v=1585920193","url":"https:\/\/www.ficksmusic.com\/fr\/collections\/carl-vine.oembed","provider":"Ficks Music","version":"1.0","type":"link"}