Loggins-Hull: Grit. Grace. Glory.
Expected to ship in 1-2 weeks.
- Composer: Allison Loggins-Hull
- Format: Full Score
- Instrumentation: Orchestra
- Work: Grit. Grace. Glory. (2025)
- Binding: Spiral Bound
- Size: 11.0 x 16.9 inches
Description
INSTRUMENTATION
piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 2 trombones, bass trombone, tuba, 3 percussion (1: xylophone, crotales, tam-tam, glockenspiel; 2: snare drum, tam-tam, tubular bells, suspended cymbal; 3: 4 tom-toms, bass drum), harp, strings
PROGRAM NOTE
Grit. Grace. Glory. is a musical story inspired by the people and history of Cleveland, created during my residency as the Daniel R. Lewis Composer Fellow with The Cleveland Orchestra. While the stories and individuals that shaped this music are uniquely Cleveland, the values and sentiments I've absorbed—grit, grace, and glory—are qualities that resonate universally. These traits can inspire and teach us all, no matter where we come from.
1. Steel
In summary, Steel serves as a powerful metaphor that links Cleveland's vital roles in the Underground Railroad, transportation, and steel industries. It symbolizes strength, resilience, and the unyielding spirit of both those who sought freedom and those who helped them. Steel also embodies movement—representing the physical journey toward freedom and the industrial progress that reshaped the nation. in all its forms, steel reflects the dual nature of barriers and breakthroughs, as well as the strength of community and cooperation in the pursuit of a larger, shared goal.
2. Shoreline Shadows
The thematic material for this movement draws directly from students at The Cleveland School of the Arts. in the spring of 2023, I had the privilege of working with four groups of middle and high school students who created their own compositions. I gave them a single prompt: to be inspired by Cleveland, or by their experience of it. Together, we explored collaborative techniques and identified musical ways to tell their stories. Their pieces were titled The Lake, Gentrification Battle, Gun Violence, and New to Cleveland. Shoreline Shadows attempts to bring these four perspectives together, referencing both the literal and figurative "shadows" cast by the lake. It speaks to the hidden undercurrents of violence and gentrification, while also evoking the spirit of a community's moments of kindness and resilience. This movement serves to tell the story of a place through the eyes of its youth.
3. Quip
Cleveland is a city rich in excellence, yet its residents often approach that excellence with humility. I have encountered many Clevelanders who blend modesty with wit, quickness, and cleverness. Quip is inspired by this playful, "humble brag" spirit—celebrating both fun and excellence without the need for boasting. It serves as a musical nod to the clever heart of the city, featuring thematic material that is humble yet puts the virtuosity of the orchestra on display.
4. Ode
Another core value I've found among Clevelanders is the importance of remembering where they come from—loyalty and groundedness. Ode begins by revisiting a familiar theme, symbolizing a return to one's roots and the acknowledgment of the past. Last but certainly not least, Cleveland is the birthplace of rock and roll. The piece concludes with the full orchestra "rocking out" to anthemic material inspired by the roots of rock and roll, a fitting tribute to the city's musical legacy and its unwavering spirit.
Special thanks to the following partners and institutions for their profound influence: The Cozad Bates House, The Cleveland School of the Arts, The Fatima Family Center, HK Bandura School, Karamu House, Rock and Roll Hall of Fame, The Cleveland Orchestra Youth Orchestra, Global Cleveland, The Ukrainian Museum-Archives, Cleveland History Center, and The Cleveland Orchestra.
— Allison Loggins-Hull
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
