Inspiring Flute Duets
Expected to ship in 1-2 weeks.
- Composers: John Shephard, Katrina Penman (1982-), Greg Harradine, Jon Raybould, Jolin Jiang, Merryl Neille, Christopher Sainsbury, David Hamilton, Elena Kats-Chernin (1957-), Emma Greenhill, Wendy Edwards Beardall-Norton, Jim Coyle, Danielle Fournier, Wesley Stormer
- Editor: Karen North
- Format: Score & Set of Parts
- Instrumentation: Flute I, Flute II
- UPC:
- Size: 8.9 x 12.0 inches
Description
Inspiring Flute Duets presents 15 original works commissioned from leading contemporary composers, offering a fresh and expressive addition to the flute duet repertoire.
This vibrant collection ranges from lyrical, reflective dialogues to energetic, rhythm-driven pieces where musical lines weave playfully between the two parts. Several works explore extended techniques in imaginative ways, expanding the flutist's sound palette.
There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions.
Perfect for performance, practice, or simply the joy of playing with a fellow musician, Inspiring Flute Duets invites players into a world of creativity and musical connection — an inspiring journey for flutists and audiences alike.
Contents:
- Inner Dialogue - Elena Kats-Chernin
- The Merry Pipers of Boleigh - Jon Raybould
- I Had No Idea We Were Going to Dance - Jim Coyle
- The Sprightly Muse in Soft-Soled Shoes - Danielle Fournier
- Gilded Glades - Wendy Edwards Beardall-Norton
- Pebbling - The Emerald Ruby
- Autumn Light - Emma Greenhill
- Aru Atu, Aru Mai - David Hamilton
- Dance at the Forest's Edge - Wesley Stormer
- Passengers in F#m - Christopher Sainsbury
- Serenade for Karya - Greg Harradine
- Staircase Mosaic - Jolin Jiang
- Marco Polo - Merryl Neille
- Spring Rain Over the Ancient Castle - Katrina Penman
- Standing Room - John Shephard
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
