Test Pieces for Orchestral Auditions - Viola
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- Editor: Eckart Schloifer
- Instrumentation: Viola
- ISMN:
- Size: 9.1 x 11.9 inches
- Pages: 64
Description
Contents:
Divertimento for String Orchestra, 2nd and 3rd Movement (Bartók)
Symphony No. 3, Op. 55, 3rd Movement (Beethoven)
Symphony No. 5, Op. 67, 2nd Movement (Beethoven)
Symphony No. 9, Op. 125, 2nd Movement (Beethoven)
Overture to Coriolan, Op. 62 (Beethoven)
Römischer Karneval, Op. 9 (Berlioz)
Symphonie fantastique, Op. 14, 5th movement (Berlioz)
Carmen, 1st Act Nos. 6 and 11, 4th Act No. 25 (Bizet)
Symphony No. 3, Op. 90, 1st movement (Brahms)
Symphony No. 4, Op. 98, 1st movement (Brahms)
Haydn-Variations, Op. 56a, Variations 4, 7 and 8 (Brahms)
Symphony No. 3, 3rd movement (Bruckner)
Symphony No. 4, 2ns movement (Bruckner)
La Mer, 2nd and 3rd movements (Debussy)
Philharmoisches Concerto, Variation 1 (Hindemith)
Symphony "Mathis der Mahler", 3rd movement (Hindemith)
Hänsel and Gretel, 1st Act 3rd Scene and 3rd Act 3rd Scene (Humperdinck)
Symphony No. 1, 4th movement (Mahler)
Symphony No. 5, 3rd and 5th movements (Mahler)
Symphony No. 10, 1st movement (Mahler)
Midsummer Night's Dream, Op. 61, 1st movement (Mendelssohn)
Symphony No. 40, K.. 550, 4th movement (Mozart)
Symphony No. 41, K. 551, 4th movement (Mozart)
Overture from Marraige of Figaro (Mozart)
Overture from Magic Flute (Mozart)
Symphony Classique, Op. 25, 1st and 4th movements (Prokofiev)
Overture from Barber of Seville (Rossini)
Symphony No. 4, 4th Movement (Schubert)
Die verkaufte Braut: Overture and 6th Scene (Smetana)
Don Juan, Op. 20 (Strauss)
Till Eulenspiegelds lustige Streiche, Op. 28 (Strauss)
Symphony No. 5, Op. 64, 3rd movement (Tchaikovsky)
Symphony No. 6, Op. 74, 1st movement (Tchaikovsky)
Don Carlos, 1st Act, No. 3 (Verdi)
Ein Maskenball, Nos. 1 and 2 (Verdi)
Othello, 1st Act (Verdi)
Der fliegende Holländer, 1st procession, Nos. 2 and 6 (Wagner)
Lohengrin, 3rd Act, Introduction and 3rd Scene (Wagner)
Tannhäuser: Overture and 2nd Act, 2nd Scene (Wagner)
Overture from Euryanthe, Op. 81 (Weber)
Der Freischütz, Op. 77: Overture, 1st Act No. 2, and 3rd Act Finale (Weber)
Solo Pieces: Giselle, 2nd Act, No. 21 (Adam)
Lulu, 2nd Act (Berg)
Coppelia, 3rd Act, No. 7 (Delibes)
Hänsel and Gretel, 2nd Act (Humperdinck)
Manon Lescaut, 3rd Act (Puccini)
Arabella, 1st Act (Strauss)
Don Quixote, Op. 35: Theme, Variations 1, 3 and 4 (Strauss)
Der Freischütz, Op. 77, 3rd Act (Weber)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
