{"title":"Sheet music composed by Scott L. Miller (1966-)","description":"Scott L. Miller (1966-) is a composer from United States of America.","products":[{"product_id":"miller-coupling-aca","title":"Miller: Coupling","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/scott-l-miller\"\u003eScott L. Miller (1966-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Percussion, Electronics\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Coupling (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eA web link is provided for the downloading of electronic files.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":40907190042703,"sku":"ACA-MILS-035","price":26.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5c6fd69a5fb62287704a0be1d88926a6.webp?v=1780100407"},{"product_id":"sl-miller-figure-and-ground-1-aca","title":"S.L. Miller: Figure and Ground 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/scott-l-miller\"\u003eScott L. Miller (1966-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eChamber Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Figure and Ground 1 (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe products of my compositional career have featured electronic sound more often than not, with more than a decade passing at one point between the composition of music solely for acoustic instruments. \u003cem\u003eFigure and Ground 1\u003c\/em\u003e is an act of translation, from my digital practice to a purely acoustic medium. This began with a long reflection on what sonic elements characterize almost four decades of my music. The list is not terribly long, but this project has taught me many things, among them is the extent to which my electronic music has been deeply informed by my acoustic music techniques and interests. There simply isn't nearly as much a distinction as I expected to find when I set out. \u003cem\u003eFigure and Ground 1\u003c\/em\u003e is the first of an as yet unrealized collection of works for chamber orchestra intended to be performed as a whole, without interruption. This activity is made possible through a grant from the Central Minnesota Arts Board, thanks to funds provided by the McKnight Foundation.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42217089794127,"sku":"ACA-MILS-037s","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/dcc04f7ab53b59909ba76fe3a1aa6658.webp?v=1780100418"},{"product_id":"miller-juxtaposed-lines-i-a-aca","title":"Miller: Juxtaposed Lines I a","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/scott-l-miller\"\u003eScott L. Miller (1966-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Piano, Violin, Clarinet, Flute, Percussion\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Juxtaposed Lines I a (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600239061\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMy compositional career has largely featured music involving electronic sound in some form or another, with more than a decade passing at one point between compositions of music solely for acoustic instruments. Juxtaposed Lines is a kind of reckoning with my past, which began with a long reflection on what sonic elements characterize the past three decades of my music. The list is not terribly long, but my goal has been to take these features and realize them using only acoustic means of sound production. One characteristic feature of my sound-world is the juxtaposition of synthetic long-tones with acoustically produced sound, an interest I can trace through my work dating to the mid-1990s. Its origins come from an interest in extracting elements from acoustic sound, which has come to operate for me as a kind of measurement device, the imposition of a baseline against which raw, noisy, organic sound can be understood. These long-tones enter and exit over the course of a composition and provide a structural framework for the piece.\u003c\/p\u003e\n\u003cp\u003eThis activity is made possible through a grant from the Central Minnesota Arts Board, thanks to funds provided by the McKnight Foundation.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42280107245647,"sku":"ACA-MILS-036","price":36.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/2e58acfe8203c1b2629297022764e642.webp?v=1781097544"},{"product_id":"anyone-can-play-13-pieces-for-open-ensemble-aca","title":"Anyone Can Play: 13 Pieces for Open Ensemble","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/matthew-welch\"\u003eMatthew Welch (1976-)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/jody-rockmaker\"\u003eJody Rockmaker (1961-)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/marilyn-shrude\"\u003eMarilyn Shrude (1946-)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/philip-carlsen\"\u003ePhilip Carlsen (1951-)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/scott-l-miller\"\u003eScott L. Miller (1966-)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/paul-zonn\"\u003ePaul Zonn\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/robert-carl\"\u003eRobert Carl (1954-)\u003c\/a\u003e, Richard Cameron-Wolfe, \u003ca href=\"\/es\/collections\/randall-snyder\"\u003eRandall Snyder (1944-)\u003c\/a\u003e, Richard Moryl, \u003ca href=\"\/es\/collections\/peter-scott-lewis\"\u003ePeter Scott Lewis (1953-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eAny Instrument\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600230129\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e12.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e9.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThese thirteen pieces for open ensemble, written across a period of fifty years, explore flexible areas of music - in ensemble type and size, in structure and form, and in graphic notation. This anthology was created to give new music ensembles at schools a flexible, easy way to explore new types of music.\u003c\/p\u003e\n\u003cp\u003eANYONE CAN PLAY is thus divided into three sections: Text-Based Scores, Stave-Based Scores, and Graphic Scores.\u003c\/p\u003e\n\u003cp\u003eThis anthology was curated by Jody Rockmaker.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cp\u003eText-Based - Philip Carlsen: Tu(r)ning (2013), for any number of improvisers - Richard Cameron-Wolfe: En Garde\/Detente (2022), for any two musicians\u003c\/p\u003e\n\u003cp\u003eStave-Based - Robert Carl: Changing My Spots (2005), for group improvisation - Marilyn Shrude: Trope (2007), for variable ensemble - Scott L. Miller: Admiration (2017), for instrument(s) and fixed-media electronics - Jody Rockmaker: Gestures (2018), for any four melodic instruments - Randall Snyder: Meditation for a Dark Age (2020), for any four instruments - Jody Rockmaker: Anyone Can Play! (2022), for any four melodic instruments\u003c\/p\u003e\n\u003cp\u003eGraphic - Richard Moryl: Strobe (1972), for variable orchestra - Paul Martin Zonn: Yodeling in the Gully (1984), for at least three instruments - Matthew Welch: Symphony of Drones No. 2 (2002), for variable instrumentation - Peter Tod Lewis: ALCAZAR III (1972), for at least four instruments\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42330385449039,"sku":"ACA-ANTH-021","price":52.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/aa9e7d26623cbcfe05870fde761297cf.webp?v=1780074413"},{"product_id":"miller-spring-2020-aca","title":"Miller: Spring 2020","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/scott-l-miller\"\u003eScott L. Miller (1966-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eAny Instrument\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Spring 2020 (2020)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.8\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e13.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003eSpring 2020 introduced a new reality concerning music making and the audience experience. Consequently, I began experimenting with a variety of performers and ensembles telematically, over the internet, and created graphic scores to guide my experiments, many of which employed interactive electronics programmed in Kyma. The sonic network I normally would create with Kyma and performers would be in the same room, connecting electronic and acoustic sounds with microphones and speakers. in this new paradigm, the sonic network is distributed across communication networks intended for business meetings and conferences. Because of this, I was interested in hearing how specific contrasting musical elements behave and sound in this telematic music environment. This led me to create graphic scores focused on particular aspects of sound, indicated by the titles, while leaving other dimensions open, such as instrumentation, timbre, tempo, and pitch. I also found myself working in a modular fashion, combining and recombining a limited palette of graphic elements to produce the scores. This work is dedicated to my friends, distant in geography but close in spirit, who persevered with me through many challenging rehearsals as I learned how to make music with other people in this new environment.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42714237337679,"sku":"ACA-MILS-018","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/9cfd871cb7eb0e86c22d1f963d0df884.webp?v=1780099860"}],"url":"https:\/\/www.ficksmusic.com\/es\/collections\/scott-l-miller.oembed","provider":"Ficks Music","version":"1.0","type":"link"}