{"title":"Sheet music composed by Roland Dyens (1955-2016)","description":"Roland Dyens (1955-2016) was a composer from France. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Roland_Dyens\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"dyens-tango-en-skai-lemoine","title":"Dyens: Tango en Skaï","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Tango en Skaï (1985)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230947930\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 2\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eI am fortunate that this piece no longer needs an introduction - a fact that leaves me with little to write now. At the risk of repeating myself, I would like to point out that it is the archetype of those pieces that seem easy but in fact are quite difficult. It is important to take it lightly, almost as a joke. And I could add that for a joke to work, there should be a hint of malice, of pleasure and brevity. Oh, and I nearly forgot: you have to have a very solid technique to bring it off. Not for \"serious\" musicians.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":29359685861455,"sku":"HL24793","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/a9abfe8d3d3a1f2cd97e4c22140e2afd.jpg?v=1754085527"},{"product_id":"dyens-libra-sonatine-lemoine","title":"Dyens: Libra Sonatine","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Libra Sonatine\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230947947\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 11\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"http:\/\/www.henry-lemoine.com\/assets\/pdf\/24794.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAlthough very different from the Tango en skaï, this piece has also brought me a certain measure of fame as a composer, and has been recorded dozens of times. It was originally written for guitar, double bass and percussion, following in a Major operation I underwent in the early 1980s. Its three movements are an explicit portrayal of that very particular period of my life: first the chaotic India (before the operation), then the Largo (during it) and finally the Fuoco, in which the unrestrained rhythms depict a veritable incarnation of my return to life (and several guitarists often play this last movement as an independent piece). I can but be grateful for the success of the Libra Sonatine, a triptych which has familiar sounds for today's youth at the crossroads of this new and changing century. Roland Dyens\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":29359706964047,"sku":"HL24794","price":23.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/94fe83a5b9a2eebc4c73821198d7d0a9.jpg?v=1770850451"},{"product_id":"dyens-20-lettres-lemoine","title":"Dyens: 20 Lettres","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Book \u0026amp; Audio Access\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: 20 Letters\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230973298\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 39\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThese pieces, which have been composed for a wide range of guitar ability, have been at the back of my mind for the past fifteen years (and three weeks, to be precise). and now they are ready. Nevertheless - we come to the reason why it has taken so long - combining good quality music with relative ease of play has always seemed to me the most difficult thing in composition. While I cannot be sure that I have succeeded with these 20 Letters, at least I have the satisfaction of having made an attempt, in response to the many friends who, for many years, tried to persuade me to follow this path (which let it be said, is perhaps a greater challenge than a concerto!). and now, after several weeks' work, I think what gives me the most pleasure is the thought that at last my music will be accessible to a large number of guitarists who, for obvious technical reasons, felt until now somewhat excluded from thin E Majority of my work. I hope, therefore, that this gap will be consigned to past history.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":29646676951119,"sku":"HL27329","price":68.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d53cd8166beb2b714e4e6d4ed983b0de.jpg?v=1752606731"},{"product_id":"french-songs-arranged-for-guitar-volume-2-lemoine","title":"French Songs Arranged for Guitar - Volume 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eArranger\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230963299\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 51\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eI won't beat about the bush: these arrangements are not easy. But can anyone tell me how, with just six strings, you can stay in the original key and bring out the melody, while simultaneously providing an accompaniment that accurately represents the original orchestration, without paying the price of technical difliculty? A duet version would solve many problems, but as the rule here is to write for guitar alone (or a lone guitar, some would say), you will soon see that most of these pieces are pretty difficult. They are published in two volumes (for in spite of everything, the first was so successful that it spurred me on to a second), and represent some of the finest French standards even written. They should be considered as recital items on their own account, and, if the mood takes you, they can he included in concert programmes like the Catalan song arrangements of the great Miguel Lobet. Roland Dyens\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":29745042358351,"sku":"HL26329","price":42.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/1c4245c5eaf621b596d7c19cae2c068a.jpg?v=1752179381"},{"product_id":"dyens-songe-capricorne-lemoine","title":"Dyens: Songe Capricorne","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Songe Capricorne\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230961875\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 4\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eI have to admit to a sneaking liking for this Capricorn dream which, for the price of re-tuning your A string to B, will whisk you off to a new but friendly world, very different from our everyday environment. Here bells ring out, arpeggios and harmonics cascade like waterfalls, all blending in an evocation of the harp, where the sounds of today and modal memories of yesterday join in friendly rivalry.\u003c\/p\u003e\n\u003cp\u003eRoland Dyens\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":32881066475599,"sku":"HL26187","price":20.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/67e06e1d24e047aec2fb8791c1b2d653.jpg?v=1754438669"},{"product_id":"dyens-valse-en-skai-lemoine","title":"Dyens: Valse en skaï","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Valse en skaï\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230961721\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 7\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIt was no easy task to compose a little sister to such an older brother as the Tango en skaï. It was written under extreme conditions (taking just a night and a day), and first performed in equally arduous circumstances (just three days later, by the capable hands of that excellent guitarist Aniello Desiderio, in Hungary). This little work nevertheless manages to waltz its way through melancholy, dissonance and humour, while nonchalantly juggling with a fairly demanding tasklist.\nIts only real liberty is the use of the tape, left to the discretion of the performer.\u003c\/p\u003e\n\u003cp\u003eRoland Dyens\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":39374947811407,"sku":"HL26172","price":23.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/50abafc98b0e7193604564a6ed0b6d36.jpg?v=1752182145"},{"product_id":"dyens-ville-davril-lemoine","title":"Dyens: Ville d'Avril","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Ville d'Avril\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230967242\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 7\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHomage to Boris Vian\nOnce again, homage to an iconoclast, but this time also to one of my favorite writers, who was born and died in Ville d'Avray, which is also where I live. It would be something of an exaggeration to say you have to be French to appreciate the musico-literary allusions (and decidedly out of place in an international caralogue!). On the other hand, don't expect non-French audiences to react the same way, especially during the final inimitable quotation from the famous Le Déserteur.\u003c\/p\u003e\n\u003cp\u003eRoland Dyens\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":39729845403727,"sku":"HL26724","price":23.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/279dd0879fe56136371a78b5b838f4e1.jpg?v=1754868443"},{"product_id":"dyens-eloge-de-leo-brouwer-lemoine","title":"Dyens: Éloge de Léo Brouwer","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Eloge de Léo Brouwer\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230949750\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 18\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAlthough this piece could equally well be called \"Homage to Leo Brouwer\", its title will be instantly recognised as a paraphrase of the Cuban composer and conductor's own Elogio de la danza (1964). This piece breaks down into a succession of short and long movements, sometimes in the form of hidden quotations, that encapsulate all I feel I owe to Leo Brouwer, one of the guiding lights of the guitar today.\u003c\/p\u003e\n\u003cp\u003eRoland Dyens\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":39735361962063,"sku":"HL24975","price":28.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/492f82b27581042f7119dcf9432acd97.jpg?v=1750433433"},{"product_id":"dyens-santo-tirso-lemoine","title":"Dyens: Santo Tirso","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Santo Tirso\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230966139\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 4\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis work was commissioned by the Santo Tirso festival in Portugal, and while it does not drag us inexorably along the shorelines of the dark \"fado\" (from the Latin \"fatum\", destiny), it does transport us into the galaxy of the \"saudade\", studded with a thousand nostalgic stars. From the initial in G Minor it modulates to G Major in a pretence of happiness, but the people of this country are far too drawn to darkness for Santo Tirso to remain there for long, and it soon returns to the Minor mode of the opening.\u003c\/p\u003e\n\u003cp\u003eRoland Dyens\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":39735361994831,"sku":"HL26613","price":20.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ad5b06fdf3179ff0b55166aa780ce780.jpg?v=1749643349"},{"product_id":"dyens-after-christmas-feeling-lemoine","title":"Dyens: After Christmas Feeling","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: After Christmas Feeling\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230972444\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 4\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis piece was composed between Christmas and the first few days of January [2000] at the request of my American friend Stephen Robinson, whose idea was to make a recording around the theme of Christmas. As indicated by ifs name, After Christmas Feeling evokes a sensation of the day after, a little nostalgic, with the gaiety of the day before evaporated like smoke, like the sad smile of a blue clown. You go from one state of mind to another, just like you say Hello, Goodnight, Happy Christmas or Happy New Year, without really thinking about if.\u003c\/p\u003e\n\u003cp\u003eWhile the sixth string is tuned down to D (just to make a change), the fifth goes up to B-flat (now you're talking) which lends an undeniably different harmonic texture to the instrument (see also Songe Capricorne). Incidentally, since we are talking about scordatura - any unusual tuning of one or more open strings, usuallyon plucked stringed instruments which I use fairly often in my work for guitar - rest assured that I always fully indicate any retuning with great care, so that what staffs out as terra incognita soon becomes familiar territory. Just think of the beaming faces of those around you as every day of every last week of December of every year you gel out your faithful guitar and play the very same piece...\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":39735362027599,"sku":"HL27244","price":20.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/21699ebafa8f4f3c80cc0812ac2e980e.jpg?v=1754871444"},{"product_id":"dyens-hommage-a-villa-lobos-lemoine","title":"Dyens: Hommage à Villa-Lobos","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Hommage à Villa-Lobos\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230948852\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 14\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAs a musician, I found that the music of Heitor Villa-Lobos \"spoke\" to me early on and had a profound effect on me. and it is not difficult to recognise the influence of popular Brazilian music (from which Villa-Lobos himself emerged) on my early compositions and performance. This homage, in the form of four tableaux whose titles make use of word-play, describes, in its own way, the passion of a French musician for the immense creative spirit that was Villa-Lobos, and, through him, for the whole of Brazil.\u003c\/p\u003e\n\u003cp\u003eRoland Dyens\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":39758123008079,"sku":"HL24885","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6feff2b3df0d3007b592dd3b138d40e8.jpg?v=1766101789"},{"product_id":"dyens-triaela-lemoine","title":"Dyens: Triaela","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Triaela\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230979337\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 21\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":39758123728975,"sku":"HL27933","price":28.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/92f41ad32224d6711f5796ecd443a418.jpg?v=1754846224"},{"product_id":"dyens-guitar-concerto-metis-lemoine","title":"Dyens: Guitar Concerto Métis","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano Reduction, Guitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar, String Orchestra\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Concerto Métis\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230952569\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 55\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis, my first concerto, and the work I hold dearest even today, nevertheless cost me not only three months of composition but also several years of doubt and revision. It was first performed in Cannes in the year of its composition (in April 1990, with the P.A.C.A. regional orchestra), and for many years I alone took the solo part with various orchestras in numerous countries. Finally the release of the recording (which took place in Armenia) and the appearance of the indispensable piano reduction have made it possible for the Concerto métis to lead an independent life of its own, both for soloists and within music conservatoires. This concerto for guitar and string orchestra, written in homage to the divine Ida Presti, is in classical form (fast-slow-fast + cadenza), is marked by its \"racial\" variety which permeates the whole, and which unambiguously explains the word \"métis\", a racial mixture.\u003c\/p\u003e\n\u003cp\u003eRoland Dyens\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Solo Part with Piano Reduction","offer_id":39800874467407,"sku":"HL25256","price":47.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":39801481232463,"sku":"25256A","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c18b090a86f80e2b5259b0d687fe06b3.jpg?v=1750526106"},{"product_id":"dyens-chansons-francaises-volume-1-lemoine","title":"Dyens: Chansons françaises - Volume 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eTranscriber\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230961127\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 41\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eI won't beat about the bush: these arrangements are not easy. But can anyone tell me how, with just six strings, you can stay in the original key and bring out the melody, while simultaneously providing an accompaniment that accurately represents the original orchestration, without paying the price of technical di?iculty? A duet version would solve many problems, but as the rule here is to write for guitar alone (or a lone guitar, some would say), you will soon see that most of these pieces are pretty difficult.\nThey are published in two volumes (for in spite of everything, the first was so successful that it spurred me on to a second), and represent some of the ?nest French standards even written. They should be considered as recital items on their own account, and, if the mood takes you, they can he included in concert programmes like the Catalan song arrangements of the great Miguel Lobet.\u003c\/p\u003e\n\u003cp\u003eRoland Dyens\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLa bicyclette\u003c\/li\u003e\n\u003cli\u003eL'hymne a l'amour\u003c\/li\u003e\n\u003cli\u003eCecile ma fille\u003c\/li\u003e\n\u003cli\u003eIl peut dans ma chambre\u003c\/li\u003e\n\u003cli\u003eGottingen\u003c\/li\u003e\n\u003cli\u003eSyracuse\u003c\/li\u003e\n\u003cli\u003eLa Javanaise\u003c\/li\u003e\n\u003cli\u003eIl n'y a plus d'après\u003c\/li\u003e\n\u003cli\u003eBrave Margot\u003c\/li\u003e\n\u003cli\u003eLa chanson des vieux amants\u003c\/li\u003e\n\u003cli\u003eUn jour tu verras\u003c\/li\u003e\n\u003cli\u003eLa java des bombes atomiques\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":40504405819471,"sku":"EHL.26112","price":39.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/af49deb512027ee1079fedaa398aa413.jpg?v=1766182662"},{"product_id":"dyens-hommage-a-franck-zappa-lemoine","title":"Dyens: Hommage à Franck Zappa","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/roland-dyens\"\u003eRoland Dyens (1955-2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Hommage à Frank Zappa (1994)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790230961868\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 10\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIt was only in December 1999 that I played, and recorded, this piece five years after having composed it. I have often been asked if it contained any reference to the music of Zappa, an iconoclast of the 1960s rock period and later of contemporary music (Pierre Boulez has conducted some of his work). As a teenager I retained more the eccentric image of the person rather than his music, and in fact there is not a single reference, since this homage is a purely intuitive work, and came to life the day following Zappa's death in 1993.\u003c\/p\u003e\n\u003cp\u003eRoland Dyens\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":40849731944527,"sku":"HL26186","price":23.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ffde5d7d8d16455fd744d7103ff86359.jpg?v=1766359736"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/collections\/ykscis7pcgopxtsv2dzb.png?v=1585919103","url":"https:\/\/www.ficksmusic.com\/es\/collections\/roland-dyens.oembed","provider":"Ficks Music","version":"1.0","type":"link"}