Schönberger Orgelalbum - Compilation of Organ Pieces
Reprint of the Leipzig Edition from 1900
Expected to ship in 1-2 weeks.
Shipping Policy- Composers: Hans Pfitzner (1869-1949), Otto Dienel (1839-1905), Theophil Forchhammer (1847-1923), Johann Georg Herzog (1822-1909), Alexandre Guilmant (1837-1911), Rudolf Palme (1834-1909), Samuel de Lange (1840-1910), Charles-Marie Widor (1844-1937), Josef Rheinberger (1839-1901), Oskar Wermann, Gottfred Matthison-Hansen (1832-1909), Hermann Bendix (1859-1935), Joseph Callaerts (1830-1901), Johann Diebold (1842-1929), Christian Fink (1831-1911), Heinrich Gelhaar, Carl A. Gleitz, Alexander William Gottschalg, Carl Hartmann, Peter Piel, Gustav Rebling, Georg Riemenschneider, Theodor Rückert, Ludwig Sauer (1861-1940), J.G. Eduard Stehle, Carl Steinhäuser, Anton Urspruch, Otto Wachsmann, Oskar Zehrfeld, Max Reger (1873-1916), August Grüters
- Editor: Hermann J. Busch
- Instrumentation (this edition): Organ
- Originally for: Organ
- ISMN:
- Size: 12.0 x 8.7 inches
- Pages: 132
Description
Please note: this edition has nothing to do with Arnold Schönberg! The "Schönberg" in question is a town near Kronberg in Germany's hilly Taunus region.
Around the turn of the last century, the organist Ludwig Sauer (1861-1940) wanted to have a new organ built at his church there and came up with a novel way to finance it: he asked a number of composers to donate a musical piece. He eventually obtained 36 (!) pieces which he grouped together in the "Organ Album for the Benefit of the New Organ in Schönberg by L. Sauer" and had published in 1900 by Breitkopf & Härtel. Deserving particular mention is Max Reger's popular "Introduction and Passacaglia in D Minor", which was printed for the first time in that collection and which no doubt helped Sauer's project make organ history. The "Schönberger Orgelalbum" contains both free pieces and works based on chorales. Thanks to the brevity of the pieces, the book is ideal for use in teaching and in the religious service.
- Bendix | Postludium in G Major
- Callaerts | Concert piece in E Minor, Op. 33
- Diebold | Fughetta in F Minor
- Dienel | 3 in Chorale preludes in C Major, in D Major, in D Major
- Fink | Postludium in C Major
- Forchhammer | Choral prelude (dorisch)
- Gelhaar | Prelude in G Major
- Gleitz | Fugue in C Major
- Gottschalg | Fugue fuer instruktive Zwecke in C Major
- Grüters | Choral prelude to a funearl in C Major
- Guilmant | Offertorium in E-flat Major
- Hartmann | Bei der Communion
- Hartmann | Prelude in F Major
- Herzog | Postludium in G Minor
- Herzog | Trio in D Major
- Lange | Andante in B-flat Major
- Matthison-Hansen | Chorale Paraphrasis in A Minor
- Palme | Prelude in G Major
- Pfitzner | 3 Choral prelude in A Minor, in C Major, in G Minor
- Piel | Trio in G Minor
- Rebling | Choral prelude in C Minor
- Reger | Introduction and Passacaglia in D Minor
- Rheinberger | Canzonetta in G Minor
- Riemenschneider | Meditation in A Major
- Riemenschneider | Zur Trauung
- Rückert | Fugue in D Major
- Rückert | Trio in G Minor
- Sauer | Postlude in G Major
- Sauer | Andante fuer 2 Manuale in B-flat Major
- Stehle | Cello Duet in E-flat Major
- Stehle | Chorale Meditation in D Major
- Stehle | Erloest in A Minor
- Steinhäuser | Choral prelude in G Minor
- Steinhäuser | Prelude in D Major
- Urspruch | Der Maria Wiegenlied in A Major
- Wachsmann | Fugue in F Minor
- Wermann | Todtenklage in F Minor
- Widor | Symphoniesatz in B Minor
- Zehrfeld | Fugue in D Minor
Works:
- Bendix: Postlude in G Major
- Callaerts: Caprice, Op. 33
- Diebold: Fughetta
- Eins ist not, No. 6 from Dienel: 43 Chorale Preludes, Op. 52
- Es ist das Heil uns kommen her, No. 7 from Dienel: 43 Chorale Preludes, Op. 52
- Ein feste Burg ist unser Gott, No. 5 from Dienel: 43 Chorale Preludes, Op. 52
- C. Fink: Postlude
- Forchhammer: Chorale Prelude
- Gelhaar: Prelude
- Gleitz: Fugue
- Gottschalg: Fugue instructive
- Grüters: Chorale-Prelude for a funeral service
- Guilmant: Offertoire, Op. 70
- C. Hartmann: A la Communion
- Herzog: Trio & Postlude
- Lange: Andante
- Matthison-Hansen: Chorale-Paraphrase, Op. 37
- Palme: Prelude in 3 parts
- Pfitzner: 3 Chorale Preludes
- Piel: Trio
- Rebling: Chorale Prelude
- Reger: Introduction and Passacaglia in D Minor (1899)
- Rheinberger: Canzonetta in G Minor, WoO 77
- Riemenschneider: Pour cérémonie nuptiale
- Rückert: Fugue, Op. 14
- Rückert: Trio, Op. 15
- Sauer: A Festival Postlude
- Sauer: Andante for 2 manuals
- Stehle: Redeemed! (Erlöst!)
- Stehle: Chorale - Meditation
- Stehle: Cello Duo
- Steinhäuser: Festival Prelude
- Steinhäuser: Chorale Prelude
- Urspruch: Cradle Song of the Virgin Mary
- Wachsmann: Fugue
- Wermann: Lament for the Dead, Op. 103
- Widor: Allegro from Symphonie pour orgue No. 8, Op. 42, No. 4
- Zehrfeld: Fugue
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
Schönberger Orgelalbum - Compilation of Organ Pieces
