Rossini: Il Barbiere di Siviglia
The Barber of Seville
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- Composer: Gioachino Rossini (1792-1862)
- Instrumentation: Opera
- Work: The Barber of Seville (Il barbiere di Siviglia)
- ISBN:
Description
The Barber of Seville (Il barbiere di Siviglia) was written by Giocchino Rossini (1792-1868) in 1816. The two-act comic opera is considered one of the greatest opera buffas ever written, and it remains a popular masterpiece staged frequently today, despite its disastrous February 20, 1816, premiere at the Teatro Argentina in Rome. The libretto by Cesare Sterbini is based on a three-part series of French comedic plays under the same name by Pierre Beaumarchais, and other composers also borrowed from the source, including Mozart for his Marriage of Figaro, although that opera was based on the second comedy in the series. Rossini's The Barber of Seville uses the first comedy as its source, showing the exploits that Count Almaviva engages in to convince Rosina to love and marry him before her ward Bartolo marries her first, with the barber Figaro conniving to help Almaviva the entire time. Instrumentation: 2(2nd dPicc).2.2.2: 2.2.1.0: Timp.Perc(2): Hp.Gtr: Str (4-4-3-3-3 in set): Vocal Soli (7 roles, SSTBBBB): Mixed Chorus.
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Set of Parts
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Solo Part with Piano Reduction
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Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
