J. Montgomery: In Color
Expected to ship in about a week.
- Composer: Jessie Montgomery (1981-)
- Format: Score & Set of Parts
- Instrumentation: String Quartet (Violin I, Violin II, Viola, Cello), Tuba
- Work: In Color (2025)
- Size: 8.9 x 12.0 inches
Description
MOVEMENTS
- Aqua
- The Poet
- Purple
- Makina
- Red
PROGRAM NOTE
The interesting challenge with In Color was to find a blend between the unique timbre of the tuba and the strings — to find a place in the middle where these two opposing timbres could meet. When I thought about how the tuba and the quartet were going to get along, I thought immediately about color, the place in between melody and rhythm where interesting things can happen. My goal was to find a composite sound color that would be unique to this kind if ensemble.
But even with this overarching concept of blend, I also wanted the tuba to be featured as a solo part, and for Bob Stewart to bring his own improvisations to the work, which is the basis for the third movement, "The Poet". The fourth movement, "Makina" (which is a play on the word "machine" in Spanish) broadens the spectrum, contrasting the other movements so that the concept of blend is displaced by a collective cacophony of effects. This section is a play on the metal body of the tuba and its mechanisms; in this movement both the tuba and the string quartet use extended techniques almost exclusively to depict the metal switches, pistons and wheels of an imagined mega machine.
There are many more possibilities of color that I didn't get to. Theoretically, I could keep adding more "colors", or movements, to the suite. This is really only a scratch on the surface of what this combination of instruments can do together.
— Jessie Montgomery
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.



