{"title":"Sheet music composed by Hugh Blair","description":"","products":[{"product_id":"english-church-music-volume-2-canticles-and-responses-oup","title":"English Church Music - Volume 2: Canticles and Responses","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/george-dyson\"\u003eGeorge Dyson (1883-1964)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/herbert-howells\"\u003eHerbert Howells (1892-1983)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/ralph-vaughan-williams\"\u003eRalph Vaughan Williams (1872-1958)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/william-byrd\"\u003eWilliam Byrd (1539-1623)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/thomas-tomkins\"\u003eThomas Tomkins (1572-1656)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/edmund-hooper\"\u003eEdmund Hooper\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/henry-purcell\"\u003eHenry Purcell (1659-1695)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/charles-villiers-stanford\"\u003eCharles Villiers Stanford (1852-1924)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/william-walton\"\u003eWilliam Walton (1902-1983)\u003c\/a\u003e, \u003ca href=\"\/es\/collections\/hugh-blair\"\u003eHugh Blair\u003c\/a\u003e, Richard Ayleward, \u003ca href=\"\/es\/collections\/michael-tippett\"\u003eMichael Tippett (1905-1998)\u003c\/a\u003e, Thomas Attwood Walmisely (1814-1856), \u003ca href=\"\/es\/collections\/orlando-gibbons\"\u003eOrlando Gibbons (1583-1625)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eOrgan, SATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9780193368446\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 336\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/pdf\/13\/9780193368446.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eEnglish Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable for use throughout the year. The evening canticles are given due space, with seventeen settings, including those by Byrd, Gibbons, Purcell, Walmisley, Stanford, Noble, Howells, Walton, and Tippett. Also included are settings of the Te Deum and Jubilate Deo, alongside seven settings of the Preces and Responses and two additional early Lord's Prayers. The selection is completed with three supplementary items: a set of previously unpublished Psalm chants by Howells, John Sanders's Good Friday Reproaches, and a written-out Order for Compline.\u003c\/p\u003e\n\u003cp\u003eRobert King has prepared completely new editions of all the pre-twentieth-century works, going back to the earliest and most reliable manuscripts or printed sources. Playable keyboard reductions have been added for thin E Majority of unaccompanied items.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAyleward: Preces \u0026amp; Responses\u003c\/li\u003e\n\u003cli\u003eBlair: Magnificat \u0026amp; Nunc Dimittis in B Minor (original setting)\u003c\/li\u003e\n\u003cli\u003eByrd: Preces \u0026amp; Responses\u003c\/li\u003e\n\u003cli\u003eByrd: Second Service (Magnificat \u0026amp; Nunc Dimittis)\u003c\/li\u003e\n\u003cli\u003eDyson: Magnificat \u0026amp; Nunc Dimittis in C Minor (unison voices) (transposed to D Minor)\u003c\/li\u003e\n\u003cli\u003eEbdon: Preces \u0026amp; Responses\u003c\/li\u003e\n\u003cli\u003eFarmer: Lord's Prayer\u003c\/li\u003e\n\u003cli\u003eGibbons: Short Service (Magnificat \u0026amp; Nunc Dimittis)\u003c\/li\u003e\n\u003cli\u003eGibbons: Second Service (Magnificat \u0026amp; Nunc Dimittis)\u003c\/li\u003e\n\u003cli\u003eHooper: Short Service (Magnificat \u0026amp; Nunc Dimittis)\u003c\/li\u003e\n\u003cli\u003eHowells: Magnificat \u0026amp; Nunc Dimittis in B Minor\u003c\/li\u003e\n\u003cli\u003eHowells: Psalm Chants\u003c\/li\u003e\n\u003cli\u003eJackson: Preces \u0026amp; Responses\u003c\/li\u003e\n\u003cli\u003eNoble: Magnificat \u0026amp; Nunc Dimittis in B Minor\u003c\/li\u003e\n\u003cli\u003ePurcell: Magnificat \u0026amp; Nunc Dimittis in G Minor\u003c\/li\u003e\n\u003cli\u003eRadcliffe: Preces \u0026amp; Responses\u003c\/li\u003e\n\u003cli\u003eSanders: Good Friday Reproaches\u003c\/li\u003e\n\u003cli\u003eSmith: Preces \u0026amp; Responses\u003c\/li\u003e\n\u003cli\u003eStanford: Magnificat \u0026amp; Nunc Dimittis in G\u003c\/li\u003e\n\u003cli\u003eStanford: Magnificat \u0026amp; Nunc Dimittis in C\u003c\/li\u003e\n\u003cli\u003eStanford: Te Deum and Jubilate in C\u003c\/li\u003e\n\u003cli\u003eStanford: Magnificat \u0026amp; Nunc Dimittis in A\u003c\/li\u003e\n\u003cli\u003eStanford: Magnificat \u0026amp; Nunc Dimittis in B-flat\u003c\/li\u003e\n\u003cli\u003eStone: Lord 's Prayer\u003c\/li\u003e\n\u003cli\u003eTippett: Magnificat \u0026amp; Nunc Dimittis (St John's service)\u003c\/li\u003e\n\u003cli\u003eTomkins: Preces \u0026amp; Responses\u003c\/li\u003e\n\u003cli\u003eVaughan Williams: Te Deum in G\u003c\/li\u003e\n\u003cli\u003eWalmisley: Magnificat \u0026amp; Nunc Dimittis in D Minor\u003c\/li\u003e\n\u003cli\u003eWalton: Magnificat \u0026amp; Nunc Dimmitis (Chichester Service)\u003c\/li\u003e\n\u003cli\u003eWalton: Jubilate Deo\u003c\/li\u003e\n\u003cli\u003eWood: Magnificat \u0026amp; Nunc Dimittis No. 2 in E-flat\u003c\/li\u003e\n\u003cli\u003eAn Order for Compline\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":39652836704335,"sku":"9780193368446","price":29.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/16ac6f999390ae91aa6fdcf3a7fd00a4.jpg?v=1751466665"},{"product_id":"english-organ-sonatas-volume-8-ut-orpheus","title":"English Organ Sonatas - Volume 8","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: Walter Battison Haynes (1859-1900), \u003ca href=\"\/es\/collections\/hugh-blair\"\u003eHugh Blair\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Iain Quinn\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrgan\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Saddle-Stitch\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790215328532\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 68\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.utorpheus.com\/file\/catalog\/pdf_musiche\/hs335.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe organ sonatas of Walter Battison Haynes and Hugh Blair demonstrate a notable peak in the development of the English organ sonata as a work that is musically cohesive. As discussed in \"The Genesis and Development of an English Organ Sonata\" (2017), the portfolio approach towards compositions under one title, a sonata, that included sometimes significantly contrasting movements of varying technical difficulty was common during the second half of the nineteenth century not least as a published example of the compositional skill of composers.\u003c\/p\u003e\n\u003cp\u003eWhereas these two sonatas join the tradition of works that could be convincingly played on both medium and large instruments and allow for creativity in registration they are also cohesive pieces that could serve in a concert programme. These works join the legacy of English organ sonatas that had an important pedagogical role jointly inherited from Mendelssohn's very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa. They are both idiomatically written and musically rewarding pieces that are imbued with the undeniably English harmonic language of the era that was to remain popular for several decades to come.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eHaynes: Organ Sonata in D Minor\u003c\/li\u003e\n\u003cli\u003eBlair: Short Sonata in G Major\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Ut Orpheus Edizioni","offers":[{"title":"Default Title","offer_id":41920834404431,"sku":"HS335","price":38.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e40c34e62d2fc06406a610395c408b7a.jpg?v=1749728440"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/collections\/dg1cjbf1f1yqp8zwdmak.png?v=1718436370","url":"https:\/\/www.ficksmusic.com\/es\/collections\/hugh-blair.oembed","provider":"Ficks Music","version":"1.0","type":"link"}