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Hillary Tann

Tann: Adirondack Light

$ 78.95
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Oxford University Press  |  SKU: 9780193859227  |  Código de barras: 9780193859227
  • Composer: Hillary Tann (1947-)
  • Format: Full Score
  • Instrumentation: Chamber Orchestra, Narrator
  • Work: Adirondack Light (1992)
  • Work Language: English
  • ISBN: 9780193859227
  • Size: 8.9 x 12.0 inches
  • Pages: 99

Description

2.2.2.2-2.2.0.0-timp.perc-str and narrator

The piece is in one continuous movement subdivided into several parts. Images of water dominate the first two sections. A fast-flowing millrace in the first section contrasts with the wide, serene, and sometimes treacherous Hudson River in the second. The third section recounts the extraordinary adventure of a Boston traveler who penetrates the dark, romantic aspects of the Adirondacks with startling consequences. The earlier light and water images return in the final section.

Adirondack Light contains "windows" into four Adirondack folksongs introduced to the composer by folklorists George and Vaughn Ward. When the piece begins the narrator is seated on stage. Towards the end of the orchestral introduction he rises, perhaps to his porch railing, perhaps to an inside windowsill. During the orchestral epilogue he returns to his seat. – HT

Oxford University Press

Tann: Adirondack Light

$ 78.95

Description

2.2.2.2-2.2.0.0-timp.perc-str and narrator

The piece is in one continuous movement subdivided into several parts. Images of water dominate the first two sections. A fast-flowing millrace in the first section contrasts with the wide, serene, and sometimes treacherous Hudson River in the second. The third section recounts the extraordinary adventure of a Boston traveler who penetrates the dark, romantic aspects of the Adirondacks with startling consequences. The earlier light and water images return in the final section.

Adirondack Light contains "windows" into four Adirondack folksongs introduced to the composer by folklorists George and Vaughn Ward. When the piece begins the narrator is seated on stage. Towards the end of the orchestral introduction he rises, perhaps to his porch railing, perhaps to an inside windowsill. During the orchestral epilogue he returns to his seat. – HT

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