{"title":"Gesualdo: Responsoria et alia ad Officium Hebdomadæ Sanctæ spectantia (1611)","description":null,"products":[{"product_id":"gesualdo-responsoria-for-holy-week-breitkopf","title":"Gesualdo: Responsoria for Holy Week","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/gesualdo-responsoria-et-alia-ad-officium-hebdomad-sanct-spectantia-1611\"\u003eResponsoria et alia ad Officium Hebdomadæ Sanctæ spectantia (1611)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440300\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 116\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/issuu.com\/breitkopf\/docs\/dv_4777_issuu\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440300.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003cp\u003eTenebrae Responsories for Maundy Thursday\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ein monte Oliveti\u003c\/li\u003e\n\u003cli\u003eTristis est anima mea\u003c\/li\u003e\n\u003cli\u003eEcce vidimus eum\u003c\/li\u003e\n\u003cli\u003eAmicus meus osculi\u003c\/li\u003e\n\u003cli\u003eJudas mercator pessimus\u003c\/li\u003e\n\u003cli\u003eUnus ex discipulis meis\u003c\/li\u003e\n\u003cli\u003eEram quasi agnus innocens\u003c\/li\u003e\n\u003cli\u003eUna hora non potuistis\u003c\/li\u003e\n\u003cli\u003eSeniores populi consilium\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTenebrae Responsories for Good Friday\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOmnes amici mei dereliquerunt me et praevaluerunt insidiantes mihi\u003c\/li\u003e\n\u003cli\u003eVelum templi scissum est\u003c\/li\u003e\n\u003cli\u003eVinea mea electa, ego te plantavi\u003c\/li\u003e\n\u003cli\u003eTamquam ad latronem existis cum gladiis et fustibus cemprehendere me\u003c\/li\u003e\n\u003cli\u003eTenebrae factae sunt, dum crucifixissent Jesum Judaei\u003c\/li\u003e\n\u003cli\u003eAnimam meam dilectam tradidi in manus iniquorum\u003c\/li\u003e\n\u003cli\u003eTradiderunt me in manus impiorum\u003c\/li\u003e\n\u003cli\u003eJesum tradidit impius summis principibus sacerdotum, et senioribus populi\u003c\/li\u003e\n\u003cli\u003eCaligaverunt oculi mei fletu meo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTenebrae Responsories for Holy Saturday\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSicut ovis ad occisionem\u003c\/li\u003e\n\u003cli\u003eJerusalem, surge\u003c\/li\u003e\n\u003cli\u003ePlange quasi virgo\u003c\/li\u003e\n\u003cli\u003eRecessit pastor noster\u003c\/li\u003e\n\u003cli\u003eO vos omnes\u003c\/li\u003e\n\u003cli\u003eEcce quomodo moritur justus\u003c\/li\u003e\n\u003cli\u003eAstiterunt reges terrae\u003c\/li\u003e\n\u003cli\u003eAestimatus sum\u003c\/li\u003e\n\u003cli\u003eSepulto Domino\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\"et alia\" – settings of:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMiserere mei, Deus (Psalm 51)\u003c\/li\u003e\n\u003cli\u003eBenedictus (Luke 1:68–79)\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721543987279,"sku":"DV4777-01","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6605a55246b07bd08fc07c7f8d96aed9.jpg?v=1751033602"},{"product_id":"gesualdo-responsoria-et-alia-ad-officium-hebdomad-sanct-spectantia-barenreiter","title":"Gesualdo: Responsoria et alia ad Officium Hebdomadæ Sanctæ spectantia","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/es\/collections\/gesualdo-responsoria-et-alia-ad-officium-hebdomad-sanct-spectantia-1611\"\u003eResponsoria et alia ad Officium Hebdomadæ Sanctæ spectantia (1611)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eLatin\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006557288\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 220\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo‘s \"Responsoria\" were printed in 1611, the same year as the last two of his madrigal books. Despite having received little attention at the time and during the following centuries, this collection can be regarded as part of the composer's spiritual heritage in many respects. It was to become a central part of his oeuvre.\u003c\/p\u003e\n\u003cp\u003eThe edition contains 27 responsories, nine each for Maundy Thursday, Good Friday and Holy Saturday, divided into three nocturnes for each respective day; and two compositions for the Lauds of Holy Week, \"Benedictus\" and \"Miserere\" (Psalm 50).\nThe Foreword discusses the editorial approach and offers a description as well as an evaluation of the preserved partbooks. Based on detailed coverage of how the selected texts relate to the liturgy, as well as the six-part structure of the pieces and other musical principles, conclusions could be drawn regarding the nature and character of the assembled compositions.\u003c\/p\u003e\n\u003cp\u003eThe Critical Commentary records all readings of handed down copies, elaborating particularly on the use of accidentals.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41867398348879,"sku":"BA10389-01","price":629.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/438b5daf3de7019dc079764e226767d7.jpg?v=1749648171"}],"url":"https:\/\/www.ficksmusic.com\/es\/collections\/gesualdo-responsoria-et-alia-ad-officium-hebdomad-sanct-spectantia-1611.oembed","provider":"Ficks Music","version":"1.0","type":"link"}