C.P.E. Bach: Passions-Cantate
Die letzten Leiden des Erlösers
Expected to ship in 1-2 weeks.
- Composer: Carl Philipp Emanuel Bach (1714-1788)
- Editor: Moira Leanne Hill
- Instrumentation: SATB Choir, SATB Solos, Chamber Orchestra
- Work: Die letzten Leiden des Erlösers, H 776, Wq. 233
- Work Language: German
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 132
Description
Carl Philipp Emanuel Bach scored a real hit with his Passion cantata. The work was already so popular during his lifetime that there were public calls for repeat performances every year. Bach himself is said to have dubbed the work his "Spinnhauß Passion": following the premiere in 1770, a tradition of annual performances was established at Hamburg's Spinnhaus church until 1785. This crowd-pleaser is musically very closely related to Carl Philipp Emanuel Bach's St. Matthew Passion of 1769. The composer simply reused the Majority of the solo movements from the older work, supplemented with new recitatives, a chorale and two choruses. in contemporary fashion, he rejected the biblical text in favor of a poetic version written by Anna Louisa Karsch. and thus the St. Matthew Passion became a Passion cantata.
This more modern and perhaps also more accessible genre struck a nerve. Numerous manuscript copies and librettos confirm the work's popularity far outside the environs of Hamburg. The score is volume IV,3 of the C.P.E. Bach Complete Edition, edited by Moira Hill for the Packard Humanities Institute in Los Altos (California). Carus publishes the vocal score and choral score for this work. Also available from Carus: the high-quality clothbound full score and orchestral material.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
C.P.E. Bach: Passions-Cantate
