Beethoven: Vocal Works with Orchestra
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- Composer: Ludwig van Beethoven (1770-1827)
- Format: Set of Study Scores in A Slipcase
- Instrumentation: Piano, Voice, High Voice, SATB Choir, Soprano, Orchestra, Bass, Tenor
- Work Languages: German, Italian, Latin
- ISMN:
- Size: 6.7 x 9.4 inches
- Urtext / Critical Edition
Description
G. Henle Publishers bundles all of Beethoven's vocal works with orchestra in one complete package that will make the hearts of singers beat faster. From the two masses and Beethoven's only oratorio, to his popular Choral Fantasy and setting of Goethe's "Meeres Stille and Glückliche Fahrt", to "Ah perfido!" and other solo arias, this slipcase provides an opportunity to study the entire range of Beethoven's vocal art – at the highest level of quality of course. All of the study editions are based on the text from the Beethoven Complete Edition with footnotes that refer to interesting questions about the edition and performance. in concise prefaces, the editors give insight into the current state of research regarding genesis and performance history.
Works:
- Missa solemnis in D Major, Op. 123
- Mass in C Major, Op. 86
- Christus am Ölberge (Christ on the Mount of Olives), Op. 85
- Kantate auf den Tod Kaiser Josephs II (Cantata on the Death of Emperor Joseph II), WoO 87
- Cantata on the Accession of Emperor Leopold II, WoO 88
- Der glorreiche Augenblick, Op. 136
- Choral Fantasy in C Minor, Op. 80
- Meeres Stille and Glückliche Fahrt, Op. 112
- Elegischer Gesang, Op. 118
- Chor auf die verbündeten Fürsten "Ihr weisen Gründer" (Chorus for the Congress of Vienna), WoO 95
- Opferlied, Op. 121b
- Bundeslied, Op. 122
- Ne' giorni tuoi felici, WoO 93
- "Tremate, empi, tremate", Op. 116
- Primo amore, WoO 92
- Prüfung des Küssens, WoO 89
- Mit Mädeln sich vertragen, WoO 90
- 2 Arias for Umlauf's Die schöne Schusterin, WoO 91
- “Ah! Perfido” / “Per pietà, non dirmi addio”, Op. 65
- No, non turbarti" - "Ma tu tremi, o mio tesoro?, WoO 92a
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

