Music by Black Composers - Flute - Volume 1
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- Composers: Thomas Green "Blind Tom" Wiggins (1849-1908), Florence Price (1887-1953), Basile Barès (1845-1902), Teodora Ginés (1530-1598), Francis "Frank" Johnson (1792-1844), Lucien Lambert (1828-1896), Peter Ashbourne (1950-), Will Marion Cook (1869-1944), Chiquinha Gonzaga (1847-1935), Joseph Hanson Kwabena Nketia (1921-2019), Ignatius Sancho (1729-1780), Joseph Bologne Chevalier de Saint-Georges (1745-1799), Jeraldine Saunders Herbison (1941-)
- Arranger: Jennifer Kennard
- Editor: Rachel Barton Pine
- Editor: Jennifer Kennard
- Instrumentation: Flute I, Flute II
- Size: 8.9 x 12.0 inches
Description
Beginner to Elementary Level
For Flute with 2nd Flute and/or piano accompaniment.
Music by Black Composers (MBC) Flute Volume 1 contains 15 beginner and elementary-level pieces. The works are written by both men and women who come from North America (the United States), South America (Brazil), the Caribbean (Cuba, Dominican Republic, Guadeloupe, Jamaica), Africa (Guinea, Ghana), and Europe (France, England), and the repertoire spans centuries—from purportedly as early as the 1500s to the present.
In addition to the music, Flute Volume 1 also contains illustrated composer biographies, features on Black classical music making throughout history, and profiles of Black role models in classical music past and present. Besides one piece which was originally written as a solo melodic work, each piece in Volume 1 has both a second flute accompaniment (included in this volume) and a piano accompaniment (sold in a separate folio).
MBC Flute Volume 1 is designed to supplement the current instrumental training methods by providing students of all races and ethnicities a broader perspective of who has written classical music throughout history, and who is writing it today.
Flute accompaniment included, piano accompaniment sold separately
Contents:
- Preparatory Exercises in African Rhythm #15, 1967; J.H. Kwabena Nketia
- Water in the Moonlight, 1866; Thomas Green "Blind Tom" Wiggins
- Balada, 1884; Francisca "Chiquinha" Gonzaga
- Les Cent Gardes Valse, 1874; Basile Barès
- Minuet No. 8, ca. 1767; Ignatius Sancho
- Son de la Ma' Teodora, ca. 1562/1800s; attributed to Teodora Ginés
- Sonata for Harp with Flute Accompaniment, 1770s; Joseph Bologne, Chevalier de Saint-Georges
- Sir Harry Flutter, 1770; Ignatius Sancho
- Le Douze de Decembre, ca. 1779; Ignatius Sancho
- The Deserted Garden, 1933; Florence B. Price
- Recognition March of the Independence of Hayti, 1826; Francis "Frank" Johnson
- La Parisienne: Polka Brillante, 1856; Lucien Lambert
- Intermezzo, 1969; Jeraldine Saunders Herbison
- Jamaica Folk, 1985; Peter Ashbourne
- Chocolate Drops (A Cake Walk), 1902; Will Marion Cook
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

