Boulez: Répons
Expected to ship in 1-2 weeks.
- Format: Full Score
- ISMN:
- Size: 11.7 x 16.5 inches
- Pages: 176
Description
Répons is written for six soloists, chamber ensemble, computer sonics and live electronics. Its germ, the impetus of the proliferation, lies in the composition Messagesquisse for cello solo and six cellos, created in 1976 for the 70th birthday of his Swiss friend and passionate musical patron Paul Sacher.
The title "Répons" is the French word for responsorium , a "dialogue" between cantor and congregation. Boulez' work often shows an affinity for responsorial forms; in Répons, one hears dialogues of very different kinds: between the chamber ensemble and the soloists: between instrumental families, instrumental groups and individual instruments treated as soloists within the chamber ensemble itself: between the instruments of the soloist group: between transformed and untransformed sound (the soloist group is manipulated electro-acoustically, while the chamber ensemble remains unalienated).
In its sum, Répons is a result of Boulez' "plurifunctionality," out of the widely fanned out personal union between the composer and the conductor, the planner, the organiser, the founder and long-time spiritus rector of the IRCAM Institute in Paris.
The idea of a dialogue between unalienated and electronically alienated instrumental sound in real time would not have been possible without the outcome of research at IRCAM.
****Répons für 6 Solisten, Ensemble and Live-Eletktronik
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Boulez: Répons
