Bárdos: Hej, igazítsad!
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- Composer: Lajos Bárdos (1899-1986)
- Format: Choral Octavo
- Instrumentation: Children's Choir
- Work: Hej, igazítsad!
- Work Language: Hungarian
- ISMN:
- Size: 6.7 x 9.4 inches
- Pages: 4
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Description
The composer, choirmaster, musicologist and music educator Lajos Bárdos was born on the 1st of October 1899 in Budapest and studied composition with Zoltán Kodály at the Music Academy in Budapest. As choirmaster, he worked with the Palestrina Choir and the Cecilia Choir, which he united in 1941, thus founding the Budapest Choir. From 1928 until his retirement in 1966 he worked as a teacher of the Budapest Music Academy and taught several subjects. His compositional work, consisting mainly of choral works, comprises almost 600 pieces, but he has also composed chamber music.
From 1918, Lajos Bárdos was president of the Hungarian Cecilia Society, participated in the direction of the Hungarian Singing Association, as well as the Bartók Association. in addition, he founded in cooperation with György Kerényi and Gyula Kertész in 1931, the magazine and the publishing company Magyar Kórus (Hungarian Choir).
Lajos Bárdos has passed away on the 18th of November 1986 in Budapest.
This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
