Schubert: Lieder - Volume 6

Description

The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. with Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe. Schubert, during this period an assistant teacher at his fathers school, orientated himself towards the so-called Berliner Liederschule, particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.

Pieces

• Nachtgesang, D 119
• Trost in Tränen, D 120
• Ammenlied, D 122
• Sehnsucht, D 123
• Am See, D 124
• Szene aus "Faust" (second version), D 126
• Don Gayseros, D 93
• Ballade, D 134, Op. 126
• Klage um Ali Bey, D 496A
• Der Mondabend, D 141, Op. posth. 131, No. 1
• Genügsamkeit, D 143, Op. posth. 109, No. 2
• Der Sänger (second version), D 149, Op. posth. 117
• Lodas Gespenst, D 150
• Auf einen Kirchhof, D 151
• Minona, D 152
• Als ich sie erröten sah, D 153
• Das Bild, D 155, Op. posth. 165, No. 3
• Die Erwartung (second version), D 159, Op. post. 116
• Sängers Morgenlied (first setting), D 163
• Sängers Morgenlied (second setting), D 165
• Amphiaraos, D 166
• Gebet während der Schlacht (first version), D 171
• Das war ich, D 174
• Die Sterne, D 176
• Vergebliche Liebe, D 177, Op. posth. 173, No. 3
• Liebesrausch, D 179
• Sehnsucht der Liebe, D 180
• Szene aus "Faust" (first version), D 126
• Der Sänger, D 149
• Die Erwartung (first version), D 159
• Gebet während der Schlacht (second version), D 171
• Am See (lower transcription), D 124