OperAria Baritone - Volume 3

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Description

"OperAria is a stroke of luck, the most up-to-date and complete material you need to be able to follow your dream profession as singer!" (Roman Trekel, Patron Baritone)

"It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre." (Peter Anton Ling)

OperAria is the ideal "vocal coach" for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. in addition, through their careful selection, they offer valuable inspiration for opera recitals.

Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias

Pieces

• Ha, welch ein Augenblick from Beethoven: Fidelio, Op. 72
• Schweig, damit dich niemand warnt! from Weber: Der Freischütz, J. 277, Op. 77
• Wo berg’ ich mich? / Schweigt, glüh’nden Sehnens w from Weber: Euryanthe, J. 291, Op. 81
• Marschner: An jenem Tag from Hans Heiling, Op. 80
• Die Frist ist um from Wagner: Der fliegende Holländer (The Flying Dutchman), WWV 63
• Abendlich strahlt der Sonne Auge from Wagner: Das Rheingold, WWV 86a
• Leb’ wohl, du kühnes, herrliches Kind from Wagner: Die Walküre, WWV 86B
• Der Augen leuchtendes Paar from Wagner: Die Walküre, WWV 86B
• Wie duftet doch der Flieder from Wagner: Die Meistersinger von Nürnberg, WWV 96
• Wahn! Wahn! Überall Wahn! from Wagner: Die Meistersinger von Nürnberg, WWV 96
• Wehvolles Erbe from Wagner: Parsifal, WWV 111
• Mein Vater! Hochgesegneter der Helden! from Wagner: Parsifal, WWV 111
• Perfidi! / Pietà, rispetto, amore from Verdi: Macbeth
• Pari siamo! from Verdi: Rigoletto
• Ah, ella è qui dunque! / Cortigiani, vil razza dan from Verdi: Rigoletto
• Vanne; la tua meta già vedo / Credo in un Dio crud from Rossini: Otello
• Ne plač’ ditja from Rubinstein: Der Dämon
• Ni sna, ni otdycha from Borodin: Prince Igor
• Maudite à jamais soit la race from Saint-Saëns: Samson and Delilah, Op. 47
• Gluchaja noč’ from Rimsky-Korsakov: Kashchey the Deathless
• Tre sbirri ... una carrozza from Puccini: Tosca
• Si può? Signore! Signori! from Leoncavallo: I Pagliacci
• Il cavallo scalpita from Mascagni: Cavalleria Rusticana
• Ecco il monologo from Cilea: Adriana Lecouvreur
• Wir arme Leut! from Berg: Wozzeck, Op. 7
• Wagen wollen from Hindemith: Mathis der Maler (1935)