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Flute Sight-Reading 1

$36.00
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Schott  |  SKU: ED12817  |  Barcode: 9790220123788
  • Instrumentation: Flute
  • ISMN: 9790220123788
  • Size: 9 x 12.0 inches
  • Pages: 76

Description

Flute Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. Sight-reading in some form should become a regular part of a student's routine each time they get out the flute, and this book aims to establish the habit early in a student's learning process.

There are 8 sections, which in a logical sequence gradually introduce new notes, rhythms, articulations, dynamics and Italian terms - much as you would find in a beginner's flute method. The emphasis is on providing idiomatic tunes and structures rather than sterile sight-reading exercises. Each section contains several solo examples, beginning with only three notes, and concludes with duets and accompanied pieces, allowing the student to gain experience of sight-reading within the context of ensemble playing.

To the Pupil: Why sight-reading?

  • Section 1: Notes G, A, B
  • Section 2: Notes G to C; slurs and quavers
  • Section 3: Introducing F and Bb
  • Section 4: Notes F to D, with F# and Bb
  • Section 5: Extending the range to top A
  • Section 6: Introducing compound time
  • Section 7: Increasing range: Low Eb/D# up to high Bb/B
  • Section 8: Semiquavers in simple and compound times
  • Glossary
Schott

Flute Sight-Reading 1

$36.00

Description

Flute Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. Sight-reading in some form should become a regular part of a student's routine each time they get out the flute, and this book aims to establish the habit early in a student's learning process.

There are 8 sections, which in a logical sequence gradually introduce new notes, rhythms, articulations, dynamics and Italian terms - much as you would find in a beginner's flute method. The emphasis is on providing idiomatic tunes and structures rather than sterile sight-reading exercises. Each section contains several solo examples, beginning with only three notes, and concludes with duets and accompanied pieces, allowing the student to gain experience of sight-reading within the context of ensemble playing.

To the Pupil: Why sight-reading?

  • Section 1: Notes G, A, B
  • Section 2: Notes G to C; slurs and quavers
  • Section 3: Introducing F and Bb
  • Section 4: Notes F to D, with F# and Bb
  • Section 5: Extending the range to top A
  • Section 6: Introducing compound time
  • Section 7: Increasing range: Low Eb/D# up to high Bb/B
  • Section 8: Semiquavers in simple and compound times
  • Glossary
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