Beethoven: Complete Songs for Voice and Piano - Volume 2

G. Henle Verlag - HN534

Format Descriptions
Format Descriptions

Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.

Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.

Facsimile of the Autograph
These are hardcover, research-quality reproductions of the original hand-written scores from the composer.

Hardcover
Some publishers print a hardbound, linen-covered version in addition to the standard paperback. The music inside is identical. These editions are beautiful though rarely cheap.

Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the strength of the section, so 16.14.12.10.8 would mean 16 first violins and 8 copies.

Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.

Performance / Playing Score
For chamber pieces, playing scores have all of the parts on one system. There are not separate parts for each player.

Score (Full Score)
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.

Set of Parts
For ensemble music, this indicates that there are separate parts for each player.

Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.

Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.

Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.

Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.

With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.

With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

 

In stock and typically ships within 1 business day.
    1. Composer: Ludwig van Beethoven
    2. Editor: Helga Lühning
    3. Instrumentation: Piano, Voice, High Voice
    4. ISMN: 979-020180534-4
    5. Size: 9.3 x 12.2 inches
    6. Pages: 218
    7. Urtext / Critical Edition
  • Contains the following pieces:
    1. Dimmi, ben mio, che m'ami (second version), Op. 82, No. 1
    2. T'intendo sì, mio cor, Op. 82, No. 2
    3. L'amante impaziente (Arietta buffa), Op. 82, No. 3
    4. L'amante impaziente (Arietta assai seriosa), Op. 82, No. 4
    5. Odi l'aura che dolce sospira (duet), Op. 82, No. 5
    6. Wonne der Wehmut (second version), Op. 83, No. 1
    7. Sehnsucht, Op. 83, No. 2
    8. Mit einem gemalten Band, Op. 83, No. 3
    9. An die Geliebte (first version)
    10. An die Geliebte (third version), WoO 140
    11. Der Bardengeist, WoO 142
    12. Des Kriegers Abschied, WoO 143
    13. Merkenstein (first version), WoO 144
    14. Merkenstein (second version), Op. 100
    15. Das Geheimnis, Liebe und Wahrheit, WoO 145
    16. An die Hoffnung (second version), Op. 94
    17. Sehnsucht (Die stille Nacht umdunkelt), WoO 146
    18. “An die ferne Geliebte” ("To the Distant Beloved"), Op. 98
    19. Der Mann vom Wort, Op. 99
    20. Ruf vom Berge, WoO 147
    21. So oder so, WoO 148
    22. Resignation, WoO 149
    23. Abendlied unterm gestirnten Himmel, WoO 150
    24. Ariette (Der Kuß), Op. 128
    25. Klage (second version), WoO 113
    26. Erhebt das Glas mit froher Hand, WoO 109
    27. Punschlied, WoO 111
    28. An Laura, WoO 112
    29. Ein Selbstgespräch, WoO 114
    30. Oh care selve, oh cara, WoO 119
    31. Seufzer eines Ungeliebten/Gegenliebe, WoO 118
    32. Romance, WoO 128
    33. Man strebt, die Flamme zu verhehlen, WoO 120
    34. Freudvoll und leidvoll, Op. 84, No. 4
    35. An die Geliebte (second version), WoO 140
    36. Der Gesang der Nachtigall, WoO 141
    37. Die laute Klage (second version), WoO 135
    38. Auf, Freunde, singt dem Gott der Ehen (first version), WoO 105
    39. Gedenke mein!, WoO 130

Type: Sheet Music