{"title":"Sheet music composed by Hans Winterberg (1901-1991)","description":"Hans Winterberg (1901-1991) was a composer from Czechia and Germany. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Hans_Winterberg\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"winterberg-violin-sonata-bote-bock","title":"Winterberg: Violin Sonata","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Violin Sonata (1936)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202538838\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 41\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHans Winterberg has only recently been rediscovered as one of the most important representatives of the Czech avant-garde of the first half of the 20th century. Performed but not published during his lifetime, his works were locked away after his death due to tragic circumstances and are now being published for the first time in a collaboration between the Exilarte Centre of the Vienna University of Music and Boosey \u0026amp; Hawkes. in contrast to his colleagues and friends Ullmann, Haas, Krása and Klein, Winterberg survived the Shoah through a series of miracles. As a student of Alexander Zemlinsky and Alois Hába, he is both a successor to Janáček and a member of the wider circle of the Second Viennese School.\u003c\/p\u003e\n\u003cp\u003eThe Violin Sonata, written and premièred in Prague in 1936, is one of the most important chamber music works of the pre-war period. It exhibits all the characteristics of Winterberg's personal style: a sensuality of sound grounded in French Impressionism with a simultaneous expressionist rigour of harmony, a small-scale motivic structure, a sophisticated play with polyrhythmic patterns and, especially in the last movement, a musical impetus borrowed from Czech folklore.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":42065167351887,"sku":"BB3883","price":44.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/7cbb8bbb0a52cefc6e8686b5441d57b7.jpg?v=1752098765"},{"product_id":"winterberg-string-quartet-no-1-bote-bock","title":"Winterberg: String Quartet No. 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Quartet No. 1 (1936)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202538944\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e1936 was Hans Winterberg's most fruitful creative year before the catastrophe that befell Czechoslovakia with the annexation of the Sudeten territories in 1938 and the \"rest of Czechoslovakia\" in 1939 by Nazi Germany. Winterberg lived as a freelance composer in Prague, had found his own style after studying with Alexander von Zemlinsky, among others, and ventured into the great forms of the tradition for the first time: piano sonata, symphony and string quartet. Winterberg's First String Quartet, whose manuscript survived the turmoil of the war and was not premiered until 2024, \"a masterpiece not only of Czech music but of the entire string quartet repertoire of the 20th century\" (Michael Haas), is perhaps his most complex, most demanding work from the pre-war period. Interms of the interpretational challenges and the peculiarities of its stylistic approach, it lies at the interface between the quartets of Janáček and his pupil Pavel Haas and the quartet compositions of the protagonists of the Second Viennese School.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":42263294836815,"sku":"M202538944","price":88.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/133669455bea2ac9be8be2c56904a654.jpg?v=1752438491"},{"product_id":"winterberg-2-trumpet-suites-bote-bock","title":"Winterberg: 2 Trumpet Suites","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Trumpet\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539040\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHans Winterberg (1901–1991) composed his two trumpet suites at decisive turning points in his life: the first in December 1945 in Prague, a few months after his liberation from the Theresienstadt ghetto, the second in 1952 at the beginning of a promising new beginning as a composer in West Germany, where he had emigrated to in 1947.\u003c\/p\u003e\n\u003cp\u003eThe first documented performance of the 1st Suite at the Amerika-Haus in Munich in 1950 was very successful according to the critics and may have prompted the performer of this premiere, the trumpeter Willy Brem, to encourage Winterberg to compose the 2nd Suite. While the 1st Suite is still entirely indebted to Winterberg's Czech idiom, the 2nd Suite shows an orientation towards the tonal language of contemporary music in Germany, especially towards Hindemith. Both suites offer a kaleidoscope of moods and technical finesse in a small space.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eTrumpet Suite No. 1 (1945)\u003c\/li\u003e\n\u003cli\u003eTrumpet Suite No. 2 (1952)\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":42302123737167,"sku":"M202539040","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/378a2ccf13070d634f4fa68e3c795251.jpg?v=1749696479"},{"product_id":"winterberg-viola-suite-bote-bock","title":"Winterberg: Viola Suite","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Viola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Viola Suite (1949)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202538548\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAfter moving to Munich in 1947, Hans Winterberg made contact with German musical life, primarily with the help of former friends from his student days in Prague, such as Fritz Rieger, the chief conductor of the Munich Philharmonic, who encouraged him and arranged contacts. Rieger brought him together with Carl Weymar, the viola-playing director of the Bachwochen in Ansbach, to whom Winterberg dedicated his Suite for viola and piano. Originally conceived for viola and harp, he eventually rewrote the accompaniment part for piano due to too many complicated pedal changes. The suite is – perhaps also due to the original accompanying instrument the \"impressionistic\" of Winterberg's chamber music works, a little gem that brings out the magical and mysterious character of the viola in the most beautiful way.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":42302128914511,"sku":"M202538548","price":25.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/660c8c66c2a1ae834c1105bd181340d9.jpg?v=1752424872"},{"product_id":"winterberg-sudeten-suite-bote-bock","title":"Winterberg: Sudeten Suite","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano Trio (Piano, Violin, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Sudeten Suite (1964)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539002\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn the context of the non-tonal, rhythmically complex tonal language of Hans Winterberg's works of the 1960s, the Sudeten-Suite with its turn to tonality has its own special place. The three movements are dedicated to scenic \"events\" in Winterberg's Bohemian homeland, demarcation points of Czechoslovak territory on the border to Poland in the north (Schneekoppe, Elbquellen) and to Österreich and Germany, the so-called border-triangle, in the south (Plöckenstein). It is program music in the best sense in the tradition of Smetana's Má Vlast, a composed remembrance of magnificent landscapes that became unattainable for Winterberg after his escape from communist Czechoslovakia behind the Iron Curtain in 1947.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":42302137729103,"sku":"M202539002","price":40.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/254719ab997eec7ab840500b3f36e19e.jpg?v=1749694855"},{"product_id":"winterberg-violin-suite-boosey","title":"Winterberg: Violin Suite","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Violin Suite (1942)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202538852\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 28\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHans Winterberg's extraordinary life was written in two chapters, one Czech and one German, split right down the middle by the experience of the Shoah, which Winterberg, unlike his colleagues Ullmann, Krása, Haas and Klein, miraculously survived. in 1947, the Prague-born composer moved to Munich, where he worked for the Bavarian Broadcasting Corporation. As a student of Alexander Zemlinsky and Alois Hába, he belongs both to the Czech tradition following Janáček and to the circle of the Second Viennese School. He saw himself as a bridge builder between Western and Eastern culture. The circumstances under which Winterberg was able to compose during the war years are still unclear. Although his \"mixed marriage\" initially saved him from deportation, he had to perform forced labour and was eventually sent to the Terezin ghetto in January 1945.\u003c\/p\u003e\n\u003cp\u003eThe Suite for Violin and Piano was composed in 1942, the year in which both Winterberg's mother and his piano professor Thérèse Wallerstein were murdered by the Nazis. Compared to the violin sonata from 1936, the Suite is much more condensed, lasting less than seven minutes. A melody dominated by chromatic turns and expressionist harmony lend the work its melancholy character, which gives way, however, to an almost irrepressible defiance in the rhythmically percussive last movement.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":42452430356559,"sku":"M202538852","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/63da1331c13c0f467b9e009c85b9570e.jpg?v=1752436983"},{"product_id":"winterberg-string-quartet-no-4-bote-bock","title":"Winterberg: String Quartet No. 4","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Quartet No. 4 (1961)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539132\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 140\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHans Winterberg's four string quartets were composed over a period of four decades between 1936 and 1961 and reflect the four stages of his eventful biography. He composed the first in what were probably the happiest moments of his life in his native city of Prague, the second under great hardship in the terrible war year of 1942, the third in 1957 during a phase of great compositional success in his adopted home of Munich, and the fourth in another dramatic phase of his life. It came at a moment of renewed doubt and uncertainty, when a young generation of composers in Europe was vehemently asserting itself, breaking with all traditions because it considered them obsolete and corrupted by fascism. Winterberg, a survivor of the Shoah, did not break with the past, but rather tried to continue the Czech-German-Jewish cultural symbiosis in his compositions after the war. The fourth quartet marks the beginning of a new creative phase in which he succeeded in combining the very different influences that shaped him - the Bohemian-Moravian, folk-inspired tradition as a successor of Janá?ek and the achievements of the Second Viennese School, imparted by his teacher Alexander Zemlinsky - into a homogeneous, rhythmically pointed and expressive style.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":42662822445135,"sku":"BB3913","price":140.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c07a77468076fa52794d62789f408ab9.jpg?v=1752075508"},{"product_id":"winterberg-string-quartet-no-3-bote-bock","title":"Winterberg: String Quartet No. 3","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Quartet No. 3 (1957)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539101\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eEach of the four string quartets by the Bohemian composer Hans Winterberg (1901-1991) has its own unusual history. The first, composed in happy times in Prague in 1936, had to wait until 2024 for its premiere. The second was composed under dramatic circumstances in the war year 1942, when Winterberg, by a twist of fate, was not deported to the Theresienstadt concentration camp like his colleagues Viktor Ullmann, Pavel Haas, Hans Krása and Gideon Klein, thus surviving the Shoah. The third, like all his other works not published during his lifetime, was composed in 1957, at another existentially difficult time after his great success as a composer in Munich in the early 1950s, where he had fled shortly before the Communists seized power in Czechoslovakia in 1947. Due to its enormous interpretative challenges, it was not until 1970 that Winterberg found an ensemble in the legendary Sonnleitner Quartet - members of the Munich Philharmonic - that could do justice to the technical and emotional demands of the work.\u003c\/p\u003e\n\u003cp\u003eThis first edition of the second string quartet documents both versions of the quartet: the original from 1957 and the second with the retouching that the composer made after the failure of the first performance in 1969 by the concertmaster quartet of the Bavarian Radio Symphony Orchestra.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":42662835650639,"sku":"M202539101","price":125.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/8ce71e285fa77f3266a0ae501e2dac03.jpg?v=1752424403"},{"product_id":"winterberg-string-quartet-no-2-bote-bock","title":"Winterberg: String Quartet No. 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Quartet No. 2 (1942)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539071\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHans Winterberg's 2nd String Quartet from 1942 is one of the few works that he was able to compose under unimaginable living conditions during the period of Nazi terror in Czechoslovakia. in that year, his mother was murdered in a Nazi extermination camp in the Ukraine, Winterberg himself was separated from his wife and daughter and relocated to a \"Jews' house\". The fact that he had to do forced labor and was not deported to Theresienstadt, like almost all other representatives of the country's Jewish cultural elite, saved his life. Winterberg emigrated to Munich in 1947 and was able to gain a foothold in musical life there relatively quickly. Through close contact with the Munich Philharmonic Orchestra, the 2nd String Quartet found its way into the repertoire of the Koeckert Quartet, which premiered it in Munich on 15th January 1951. The highly expressive, complex work is not only a sounding diary from a time of horror and uncertainty - it is above all a deeply moving document of artistic creation as an expression of spiritual resistance against dehumanization.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":42662846070863,"sku":"M202539071","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/85451cd88907c04c5807277a0356c3b6.jpg?v=1756485384"},{"product_id":"winterberg-rhapsody-bote-bock","title":"Winterberg: Rhapsody","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Trombone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Rhapsody (1951)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539156\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHans Winterberg, born in Prague in 1901, belonged to the group of young Czech composers following in the footsteps of Leos Janáček, (who died in 1928), who had received their cultural formative years in the final years of the Danube Monarchy. On the one hand, they took part in a process of national self-discovery, which was politically sealed with the attainment of state sovereignty by Czechoslovakia at the end of the First World War in 1918, but on the other hand they moved intellectually in a melting pot of influences ranging from Mahler and the Second Viennese School, which was strongly influential in Prague, to French Impressionism and Neoclassicism and German New Objectivity. Hans Winterberg, who had studied with Alexander Zemlinsky and Alois Hába, was one of the few composers of Jewish descent of this generation who survived the Holocaust and was able to further develop this specific Czech modernism in the post-war period. Shortly before the Communists seized power in 1948, he emigrated to Munich, where he enjoyed an impressive career in the years after 1950, with performances by the Munich Philharmonic Orchestra, renowned ensembles and soloists, for which he composed an impressive series of chamber music works. A treasure that is now being published for the first time in a cooperation between the Exilarte Center of the University of Music and Performing Arts Vienna and Boosey \u0026amp; Hawkes. The Rhapsody was composed in 1951 at the height of Winterberg's new start in Munich. in terms of form and substance, it is located between a sonatina and a sonata and has some typical Winterberg characteristics: melodies and rhythms borrowed from Czech folklore and an impulsiveness and exploration not unlike Hindemith chamber music.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":42953664626767,"sku":"M202539156","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/a78e44b8cf3ef1872ba9cc71368af8ff.jpg?v=1750244873"},{"product_id":"winterbert-dort-and-hier-bote-bock","title":"Winterbert: Dort and hier","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSoprano, Piano Trio (Piano, Violin, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Dort and hier (4 Songs after Franz Werfel) (1937)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eGerman\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539170\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eSong Cycle After Franz Werfel\u003c\/p\u003e\n\u003cp\u003eHans Winterberg, born in Prague in 1901, belonged to the assimilated Jewish bourgeoisie of Prague, which was part of the Austro-Hungarian Empire until 1918. Until 1918, Prague was part of the Austro-Hungarian Monarchy, a cultural metropolis in which German was spoken until the middle of the 19th century. The Prague writers Kafka, Rilke and Werfel published in German. and Winterberg, who lived just a few meters from the Café Arco, the meeting place of Prague's literary avant-garde, was – primarily – German-speaking. Winterberg's literary fixed star was Franz Werfel. He dedicated several cycles to him, with Dort and Hier marking a highlight not only among his own song settings – it is a masterpiece of the genre of vocal music with ensemble accompaniment, comparable to the Chansons madécasses by Ravel, written 10 years earlier with similar instrumentation. Winterberg chose four poems by Werfel from different publications and cleverly wove them into a cycle that deals with things of this world and the hereafter in surprising images. Winterberg finds congenial musical correspondences to Werfel's lyrical expressionist tone, which is interwoven with a subtle, surreal-ironic note that is so typical of Czech modernism in the interwar period.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":42953961537615,"sku":"M202539170","price":46.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/1ab49cbfce282fabcbec14546c50dea7.jpg?v=1750244544"},{"product_id":"winterberg-quintett-bote-bock","title":"Winterberg: Quintett","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin, Horn, Clarinet I, Clarinet II\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Quintet for violin, 2 clarinets, horn and piano (1935)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539217\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 156\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe period around the mid-1930s was a particularly fruitful and eventful time in Hans Winterberg's life. He wrote his first important orchestral compositions and chamber music works as well as his first piano sonata. Winterberg, born in Prague in 1901, a child prodigy as a pianist and a cautious composer, finally ventured into the great forms and genres of tradition, but also experimented with unusual combinations of instruments, as in his first chamber music work, the Quintet for Violin, 2 Clarinets, Cello and Piano. The eccentric instrumentation may come as a surprise, but Winterberg chose it deliberately because the clearly delineated color spectra of the instruments suited him in his experiments with the overlapping of independent rhythmic levels. with the Quintet, Winterberg succeeded completely in amalgamating the influence of Schönberg and Berg, passed on by his teacher Zemlinsky, with the characteristics of the Bohemian-Moorish tradition passed on by Janáček. The result is music of enormous inner tension and rhythmic drive.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":43439740125263,"sku":"M202539217","price":97.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/df26591de55a9dd6da8550fced3ed6d2.jpg?v=1753281868"},{"product_id":"winterberg-suite-for-clarinet-and-piano-bote-bock","title":"Winterberg: Suite for Clarinet and Piano","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Clarinet\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Suite for Clarinet and Piano (1944)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539194\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 36\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBorn in Prague in 1901, Hans, or rather Hanuš Winterberg, had found his style around the mid-1930s, to which he would remain faithful until the end of his life, representing a unique but not untypical symbiosis of different influences for Czech modernism: the Second Viennese School, mediated by his teacher Alexander Zemlinsky, French Impressionism and, becoming more and more prominent over time, the folk-inspired, rhythmically dominated music of Leoš Janáček. Winterberg did not have much time to build a career, because from March 1939 at the latest, after the annexation of the so-called \"Resttschechechei\" by Nazi Germany, he, as a Jew, was forbidden any professional activity. Exploited as a forced laborer from 1941, he probably only escaped deportation to Theresienstadt and death in Auschwitz through the protection of his marriage to the respected Sudeten German pianist Maria Maschat. The handwriting of the few compositions written during the war bears witness to the existential hardship in which they were written, but also to the immense spiritual resistance of their creator. The Suite for clarinet and piano from 1944 is not only a substantial contribution to the clarinet literature, but also a unique document of artistic self-assertion.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":43515845705807,"sku":"BB3919","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/caf08349ae856a924c321735caacf8c7.jpg?v=1755274130"},{"product_id":"winterberg-trio-for-clarinet-cello-and-piano-bote-bock","title":"Winterberg: Clarinet Trio","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eClarinet Trio (Clarinet, Cello, Piano)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/collections\/winterberg-clarinet-trio-1950\"\u003eClarinet Trio (1950)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539293\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 88\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn Hans Winterberg's turbulent first half of his life, there were two periods of calm, phases in which he must have had the feeling of having \"arrived\", of making his way and enjoying the recognition that his extraordinary talent deserved. in the mid-1930s, when he had started a family in Prague and created his first masterpieces as a freelance composer. Then again around 1950, when, as a Holocaust survivor, he gained a foothold in Munich after fleeing Czechoslovakia and was able to celebrate his first significant successes with performances by the Munich Philharmonic Orchestra and the city's top musicians. Hardly any other work by Winterberg radiates such self-assurance and confidence as the Trio for clarinet (or violin), cello and piano, composed in 1950, the year of the first successful performance of his 1st Piano Concerto by the Munich Philharmonic. with its four movements and a playing time of over 15 minutes, it is one of his more extensive chamber music works, bringing together all the characteristics of his oeuvre in a successful symbiosis: Impressionist sensuality of sound, neoclassical charm and folkloristic high spirits – Winterberg's Trio 1950, published for the first time in its two versions now, is a substantial enrichment of the 20th century trio repertoire.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":43515857731663,"sku":"BB3929","price":50.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/06b3956c0f73110eaf7fcad01424b99a.jpg?v=1755274909"},{"product_id":"winterberg-wind-quintet-bote-bock","title":"Winterberg: Wind Quintet","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eWind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Wind Quintet\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539507\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 68\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eUntil recently, the wind quintet from 1957 published here for the first time seemed to be the only work in this formation in Hans Winterberg's (1901-1991) extensive catalog of chamber music gems. in the meantime, another piece in the traditional scoring for flute, oboe, clarinet, horn and bassoon has been rediscovered in his estate, a suite from 1946, written in Prague one year after the composer's liberation from the Theresienstadt concentration camp and one year before his emigration to Munich. Winterberg, a pianist by training, – studied, like Hans Krása, with the respected Prague piano teacher Therese Wallerstein – composed just as passionately for string instruments as for woodwind and brass and experimented with the most diverse and sometimes most surprising formations. What is surprising about the Quintet from 1957 is the vehemence with which the composer lived out his Czech-Austrian-German multiple identities in his compositions, as if the work was a commentary on his complex and dramatic life story: When in all three movements the German children's song \"Es klappert die Mühle am rauschenden Bach\" is heard in a decidedly Bohemian-Moravian, post-Janáček environment, then this can certainly also be interpreted as an ironic nod of the composer, who in the precarious post-war years had to consider whether he was spending his money on bread and butter or on music paper.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Set of Parts","offer_id":44445832839247,"sku":"BB3950","price":39.0,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":44445833560143,"sku":"BB3952","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/16bedc001f91e4571a852ed78e4ec45d.jpg?v=1770825191"},{"product_id":"winterberg-suite-bote-bock","title":"Winterberg: Suite for Flute, Clarinet, Oboe, Bassoon, and Harpsichord","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eClarinet, Flute, Oboe, Bassoon, Harpsichord\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Suite for Flute, Clarinet, Oboe, Bassoon, and Harpsichord (1959)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202538500\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 148\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHans Winterberg (1901-1991) left behind a rich chamber music oeuvre, which has only recently been made accessible through first editions and CD productions. in addition to one string trio, four string quartets and two wind quintets for the standard instrumentation of flute, oboe, clarinet, horn and bassoon, his estate contains works in the most diverse and sometimes most unusual combinations of winds, strings and keyboard instruments. The Suite for flute, oboe, clarinet, bassoon and harpsichord from 1959 was probably written - like many of his other works from the 1950s and 1960s - on commission from Bayerischer Rundfunk, although no traces of performances or broadcasts during the composer's lifetime have been found. As always with Winterberg, the unconventional, humorous and at times surreal handling of the material is surprising, making the Suite seem like an echo of Czech modernism of the interwar period, which Winterberg, who lived in Prague until his emigration to Munich in 1947, had a lasting influence on. The tonal language is moderately modern: Polytonality, modality, layers of fifths and fourths dominate. The character of the three movements is determined by the tension between the elegant aura of the harpsichord and the rusticity of the wind movement, between post-Janáček folklorism and neoclassical esprit à la Stravinsky.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":44445832872015,"sku":"BB3850","price":67.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e30d32ae9e04f578d38c3607689ffcec.jpg?v=1770825249"},{"product_id":"winterberg-suite-for-wind-quintet-bote-bock","title":"Winterberg: Suite for Wind Quintet","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eClarinet, Flute, Oboe, Bassoon, Horn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Suite for Wind Quintet (1946)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539583\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 38\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHans Winterberg (1901-1991) composed his first work for the classical formation of the wind quintet (with secondary instruments) at the beginning of 1946 in Prague. After a Suite for trumpet and piano composed at the end of 1945, this was his second work written after the liberation from the Theresienstadt concentration camp in June 1945. This musical, exuberant piece shows no sign of what its author had gone through in the previous five years. The character is light, airy and free from the darkness of the works composed during the Nazi occupation of Czechoslovakia and some further pieces written after the emigration to Germany in 1947. The movements are magnificent and full of ideas and rhythmic figures that develop into ostinato foundations in the tradition of Janáček. The ingenuity and variety of mood changes that accompany each unpredictable change of meter are masterful. The Suite was only recently rediscovered in the composer's estate and is still awaiting its premiere at the time of the release of this publication.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Set of Parts","offer_id":44470288121935,"sku":"M202539583","price":28.25,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":44470291628111,"sku":"M202539606","price":19.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/f0b3aa23a436180a2718ecef36564536.jpg?v=1770825011"},{"product_id":"winterberg-concertino-bote-bock","title":"Winterberg: Concertino","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Horn, Trombone, Trumpet, Timpani\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Concertino (1951)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539668\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn addition to the \u003cem\u003ePiano Concerto No. 1\u003c\/em\u003e and the \u003cem\u003eSuite for Viola and Piano\u003c\/em\u003e, this unusually scored \u003cem\u003eConcertino\u003c\/em\u003e is one of the earliest works that Winterberg composed after moving from Prague to Munich in 1947. in that year, Fritz Rieger, his old fellow student in Zemlinsky's conducting class, had premiered Winterberg's First Symphony, written in Prague in 1934\/35, in Mannheim – it was the most important performance of one of the composer's works to date, and Winterberg could not only hope a new beginning after \"Zero Hour\", but also for the real start of a career that had been denied in Prague from 1939 due to persecution and imprisonment on account of his Jewish origins. in contrast to important symphonic works, three piano concertos and string quartets, which were premiered and broadcast in Munich from 1950, Winterberg's chamber music for wind instruments - among them the \u003cem\u003eConcertino\u003c\/em\u003e - remained unperformed and unpublished during the composer's lifetime. with its rhythmic splendor, its unshakeable \"Élan vital\" and the humorous play with the eccentric combination of instruments, the piece seems like a reminder of the lost world of Dadaist surrealism in Prague between the wars.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Set of Parts","offer_id":44702059626575,"sku":"M202539668","price":37.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":44702076829775,"sku":"M202539644","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/8f7531dc146a51548ed75c081812d869.jpg?v=1781651932"},{"product_id":"winterberg-string-trio-bote-bock","title":"Winterberg: String Trio","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Trio (Violin, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Trio (1960)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539231\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 108\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHans Winterberg's \u003cem\u003eString Trio\u003c\/em\u003e from 1960 is one of the composer's most substantial chamber music works. On the one hand, he achieves a fascinating symbiosis of the most important tendencies of German-Austrian and Czech modernism in the first half of the 20th century; on the other, he takes a decisive step towards a tonal language in which the focus is no longer on harmonic-melodic complexity, but on the sensation of different tempo experiences occurring simultaneously. This path, which originated with Janáček, finally culminated in the works of the late 1960s, above all in \u003cem\u003eRhythmophonie\u003c\/em\u003e for symphony orchestra, in which this compositional principle became the title.\u003c\/p\u003e\n\u003cp\u003eWinterberg, born in Prague in 1901 to a Jewish family that had lived in Prague for centuries, studied there with Alexander Zemlinsky and Alois Hába, among others. He survived the Shoah thanks to lucky coincidence and emigrated to Munich after the war, where he enjoyed a successful second career as a composer in the 1950s and 60s. The String Trio was recorded in 1962 by the members of the Bavarian Radio Symphony Orchestra Angelika Rümann, Franz Schessl and Wilhelm Schneller in the Bavarian Radio studio. The Münchner String Trio played the world premiere coram publico in Esslingen in 1964.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Default Title","offer_id":44702247649359,"sku":"M202539231","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/fe9baeb8f43d9a3d7caac98f2b19e46b.jpg?v=1773265316"},{"product_id":"winterberg-clarinet-quintet-bote-bock","title":"Winterberg: Clarinet Quintet","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/hans-winterberg\"\u003eHans Winterberg (1901-1991)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eClarinet Quintet (Clarinet, Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Clarinet Quintet (1981)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790202539880\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHans Winterberg's Quintet was composed in 1981\/82 at his last residence in Steppberg, Bavaria, on the occasion of a composition competition organised by the East German Cultural Council. Until the release of this first editon, it had been recorded for a CD production but had not yet been performed live in concert. with this work, which Winterberg entitled \"Cyclame\" on one of the two manuscripts, the composer concludes his chamber music oeuvre, which was rich in the most diverse instrumentations and had begun brilliantly in 1935, during his time in Prague, with the Quintet for violin, 2 clarinets, horn and piano.\u003c\/p\u003e\n\u003cp\u003eThe first two predominantly lyrical movements, which are characterised by great delicacy on a rhythmic-metric level, are marked by a certain mildness of age. with its musical verve, the last movement takes us back to Winterberg's origins in Bohemian-Moorish folklore, which was one of the most important impulses in his work, alongside the school of Schumann, which was conveyed by Zemlinsky. Winterberg was the only important Czech composer of Jewish descent to survive the Shoah. in his post-war oeuvre, he was able to continue the fascinating German-Czech cultural symbiosis that was brutally destroyed by Nazi Germany - unnoticed by the international music world. It is time to bring this wonderful musical treasure, long hidden from us, back to life.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bote \u0026 Bock","offers":[{"title":"Set of Parts","offer_id":45272821071951,"sku":"BB3988","price":39.0,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":45272821104719,"sku":"BB3968","price":26.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e5669ff0768b48b3feb2571938d41142.jpg?v=1779314782"}],"url":"https:\/\/www.ficksmusic.com\/collections\/hans-winterberg.oembed","provider":"Ficks Music","version":"1.0","type":"link"}