{"title":"Sheet music composed by Griffin Candey (1988-)","description":"Griffin Candey (1988-) is a composer from United States of America.","products":[{"product_id":"trans-nonbinary-voices-volume-1-nms","title":"Anthology of New Music for Trans \u0026 Nonbinary Voices - Volume 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: Keith Allegretti (1989-), Penrose M. Allphin (1997-), Adam Burnette (1982-), \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e, Nell Shaw Cohen (1988-), Rosśa Crean (1975-), Rylan Gleave (1997-), Grey Grant (1993-), Leo Hurley (1989-), Dana Kaufman (1989-), Melissa Li (1983-), Tony Manfredonia (1992-), Pax Ressler (1989-), \u003ca href=\"\/collections\/hope-salmonson\"\u003eHope Salmonson (1999-)\u003c\/a\u003e, Isaac Schankler (1979-), Ashley Renee Seward, brin solomon (1991-), Mickie Wadsworth (1998-), Yoshi Weinberg (1993-), LJ White (1984-), Thomas J. Yee (1992-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Voice\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Voice, Soprano, Baritone, Mezzo Soprano, Contralto, Chamber Ensemble, Musical, Opera\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish, German\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e21 songs for trans\/nonbinary voices and piano\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eAllegretti: Breathe from Good Country (2022)\u003c\/li\u003e\n\u003cli\u003eAllphin: Open-Mouthed Gemini (2019)\u003c\/li\u003e\n\u003cli\u003eBurnette: Spätherbst (2013)\u003c\/li\u003e\n\u003cli\u003eCandey: Foxes from Fox Songs (2019)\u003c\/li\u003e\n\u003cli\u003eCohen: Fallen Star (Revised Version) (2020)\u003c\/li\u003e\n\u003cli\u003eCrean: Solitaire (2019)\u003c\/li\u003e\n\u003cli\u003eGleave: Walrus (2020)\u003c\/li\u003e\n\u003cli\u003eGrant: Prelude from Michigan Trees: A Guide to the Trees of Michigan and the Great Lakes Region (2019)\u003c\/li\u003e\n\u003cli\u003eHurley: Chapel Hill Gets Lonely from The Body Politic (2015)\u003c\/li\u003e\n\u003cli\u003eKaufman: To my mother's closet from Cycle Kardashian (2017)\u003c\/li\u003e\n\u003cli\u003eLi: Loser Dumplings from Interstate (2016)\u003c\/li\u003e\n\u003cli\u003eManfredonia: Your Heart from Ghost Variations (2018)\u003c\/li\u003e\n\u003cli\u003eRessler: Love Song for Me (2019)\u003c\/li\u003e\n\u003cli\u003eSalmonson: At a Dinner Party from 3 Amy Levy Songs (2019)\u003c\/li\u003e\n\u003cli\u003eSchankler: With Such Teeth from sharp (2007)\u003c\/li\u003e\n\u003cli\u003eSeward: Let the Little Birds Sing (2020)\u003c\/li\u003e\n\u003cli\u003esolomon: And Still the Last Abandoned Angel Sings (Hallel) (2020)\u003c\/li\u003e\n\u003cli\u003eWadsworth: Lake Song (2020)\u003c\/li\u003e\n\u003cli\u003eWeinberg: Captain of My Soul (2018)\u003c\/li\u003e\n\u003cli\u003eWhite: Labor Day (2012)\u003c\/li\u003e\n\u003cli\u003eYee: The Smoke Curls into the Sky from Eva and the Angel of Death (2019)\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"NewMusicShelf","offers":[{"title":"Default Title","offer_id":41326231126095,"sku":"9781949614084","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/833725478302764968097f089cf3f5cd.jpg?v=1752427929"},{"product_id":"candey-what-i-didnt-know-before-just-theory","title":"Candey: What I Didn't Know Before","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Medium Voice\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: What I Didn't Know Before (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 12\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eWhat I Didn't Know Before,\u003c\/em\u003e a setting of a really gorgeous poem of the same name by Ada Limón, was commissioned by NYC's Mirror Visions Ensemble as part of their Young Composers Competition in 2021. I had been a tremendous fan of Limón's poetry for years before that, so as we lobbed poetry back and forth, I included a handful of her poems—and this one stuck with all of us the most. The poem relies on a simple, heartfelt image: the poet describing how love came to them suddenly, like a newborn horse that, shortly after its arrival, is already up and moving full speed, \"a four-legged beast hellbent on walking.\" \"What was between us wasn't a fragile thing to be coddled, cooed over,\" writes Limón. \"It came out fully formed, ready to run.\"\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42300332441679,"sku":"147-025-FS","price":20.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/30861cd88a86dd3edce1743c763e5788.png?v=1752090374"},{"product_id":"candey-bird-in-ink-just-theory","title":"Candey: Bird in Ink","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Alto Saxophone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Bird in Ink (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 38\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eBird in Ink\u003c\/em\u003e (2024) was commissioned by saxophonist Zhao Shilong to embody birds via the guiding principles of Chinese ink paintings. This style of \"ink wash\" painting, as well as its focus on birds, began as far back as the Tang Dynasty (618-907 AD) and subsequently influenced painting and calligraphy techniques across East and Southeast Asia for centuries after. This piece responds primarily to three of the core tenets of the form: efficiency of line, spontaneity of line, and the communication of the \"spirit\" of a subject (rather than its literal form.)\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42300334866511,"sku":"147-007-SP","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/9ed45decbac108588ed996e2785fd3d5.png?v=1752086896"},{"product_id":"candey-facsimile-just-theory","title":"Candey: Facsimile","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eCello, Piano Reduction\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Chamber Ensemble\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Facsimile (Cello Concerto) (2020)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThree movements for solo cello, three treble instruments, piano, and percussion (with opt. second percussion) or a piano reduction for cello and piano\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFacsimile\u003c\/li\u003e\n\u003cli\u003eYou Know Me By a Different Name\u003c\/li\u003e\n\u003cli\u003eThe Transfiguration\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cem\u003eFacsimile\u003c\/em\u003e , co-commissioned by New Music Detroit, CHAI Collaborative, and Citywater, explores memory—how memory can be big or small, personal or collective, quiet or weaponized—how we view memory as reliable when it is often rewritten by our own insecurities or the input of others—how it can be the small boat we send down the river when we're gone.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Solo Part with Piano Reduction","offer_id":42480987766863,"sku":"147-015.01-SP","price":25.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42732756009039,"sku":"147-015-FS","price":35.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/55c58cebec35e2caaa25dc97c23e7599.jpg?v=1749561040"},{"product_id":"candey-pale-in-your-shadow-version-for-oboe-horn-piano-just-theory","title":"Candey: Pale in Your Shadow (Version for Oboe, Horn, \u0026 Piano)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Oboe, Horn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/collections\/candey-pale-in-your-shadow-2023\"\u003ePale in Your Shadow (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 17\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003ePale in Your Shadow,\u003c\/em\u003e Griffin Candey\u003c\/p\u003e\n\u003cp\u003eVersions:\n- Oboe, french horn, and piano (2022) 5'\n- Clarinet, french horn, and piano (2023) 5'\n- Violin, french horn, and piano (2023) 5'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePale in Your Shadow,\u003c\/em\u003e written for Fifth House Ensemble, responds to a question: what responsibility do we have for what happened before we were alive? The question, posed during the commission process, immediately brought to mind the concept of generational curses—specifically, breaking generational curses.\u003c\/p\u003e\n\u003cp\u003eThat language—\"breaking curses\"—summons up violent, physical imagery, a hammer blow to break the chains, to rid us of generational loose ends. It imagines our forebears as the antagonists and us as the protagonists, neatly delineating consequence and blame. in reality, intergenerational trauma often defies these neat definitions: some wounds are intentional, some not—some people had choices, some didn't—sometimes, someone's harmful actions grew from the broken circumstances they themselves inherited. in many cases, blame is warranted, but we only reach that space once we soften to a difficult reality: sometimes, those who caused the harm we inherit were simply people trying (if sometimes failing) to do their best. While this doesn't relieve anyone of blame, it might help us eventually redirect and reassess the destructive cycles.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePale in Your Shadow\u003c\/em\u003e approaches, in its own small way, that duality: moving between the desire to break curses with sheer force and the reality of breaking them with an openness of understanding.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42686898536527,"sku":"147-014-SP","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/770a24d14817a7870a485f925659ed25.png?v=1752098897"},{"product_id":"candey-pale-in-your-shadow-version-for-clarinet-horn-piano-just-theory","title":"Candey: Pale in Your Shadow (Version for Clarinet, Horn, \u0026 Piano)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Clarinet, Horn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Oboe, Horn\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/collections\/candey-pale-in-your-shadow-2023\"\u003ePale in Your Shadow (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.4\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 17\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003ePale in Your Shadow,\u003c\/em\u003e Griffin Candey\u003c\/p\u003e\n\u003cp\u003eVersions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOboe, french horn, and piano (2022) 5'\u003c\/li\u003e\n\u003cli\u003eClarinet, french horn, and piano (2023) 5'\u003c\/li\u003e\n\u003cli\u003eViolin, french horn, and piano (2023) 5'\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003ePale in Your Shadow,\u003c\/em\u003e written for Fifth House Ensemble, responds to a question: what responsibility do we have for what happened before we were alive? The question, posed during the commission process, immediately brought to mind the concept of generational curses—specifically, breaking generational curses.\u003c\/p\u003e\n\u003cp\u003eThat language—\"breaking curses\"—summons up violent, physical imagery, a hammer blow to break the chains, to rid us of generational loose ends. It imagines our forebears as the antagonists and us as the protagonists, neatly delineating consequence and blame. in reality, intergenerational trauma often defies these neat definitions: some wounds are intentional, some not—some people had choices, some didn't—sometimes, someone's harmful actions grew from the broken circumstances they themselves inherited. in many cases, blame is warranted, but we only reach that space once we soften to a difficult reality: sometimes, those who caused the harm we inherit were simply people trying (if sometimes failing) to do their best. While this doesn't relieve anyone of blame, it might help us eventually redirect and reassess the destructive cycles.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePale in Your Shadow\u003c\/em\u003e approaches, in its own small way, that duality: moving between the desire to break curses with sheer force and the reality of breaking them with an openness of understanding.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42686906433615,"sku":"147-014.02-SP","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/770a24d14817a7870a485f925659ed25.png?v=1752098897"},{"product_id":"candey-pale-in-your-shadow-version-for-violin-horn-piano-just-theory","title":"Candey: Pale in Your Shadow (Version for Violin, Horn, \u0026 Piano)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Violin, Horn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Oboe, Horn\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/collections\/candey-pale-in-your-shadow-2023\"\u003ePale in Your Shadow (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 17\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003ePale in Your Shadow,\u003c\/em\u003e Griffin Candey\u003c\/p\u003e\n\u003cp\u003eVersions:\n- Oboe, french horn, and piano (2022) 5'\n- Clarinet, french horn, and piano (2023) 5'\n- Violin, french horn, and piano (2023) 5'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePale in Your Shadow,\u003c\/em\u003e written for Fifth House Ensemble, responds to a question: what responsibility do we have for what happened before we were alive? The question, posed during the commission process, immediately brought to mind the concept of generational curses—specifically, breaking generational curses.\u003c\/p\u003e\n\u003cp\u003eThat language—\"breaking curses\"—summons up violent, physical imagery, a hammer blow to break the chains, to rid us of generational loose ends. It imagines our forebears as the antagonists and us as the protagonists, neatly delineating consequence and blame. in reality, intergenerational trauma often defies these neat definitions: some wounds are intentional, some not—some people had choices, some didn't—sometimes, someone's harmful actions grew from the broken circumstances they themselves inherited. in many cases, blame is warranted, but we only reach that space once we soften to a difficult reality: sometimes, those who caused the harm we inherit were simply people trying (if sometimes failing) to do their best. While this doesn't relieve anyone of blame, it might help us eventually redirect and reassess the destructive cycles.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePale in Your Shadow\u003c\/em\u003e approaches, in its own small way, that duality: moving between the desire to break curses with sheer force and the reality of breaking them with an openness of understanding.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":42686919573583,"sku":"147-014.01-SP","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/770a24d14817a7870a485f925659ed25.png?v=1752098897"},{"product_id":"candey-all-this-to-say-just-theory","title":"Candey: All This To Say","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSaxophone Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: All This To Say (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 22\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDedicated to Dr. Matthew Younglove and the TTU Saxophone Studio\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAll This to Say\u003c\/em\u003e (2025) for saxophone ensemble is a meditation on saying less. Someone close to me once suggested that, especially in vulnerable matters, the small, meaningful gesture means more than the big, dramatic one. \u003cem\u003eAll This to Say\u003c\/em\u003e is a simple statement that briefly gets lost in its own over-the-top theatrics, then returns to its intended simplicity.\u003c\/p\u003e\n\u003cp\u003eInstrumentation:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSoprano Sax 1-2\u003c\/li\u003e\n\u003cli\u003eAlto Sax 1-4\u003c\/li\u003e\n\u003cli\u003eTenor Sax 1-2\u003c\/li\u003e\n\u003cli\u003eBaritone Sax 1-2\u003c\/li\u003e\n\u003cli\u003eBass Sax\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42784974602319,"sku":"147-037-SP","price":50.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42784976011343,"sku":"147-037-FS","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/814d8c95f81374d9b2e9df9c4a27a2d9.png?v=1752076518"},{"product_id":"candey-a-sweetening-all-around-me-just-theory","title":"Candey: A Sweetening All Around Me","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eBassoon Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: A Sweetening All Around Me (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eInstrumentation: Bassoon 1-7, Contrabassoon\u003c\/p\u003e\n\u003cp\u003e_A Sweetening All Around Me _is based on a poem of (approximately) the same name by one of my favorite poets, Jane Hirshfield, which deals with cycles, seasons, and the slow, patient pace of life and nature. The piece attempts to capture the balance between seeking and accepting, our hunger to hurry things along versus the eventual knowledge that we can only settle back into the pace of things, let the slow march of time be slow.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":43295841648719,"sku":"147-041-SP","price":45.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":43295880020047,"sku":"147-041-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/37fb05f804f578c68c43846dd1948ed4.webp?v=1751920109"},{"product_id":"candey-the-last-good-country-just-theory","title":"Candey: The Last Good Country","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eMarimba\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Last Good Country (Marimba Sonata) (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 28\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFour movements for solo marimba inspired by Ernest Hemingway's \u003cem\u003eNick Adams Stories\u003c\/em\u003e\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":43296722485327,"sku":"147-009-FS","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/17d041bf9cdc3fe27875d106d2125f89.jpg?v=1755805895"},{"product_id":"candey-goldenrod-just-theory","title":"Candey: Goldenrod","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Goldenrod (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 28\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eGoldenrod\u003c\/em\u003e(2025) is dual purpose work: a 100-year celebration of our university's mascot (the Golden Eagle of Tennessee Tech University, official chosen in 1915,) as well as a celebration of the nature that inspired the school colors (purple and gold, coming from the local native wildflowers, ironweed and goldenrod.) The proximity to the natural beauty of the central Tennessee plateau was something I experienced even before I was hired at TTU, and now that I work here, it's something that continues to make this area extremely special. I'm grateful to be able to celebrate both the school, its history, and the place we call home with this little love note of a piece.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 2.2.2.2\/2.2.0.0\/1 perc\/strings\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44314148175951,"sku":"147-039-FS","price":70.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/94c1a881ec4f2907c88cedcfb4e75620.webp?v=1767736988"},{"product_id":"candey-easy-tiger-just-theory","title":"Candey: Easy Tiger","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eConcert Band\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Easy Tiger (2025)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 37\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e(2025) 7'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEasy Tiger\u003c\/em\u003e is, at its heart, about patience—mostly, that I've never, ever been a patient person. I used to bristle at the phrase that mentors often tell us when we're starting out: \"don't worry, you have time.\" (Ironically, as a professor, I say this all the time now.)\u003c\/p\u003e\n\u003cp\u003eI say it—and our mentors said it—because it's true. As hungry as we are for results, for movement and achievement and satisfaction, what fulfills us the most almost always requires some act of patience. \u003cem\u003eEasy Tiger\u003c\/em\u003e is a reflection of that hard-earned patience: a tightly-wound piece that relaxes into itself—a piece that slowly recognizes that some things take time—and that that's a feature, not a bug.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGrade 4\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstrumentation:\u003c\/strong\u003e Piccolo, Flute 1-2, Oboe 1-2, Clarinet 1-3, Bassoon 1-2, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn 1-4, Trumpet 1-3, Trombone 1-3, Euphonium, Tuba, Piano, Timpani, Percussion 1-4, opt. Double Bass\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":44314173734991,"sku":"147-038-FS","price":75.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/b7deb9dce08fd7c6bc5affc9ff71662f.webp?v=1767738305"},{"product_id":"candey-banner-year-just-theory","title":"Candey: Banner Year","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/griffin-candey\"\u003eGriffin Candey (1988-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eConcert Band\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Banner Year (2026)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094011105\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 39\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 3'30\"\u003c\/p\u003e\n\u003cp\u003eBanner Year (2026) is a celebration of big, joyful, shattering change. There is a conflict of messaging: when facing pain or tragedy, we are often told that things change quickly—but when repairing, when rebuilding, when addressing systems, we are told that change must be slow, incremental. While there is some truth in that dichotomy (it is easier to unmake than to\nmake,) history teaches us that the work of dedicated and collaborative voices, those willing to weather the questions that any change brings, can bring about a new world virtually overnight. When we hope for change—when we work towards it—we do not always have to settle for the slow drip: when needed, we can be the flood.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstrumentation:\u003c\/strong\u003e Piccolo, Flute 1-2, Oboe 1-2, Clarinet 1-3, Bass Clarinet, Bassoon 1-2, Contrabassoon (opt.), Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Horn 1-4, Trumpet 1-3, Trombone 1-3, Euphonium, Tuba, Timpani, Percussion 1-5, Double Bass (opt.)\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":45176704663631,"sku":"JAT-147-043-SP","price":220.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":45176704696399,"sku":"JAT-147-043-FS","price":60.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e6f05ba10bd5d29a41c044ab2552e0fa.jpg?v=1778194299"}],"url":"https:\/\/www.ficksmusic.com\/collections\/griffin-candey.oembed","provider":"Ficks Music","version":"1.0","type":"link"}