{"title":"Cage: Concert for Piano and Orchestra (1958)","description":null,"products":[{"product_id":"cage-concert-for-piano-and-orchestra-peters","title":"Cage: Concert for Piano and Orchestra","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/john-cage\"\u003eJohn Cage (1912-1992)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Orchestra\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/collections\/cage-concert-for-piano-and-orchestra-1958\"\u003eConcert for Piano and Orchestra (1958)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790300734026\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e16.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 63\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Solo Part","offer_id":40622664122447,"sku":"EP6705","price":243.0,"currency_code":"USD","in_stock":true},{"title":"Conductor Part","offer_id":40622670970959,"sku":"EP6705-COND","price":9.75,"currency_code":"USD","in_stock":true},{"title":"Solo Part - 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Second Realization","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/john-cage\"\u003eJohn Cage (1912-1992)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eArranger\u003c\/strong\u003e: David Tudor\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: John Holzaepfel\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/collections\/cage-concert-for-piano-and-orchestra-1958\"\u003eSolo for Piano from Concert for Piano and Orchestra (1958)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9781987203042\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e10.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e7.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\"When I think of music, I think of you and vice-versa,\" John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudor—even if it was not written for the piano, Tudor's nominal instrument.\u003c\/p\u003e\n\u003cp\u003eThe collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cage's Concert for Piano and Orchestra (1957–58). None of Cage's previous works had employed more than a single type of notation. in contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write out—or realize—a performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture \"Indeterminacy,\" Tudor created a second realization, for which he devised a new temporal structure to implement Cage's notations.\u003c\/p\u003e\n\u003cp\u003eThis edition of Tudor's second realization of the Solo for Piano presents Tudor's performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudor's methods of realization; which notations from Cage's score Tudor selected and why; how Tudor interpreted Cage's often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudor's realization fulfills, transcends, and sometimes contravenes the instructions of Cage's score.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"A-R Editions","offers":[{"title":"Full Score","offer_id":46333505634383,"sku":"MU30B\/A087","price":143.5,"currency_code":"USD","in_stock":true},{"title":"Critical Commentary","offer_id":46333507731535,"sku":"MU30A\/A086","price":321.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/9d50e59d28bcd786bafd5d0dc63ea59c.jpg?v=1785532877"}],"url":"https:\/\/www.ficksmusic.com\/collections\/cage-concert-for-piano-and-orchestra-1958.oembed","provider":"Ficks Music","version":"1.0","type":"link"}